Victoria Hunter – författare

Moving Sites explores site-specific dance practice through a combination of analytical essays and practitioner accounts of their working processes. In offering this joint effort of theory and practice, it aims to provide dance academics, students and practitioners with a series of discussions that shed light both on approaches to making this type of dance practice, and evaluating and reflecting on it.The edited volume combines critical thinking from a range of perspectives including commentary and observation from the fields of dance studies, human geography and spatial theory in order to present interdisciplinary discourse and a range of critical and practice-led lenses through which this type of work can be considered and explored. In so doing, this book addresses the following questions: How do choreographers make site-specific dance performance?What occurs when a moving body engages with site, place and environment?How might we interpret, analyse and evaluate this type of dance practice through a range of theoretical lenses?How can this type of practice inform wider discussions of embodiment, site, space, place and environment?This innovative and exciting book seeks to move beyond description and discussion of site-specific dance as a spectacle or novelty and considers site-dance as a valid and vital form of contemporary dance practice that explores, reflects, disrupts, contests and develops understandings and practices of inhabiting and engaging with a range of sites and environments.Dr Victoria Hunter is Senior Lecturer in Dance at the University of Chichester.

Moving Sites explores site-specific dance practice through a combination of analytical essays and practitioner accounts of their working processes. In offering this joint effort of theory and practice, it aims to provide dance academics, students and practitioners with a series of discussions that shed light both on approaches to making this type of dance practice, and evaluating and reflecting on it.The edited volume combines critical thinking from a range of perspectives including commentary and observation from the fields of dance studies, human geography and spatial theory in order to present interdisciplinary discourse and a range of critical and practice-led lenses through which this type of work can be considered and explored. In so doing, this book addresses the following questions: How do choreographers make site-specific dance performance?What occurs when a moving body engages with site, place and environment?How might we interpret, analyse and evaluate this type of dance practice through a range of theoretical lenses?How can this type of practice inform wider discussions of embodiment, site, space, place and environment?This innovative and exciting book seeks to move beyond description and discussion of site-specific dance as a spectacle or novelty and considers site-dance as a valid and vital form of contemporary dance practice that explores, reflects, disrupts, contests and develops understandings and practices of inhabiting and engaging with a range of sites and environments.Dr Victoria Hunter is Senior Lecturer in Dance at the University of Chichester.

This collection comprises a comprehensive overview of key themes, arguments, and practices central to the study and understanding of site-specific performance.Its collected essays, case studies, and practitioner accounts represent a must-have resource that engages with established and emergent ideas, themes, and practices central to this performance sub-discipline. Acknowledging the interdisciplinary nature of this field emergent through the creation and presentation of performance in non-theatre spaces, the companion includes writing from scholars whose work intersects with ideas from a range of related fields including dance, theatre, dramaturgy, human geography, architecture, walking studies, and archaeology. Alongside theoretical discussions and case study examples, a section on methods and structures allows site-specific practitioners to illustrate a range of practical approaches, tasks, and modes of producing site-specific performance in a range of sites.This interdisciplinary survey brings together practices and voices from a wide range of global contexts, demonstrating and challenging the breadth of site-specific discourse. It provides a rich palette of perspectives, approaches, and ideas for students, academics, and researchers to draw from.

This edited collection of essays and artist reflections presents perspectives from arts and humanities researchers exploring how individuals and collectives engage with, relate to and experience environments. The term environment is broadly conceived in this volume and encompasses rural landscapes and nature spaces, urban and architectural sites, institutional, workplace and organisational spaces, domestic environments and public and private realms.Exploring what it means to encounter environments through embodied, artistic and reflexive practices, the essays and reflections draw on theoretical fields of feminist posthuman discourse, new materialism, anthropology, human geography, queer studies, performing and fine arts, art and health, psychology and ecological perspectives. Drawing on dialogues emerging from discursive border crossings between disciplines, Encountering Environments through the Arts includes contributions from the fields of dance, walking practice, sonic arts, visual art, cultural and human geography, somatic movement practice, poetry and architecture. This collection offers insights and reflections on environment and experience from a range of voices – established and emerging scholars, independent researchers and practitioner-researchers within and beyond the academy.Providing a truly interdisciplinary range of research that centres on notions of site-specific practice and experience, this is an invaluable contribution to performance studies and the wider field of arts and humanities. The reflective accounts and articulation of research methods and approaches make this volume ideal for undergraduate and postgraduate students as well as scholars and researchers of performance studies, dance and choreography studies, cultural studies, environmental humanities, arts and social sciences.

This edited collection of essays and artist reflections presents perspectives from arts and humanities researchers exploring how individuals and collectives engage with, relate to and experience environments. The term environment is broadly conceived in this volume and encompasses rural landscapes and nature spaces, urban and architectural sites, institutional, workplace and organisational spaces, domestic environments and public and private realms.Exploring what it means to encounter environments through embodied, artistic and reflexive practices, the essays and reflections draw on theoretical fields of feminist posthuman discourse, new materialism, anthropology, human geography, queer studies, performing and fine arts, art and health, psychology and ecological perspectives. Drawing on dialogues emerging from discursive border crossings between disciplines, Encountering Environments through the Arts includes contributions from the fields of dance, walking practice, sonic arts, visual art, cultural and human geography, somatic movement practice, poetry and architecture. This collection offers insights and reflections on environment and experience from a range of voices – established and emerging scholars, independent researchers and practitioner-researchers within and beyond the academy.Providing a truly interdisciplinary range of research that centres on notions of site-specific practice and experience, this is an invaluable contribution to performance studies and the wider field of arts and humanities. The reflective accounts and articulation of research methods and approaches make this volume ideal for undergraduate and postgraduate students as well as scholars and researchers of performance studies, dance and choreography studies, cultural studies, environmental humanities, arts and social sciences.

Site-based dance performance and sited movement explorations implicate dance makers, performers and audience members in a number of dialogical processes between body, site and environment. This book aims to articulate international approaches to the making, performing and theorising of site-based dance. Drawing on perspectives from three practitioner-academics based in three distinct world regions – Europe, North America and Oceania – the authors explore a range of practices that engage with sociocultural, political, ecological and economic discourses, and demonstrate how these discourses both frame and inform processes of site dance making as well as shape the ways in which such interventions are conceived and evaluated.Intended for artists, scholars and students, (Re)Positioning Site Dance is an important addition to the theoretical discourse on place and performance in an era of global sociopolitical and ecological transformation.

Walk through centuries of history and scenic beauty on the Fife Pilgrim Way, Scotland’s waymarked long-distance trail from North Queensferry or Culross to St Andrews. Covering approximately 103km (64 miles), this route links historic towns, quiet villages, and rolling countryside across the heart of Fife, offering a journey rich in heritage, coastal vistas, and peaceful rural landscapes. Designed to support walkers on their Fife pilgrimage, this guidebook brings together clear, step-by-step route guidance, essential mapping and practical insight, helping you walk with confidence whether you’re tackling the full trail or breaking it into shorter sections. With generally gentle terrain and a mix of country paths, farm tracks and quiet roads, the Fife Pilgrim Way is ideal for walkers seeking a beginner-friendly multi-day walk with depth and discovery at every stage. The route is split into 6 stages of between 14 and 16km, with an optional first stage from North Queensferry, each with detailed route description and 1:50,000 OS mapping for ease of navigation Practical planning tools such as a handy facilities planner, route summary tables and suggested itineraries ranging between 3 and 6 days allow you to tailor the Fife Pilgrim Way to your own pace and preferencesRefreshment and accommodation information is provided for each stage, and in key centres such as Dunfermline, Kinglassie and Glenrothes, along with public transport details, so you can arrange logistics without guessworkNotes on local history, archaeology, landscape and culture enrich the walking experience, illuminating the heritage of the Kingdom of Fife from medieval pilgrimage to industrial communitiesDownloadable GPX files are included for the entire Scottish long-distance trail, offering a digital navigation option for use on phones or GPS devices From the Burgh of Culross with its palace and abbey, or the iconic Forth Rail Bridge, through the historic streets of Dunfermline and the gentle rolling hills of central Fife, to the coastal grandeur of St Andrews, the Fife Pilgrim Way blends scenic walking with rich storytelling. Along the way, with the help of your trusted, comprehensive guidebook, you’ll discover ancient churches, medieval remains, former mining communities, parklands and quiet villages that together make this walk as much about place as distance.

How does the moving, dancing body engage with the materials, textures, atmospheres, and affects of the sites through which we move and in which we live, work and play?