Vincent Bruyere – författare
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In this experimental work of ecocriticism, Vincent Bruyere confronts the seeming pointlessness of the humanities amid spectacularly negative future projections of environmental collapse.
The vanitas paintings of the sixteenth and seventeenth centuries dazzlingly depict heaps of riches alongside skulls, shells, and hourglasses. Sometimes even featuring the illusion that their canvases are peeling away, vanitas images openly declare their own pointlessness in relation to the future. This book takes inspiration from the vanitas tradition to fearlessly contemplate the stakes of the humanities in the Anthropocene present, when the accumulated human record could well outlast the climate conditions for our survival. Staging a series of unsettling encounters with early modern texts and images whose claims of relevance have long since expired, Bruyere experiments with the interpretive affordances of allegory and fairytale, still life and travelogues. Each chapter places a vanitas motif—canvas, debris, toxics, paper, ark, meat, and light—in conversation with stories and images of the Anthropocene, from the Pleistocene Park geoengineering project to toxic legacies to in-vitro meat.
Considering questions of quiet erasure and environmental memory, this book argues we ought to keep reading, even by the flickering light of extinction.
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This book examines what it means to live in an epidemiological reality, exploring the worldbuilding properties of epidemiology through the lens of critical theory, literary analysis, and visual culture. Whether we want it or not, we live in a world made of statistical correlations, risk factors, and social determinants of health, animal reservoirs and spillovers, containment strategies and curves to be flattened, prophylactic measures, and syndromic surveillance systems detecting in real-time potential outbreaks. This book uses a series of vignettes to show that we have lived in a version of that reality for quite some time now, even before the formalization of epidemiological tools and concepts at the beginning of the twentieth century.