Vijay Sharma – författare

An in-depth study of the innovation and range of Pahari painting that draws from one of the greatest collections ever assembled Artists in the Pahari kingdoms of India’s northwest Himalayas produced paintings for religious and courtly purposes from the seventeenth through the nineteenth century. Exhibiting vibrant color and containing distinctive cultural and historical content, these works have long attracted collectors from around the world. This lavishly illustrated volume focuses on a singularly brilliant collection—now split among the Cleveland Museum of Art, the Smithsonian’s National Museum of Asian Art, and the Cincinnati Art Museum—assembled from the 1960s to the early 2000s by Catherine Glynn Benkaim, a Pahari paintings scholar, and her husband. Foregrounding recent research and fieldwork, scholars show how intervalley mobility and an ancestral village-based artist culture can explain the surprising range of styles seen in paintings from this dramatic, mountainous region. Essays move beyond problematic court attributions and identifications of Mughal influence to reposition the agency of artists and patrons working in collaboration across boundaries of Pahari kingdoms at the forefront of artistic praxis. Many of these paintings are published here for the first time, along with discussions of their more recent histories, full translations of inscriptions, and the collector’s personal comments on the collecting of Pahari paintings. Distributed for the Cleveland Museum of Art Exhibition Schedule: Cleveland Museum of Art(April 19–August 16, 2026) National Museum of Asian Art, Washington DC(April 18–July 26, 2026) Cincinnati Art Museum(February 6–June 7, 2026)

This book is intended to provide a comprehensive understanding of the fundamental concepts and practical applications of Cytology and Genetics. It encompasses all aspects of the subject, including information on the microscope, cell division, Mendelian principles of heredity, linkage and detection, gene mapping through recombination, multiple alleles, and gene interaction and probability. The practical information outlined in this guide will be of great benefit to students and educators in the fields of Biological and Agricultural Sciences.

This edited volume presents a thorough compilation of the most recent advancements in plant breeding. It delves into a range of contemporary breeding and molecular techniques, detailing their importance, advantages, and drawbacks in the pursuit of increased crop production. This book is a valuable resource for educators, researchers, agricultural scientists, capacity builders, and policymakers who are seeking essential information. Moreover, graduate and undergraduate students studying agriculture and related disciplines can benefit from this book as a supplementary reading material.

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The present work endeavors to impart fundamental knowledge and practical approaches in the fields of Cytology and Genetics. Comprehensive coverage of topics related to cytology and genetics is provided, including information on the use of microscopes, cell division, Mendelian inheritance principles, linkage and its detection, gene mapping via recombination, multiple alleles, and gene interaction and probability. The practical guidance outlined in this text will be beneficial to students and educators in the fields of Biological and Agricultural Sciences.

Painting in the Kangra Valley is an attempt to survey the painting styles of Guler and Kangra, which flourished in the 18th and 19th centuries. The painting activity began with Kashmiri painters, who started receiving royal patronage during the reign of Raja Dalip Singh (1695−1741) of Guler. But it attained culmination during the long reign of Maharaja Sansar Chand (1776−1823) of Kangra. The royal atelier of Kangra produced a large number of paintings covering diverse subjects. The advent of the Bhakti movement in north India had a tremendous impact, resulting in a preference for Krishna themes for the artists of Guler and Kangra.The sentiment of love is the main subject of Guler-Kangra paintings. They illustrate the finest specimens of various kinds of nayika described by the Hindi poets of the riti genre. The female figures seen in these paintings are depicted as graceful and beautiful idealizations, handled by the painters with utmost delicacy and tenderness.Vijay Sharma’s analytical approach, based on facts, gives new insights into the origin and development of the Guler school and the marked influence of later Mughal painting on the styles of Manaku and Nainsukh. Featuring around 160 images this book is a significant read for researchers as well as connoisseurs.