Victoria Smith – författare

'Victoria Smith is a brilliant writer who every feminist should read' Sharron Davies'This brilliant book shows how demands for compassion and generosity can be a mask for sexist ideology' Susanna RustinA brilliantly witty and insightful analysis of how kindness culture is used against women.Using the #JustBeKind trend of the 2020s as a starting point, (Un)kind explores how traditional beliefs about women's 'kind' nature have been repackaged for an age that remains dependent - socially, politically, economically - on female self-sacrifice while finding the concept outdated and essentialist.Looking at the various guises under which kindness culture is sold to women and girls - from play to self-help, social justice activism to empowerment - Victoria Smith argues that the pressure on women and girls has not decreased, but instead been incorporated into the 'work' of feminism. (Un)kind analyses the way in which this phenomenon ultimately distorts relationships, harming not just those coerced into performing 'kindness work' but the supposed recipients of their services.Kindness culture supports the backlash against feminism while claiming to represent feminism's - and women's - true nature. It is, at heart, unkind.'Erudite, blisteringly smart and profoundly compassionate... A must-read for anyone hungry to understand the origins and dangers of contemporary exhortations to women to #BeKind, and for everyone who wants to live a feminist life' Dr Rachel HewittPRAISE FOR HAGS'The greatest joy of Hags is its lively erudition . . . eloquent, clever and devastating' The Times'A book that could not be more necessary' Observer'Brilliantly witty, engaging and insightful' Scotsman

Experience the electrifying magic of Coldplay live, as captured in this stunning celebration of one of the world’s biggest touring bands.Covering two decades of live performance, and featuring never-seen-before images shot through the lens of renowned music photographer, Victoria Smith follows Coldplay from their early days on stage right up to their current, record-breaking Music of the Spheres World Tour.These all-access images capture the dizzying energy of the band on stage, as well as more intimate and candid moments behind the scenes. This stunning coffee table book offers a beautifully curated collection that provides an unprecedented glimpse of what being on tour with global megastars looks like. It’s an essential addition to the collection of Coldplay fans and the millions who have attended their record-breaking concert performances.

'Victoria Smith is a brilliant writer who every feminist should read' Sharron Davies'Erudite, blisteringly smart and profoundly compassionate... A must-read for anyone hungry to understand the origins and dangers of contemporary exhortations to women to #BeKind, and for everyone who wants to live a feminist life' Dr Rachel HewittA brilliantly witty and insightful analysis of how kindness culture is used against women.Using the #JustBeKind trend of the 2020s as a starting point, (Un)kind explores how traditional beliefs about women's 'kind' nature have been repackaged for an age that remains dependent - socially, politically, economically - on female self-sacrifice while finding the concept outdated and essentialist.Looking at the various guises under which kindness culture is sold to women and girls - from play to self-help, social justice activism to empowerment - Victoria Smith argues that the pressure on women and girls has not decreased, but instead been incorporated into the 'work' of feminism. (Un)kind analyses the way in which this phenomenon ultimately distorts relationships, harming not just those coerced into performing 'kindness work' but the supposed recipients of their services.Kindness culture supports the backlash against feminism while claiming to represent feminism's - and women's - true nature. It is, at heart, unkind.PRAISE FOR HAGS'The greatest joy of Hags is its lively erudition . . . eloquent, clever and devastating' The Times'A book that could not be more necessary' Observer'Brilliantly witty, engaging and insightful' Scotsman

'Tackles the pervasive tide of unbridled misogyny masquerading as kindness' Julie Bindel'Victoria Smith is a brilliant writer who every feminist should read' Sharron Davies'This brilliant book shows how demands for compassion and generosity can be a mask for sexist ideology' Susanna Rustin(Un)kind is a coruscating account of the ways in which deeply-held beliefs about women's 'kind' nature have been repackaged for today's culture wars, in a society that remains dependent - socially, politically, economically - on female self-sacrifice.Kindness culture is sold to women and girls in a multitude of guises: from play to self-help, social justice activism to empowerment. Victoria Smith argues that the pressure on women and girls has been incorporated into the 'work' of feminism.A compelling account of the backlash against feminism, (Un)Kind is essential reading for anyone affected by the endless exhortations for women to #BeKind.'Brilliant... compelling' Lucy Mangan, The i 'Erudite, blisteringly smart and profoundly compassionate' Dr Rachel Hewitt

'Rich, complex and witty' ROSE GEORGE, SPECTATOR'Devastating and clever' BEL MOONEY, DAILY MAIL'Could not be more necessary' RACHEL COOKE, OBSERVERWhat is about women in their forties and beyond that seems to enrage - almost everyone?In the last few years, as identity politics have taken hold, middle-aged women have found themselves talked and written about as morally inferior beings: the face of bigotry, entitlement and selfishness, to be ignored, pitied or abused.In Hags, Victoria Smith asks why these women are treated with such active disdain. Each chapter takes a different theme - care work, beauty, violence, political organization, sex - and explores it in relation to middle-aged women's beliefs, bodies, histories and choices. Smith traces the attitudes she describes through history, and explores the very specific reasons why this type of misogyny is so very now. The result is a book that is absorbing, insightful, witty and bang on time.

SHORTLISTED FOR THE NERO PRIZE 2023'A book that could not be more necessary' Observer'Eloquent, clever and devastating' The Times'Deftly illustrates how ageist misogyny remains an acceptable prejudice' GuardianWhat is about women in middle-age and beyond that seems to enrage - almost everyone?In the last few years, as identity politics has taken hold, middle-aged women have found themselves talked and written about as morally inferior beings, the face of bigotry, entitlement and selfishness, to be ignored, pitied or abused.Hags asks the question why these women are treated with such active disdain. Each chapter takes a different theme - care work, beauty, violence, political organization, sex - and explores it in relation to middle-aged women's beliefs, bodies and choices. Victoria Smith traces the attitudes she describes back to the same anxieties about older women that drove Early Modern witch hunts, and explores the very specific reasons why this type of misogyny is so powerful today. The demonisation of hags has never felt more now.Victoria Smith has decided in this book that she will be the Karen so nobody else has to be, and she ends on a positive note, exploring potential solutions which can benefit all women, hags and hags-in-waiting.Shortlisted for the Nero Book Awards announced 21 November 2023.

Captivity was endemic in Arizona from the end of the Mexican-American War through its statehood in 1912. The practice crossed cultures: Native Americans, Mexican Americans, Mexicans, and whites kidnapped and held one another captive. Victoria Smith's narrative history of the practice of taking captives in early Arizona shows how this phenomenon held Arizonans of all races in uneasy bondage that chafed social relations during the era. It also maps the social complex that accompanied captivity, a complex that included orphans, childlessness, acculturation, racial constructions, redemption, reintegration, intermarriage, and issues of heredity and environment. This in-depth work offers an absorbing account of decades of seizure and kidnapping and of the different "captivity systems" operating within Arizona. By focusing on the stories of those taken captive—young women, children, the elderly, and the disabled, all of whom are often missing from southwestern history—Captive Arizona, 1851–1900 complicates and enriches the early social history of Arizona and of the American West.

As a young adolescent, Hollis Dorion Stabler underwent a Native ceremony in which he was given the new name Na-zhin-thia, Slow to Rise. It was a name that no white person asked to know during Hollis's tour of duty in Anzio, his unacknowledged difference as an Omaha Indian adding to the poignancy of his uneasy fellowship with foreign and American soldiers alike. Stabler's story—coming of age on the American plains, going to war, facing new estrangement upon coming home—is a universal one, rendered wonderfully strange and personal by Stabler's uncommon perspective, which embraces two worlds, and by his unique voice. Stabler's experiences during World War II—tours of duty in Tunisia and Morocco as well as Italy and France, and the loss of his brother in battle—are at the center of this powerful memoir, which tells of growing up as an Omaha Indian in the small-town Midwest of Nebraska, Iowa, Kansas, and Oklahoma in the 1920s and 1930s. A descendant of the Indians who negotiated with Lewis and Clark on the Missouri River, Stabler describes a childhood that was a curious mixture of progressivism and Indian tradition, and that culminated in his enlisting in the old horse cavalry when war broke out—a path not so very different from that walked by his ancestors. Victoria Smith, of Cherokee-Delaware descent, interweaves historical insight with Stabler's vivid reminiscences, providing a rich context for this singular life.

The Little Lark Still Sings is a true story of a quest for Italy’s sweet life gone awry, then becoming better than the dream. When Victoria and Larry, happily married for two decades, move to their favorite hilltown in Tuscany, what was a romantic adventure becomes an unexpected drama of perseverance and change. Every day new Italian adventures unfold: beauty, art, architecture, food, and history. But so do unexpected challenges of managing daily life in a foreign culture, surviving the chaos of construction, navigating narrow roads, longing for friends, stumbling with language, obeying rules they don’t understand or agree with — struggles that undermine Victoria’s confidence which, in turn, wear Larry’s patience thin. Though they share a dream, they discover their personal goals are different. His are to study and write, hers are to create the perfect Italian home and make friends. He needs quiet time; she needs his help. From the joys and near disasters of renovating an ancient stone farmhouse to celebrating their first Italian dinner party, Victoria learns about Italy, herself, and their marriage. In The Little Lark Still Sings, she shares their humorous and character-stretching experiences with insight and wisdom — offering lessons that enchant, encourage, and uplift.