Vincent Bruyere – författare

The Svalbard Global Seed Vault project is an arctic archive designed to preserve the world’s agricultural biodiversity. What do it and other novel forms of storage tell us about our relationship to the future in a time of resource depletion and extinction scenarios? In this innovative book, Vincent Bruyere offers an invitation to look at the present we live in through a fresh lens: the difference between storage and burial in the age of sustainability science.Perishability Fatigue considers questions of permanence and the potentiality of retrieval, noting the tensions within our collective sense of time and finitude. Bruyere reflects on the nature and significance of perishability, asking what it means to have one’s sense of temporality engendered by seed banks and frozen embryo storage, genetically modified organisms and the “de-extinction” of species, nuclear-waste repositories, oncology, and palliative care. He draws attention to the scripts and scenarios that mediate our relations to loss and decay, preservation and conservation, emphasizing the inequalities implicit in technologies of perishability, which promise continuity in the future to some while refusing it to others. A highly interdisciplinary study, Perishability Fatigue reframes the environmental humanities and humanistic inquiry into sustainability science by developing a new language to commemorate fatigue and transience in a culture of preparedness and survival.

The Svalbard Global Seed Vault project is an arctic archive designed to preserve the world’s agricultural biodiversity. What do it and other novel forms of storage tell us about our relationship to the future in a time of resource depletion and extinction scenarios? In this innovative book, Vincent Bruyere offers an invitation to look at the present we live in through a fresh lens: the difference between storage and burial in the age of sustainability science.Perishability Fatigue considers questions of permanence and the potentiality of retrieval, noting the tensions within our collective sense of time and finitude. Bruyere reflects on the nature and significance of perishability, asking what it means to have one’s sense of temporality engendered by seed banks and frozen embryo storage, genetically modified organisms and the “de-extinction” of species, nuclear-waste repositories, oncology, and palliative care. He draws attention to the scripts and scenarios that mediate our relations to loss and decay, preservation and conservation, emphasizing the inequalities implicit in technologies of perishability, which promise continuity in the future to some while refusing it to others. A highly interdisciplinary study, Perishability Fatigue reframes the environmental humanities and humanistic inquiry into sustainability science by developing a new language to commemorate fatigue and transience in a culture of preparedness and survival.

In this experimental work of ecocriticism, Vincent Bruyere confronts the seeming pointlessness of the humanities amid spectacularly negative future projections of environmental collapse.The vanitas paintings of the sixteenth and seventeenth centuries dazzlingly depict heaps of riches alongside skulls, shells, and hourglasses. Sometimes even featuring the illusion that their canvases are peeling away, vanitas images openly declare their own pointlessness in relation to the future. This book takes inspiration from the vanitas tradition to fearlessly contemplate the stakes of the humanities in the Anthropocene present, when the accumulated human record could well outlast the climate conditions for our survival. Staging a series of unsettling encounters with early modern texts and images whose claims of relevance have long since expired, Bruyere experiments with the interpretive affordances of allegory and fairytale, still life and travelogues. Each chapter places a vanitas motif—canvas, debris, toxics, paper, ark, meat, and light—in conversation with stories and images of the Anthropocene, from the Pleistocene Park geoengineering project to toxic legacies to in-vitro meat.Considering questions of quiet erasure and environmental memory, this book argues we ought to keep reading, even by the flickering light of extinction.

In this experimental work of ecocriticism, Vincent Bruyere confronts the seeming pointlessness of the humanities amid spectacularly negative future projections of environmental collapse.The vanitas paintings of the sixteenth and seventeenth centuries dazzlingly depict heaps of riches alongside skulls, shells, and hourglasses. Sometimes even featuring the illusion that their canvases are peeling away, vanitas images openly declare their own pointlessness in relation to the future. This book takes inspiration from the vanitas tradition to fearlessly contemplate the stakes of the humanities in the Anthropocene present, when the accumulated human record could well outlast the climate conditions for our survival. Staging a series of unsettling encounters with early modern texts and images whose claims of relevance have long since expired, Bruyere experiments with the interpretive affordances of allegory and fairytale, still life and travelogues. Each chapter places a vanitas motif—canvas, debris, toxics, paper, ark, meat, and light—in conversation with stories and images of the Anthropocene, from the Pleistocene Park geoengineering project to toxic legacies to in-vitro meat.Considering questions of quiet erasure and environmental memory, this book argues we ought to keep reading, even by the flickering light of extinction.

This book examines what it means to live in an epidemiological reality, exploring the worldbuilding properties of epidemiology through the lens of critical theory, literary analysis, and visual culture. Whether we want it or not, we live in a world made of statistical correlations, risk factors, and social determinants of health, animal reservoirs and spillovers, containment strategies and curves to be flattened, prophylactic measures, and syndromic surveillance systems detecting in real-time potential outbreaks. This book uses a series of vignettes to show that we have lived in a version of that reality for quite some time now, even before the formalization of epidemiological tools and concepts at the beginning of the twentieth century.