Vincent Carretta – författare

Honorable Mention, Modern Language Association Prize for a Scholarly Edition, Modern Language AssociationThis edition includes all of the known surviving writings of the poet Phillis Wheatley Peters (1753-1784), several of which have been discovered since the last attempt at a complete edition was published in 2001. Of the fifty-seven poems, as well as their authoritative variants, forty-six were published during her lifetime. Versions of nine of them were published before September 1773. Wheatley Peters published thirty-eight works in Poems on Various Subjects, Religious and Moral (London, 1773). Only seven of her poems were published between 1773 and her death in 1784. Eleven poems survive only in manuscript versions. This edition also includes all of Wheatley Peters' extant prose writings: twenty-three letters and four subscription proposals. It includes as well the three known surviving letters written to Wheatley Peters. Wheatley Peters' writings are accompanied by an Introduction to her life and times, as well as extensive textual and explanatory notes.

This edition includes all of the known surviving writings of the poet Phillis Wheatley (1753-1784), several of which have been discovered since the last attempt at a complete edition was published in 2001. Of the fifty-seven poems, as well as their authoritative variants, forty-six were published during her lifetime. Versions of nine of them were published before September 1773. Wheatley published thirty-eight works in Poems on Various Subjects, Religious and Moral (London, 1773). Only seven of her poems were published between 1773 and her death in 1784. Eleven poems survive only in manuscript versions. This edition also includes all of Wheatley's extant prose writings: twenty-three letters and four subscription proposals. It includes as well the three known surviving letters written to Wheatley. Wheatley's writings are accompanied by an Introduction to her life and times, as well as extensive textual and explanatory notes.

Until fairly recently, critical studies and anthologies of African American literature generally began with the 1830s and 1840s. Yet there was an active and lively transatlantic black literary tradition as early as the 1760s. Genius in Bondage situates this literature in its own historical terms, rather than treating it as a sort of prologue to later African American writings. The contributors address the shifting meanings of race and gender during this period, explore how black identity was cultivated within a capitalist economy, discuss the impact of Christian religion and the Enlightenment on definitions of freedom and liberty, and identify ways in which black literature both engaged with and rebelled against Anglo-American culture.

In Unchained Voices, Vincent Carretta has assembled the most comprehensive anthology ever published of writings by eighteenth-century people of African descent, enabling many of these authors to be heard for the first time in two centuries.Their writings reflect the surprisingly diverse experiences of blacks on both sides of the Atlantic-America, Britain, the West Indies, and Africa-between 1760 and 1798. Letters, poems, captivity narratives, petitions, criminal autobiographies, economic treatises, travel accounts, and antislavery arguments were produced during a time of various and changing political and religious loyalties. Although the theme of liberation from physical or spiritual captivity runs throughout the collection, freedom also clearly led to hardship and disappointment for a number of these authors.Briton Hammon, James Albert Ukawsaw Gronniosaw, John Marrant, Ignatius Sancho, Ottobah Cugoano, and Olaudah Equiano told their stories as Afro-Britons who recognized the sovereignty of George III; Johnson Green, Belinda, Benjamin Banneker, and Venture Smith spoke and wrote as African Americans n the United States; Phillis Wheatley, initially an Afro-British poet, later chose an African American identity; Francis Williams and George Liele wrote in Jamaica; David George and Boston King, having served with the British forces in the American Revolution and later lived in Canada, composed their narratives as British subjects in the newly established settlement in Sierra Leone, Africa.In his introduction, Carretta reconstructs the historical and cultural context of the works, emphasizing the constraints of the eighteenth-century genres under which these authors wrote. The texts and annotations are based on extensive research in both published and manuscript holdings of archives in the United States and the United Kingdom. Appropriate for undergraduates as well as for scholars, Unchained Voices gives a clear sense of the major literary and cultural issues at the heart of African literature written in English.

This new edition of Phillis Wheatley Peters is the first full-length biography of the poet whose remarkable odyssey took her from being a child enslaved in Africa to becoming an international celebrity by the time she was in her early twenties, only to fall into relative obscurity when she died in 1784 at barely the age of thirty.Introduced to Benjamin Franklin in London, praised by her correspondent George Washington, and criticized by Thomas Jefferson, Phillis Wheatley (later Peters) laid claim to being the virtual poet laureate during the American Revolution as well as in the new United States. She overcame contemporaneous restraints of age, gender, race, and social status to assert her position as the unofficial spokesperson and critical observer of the nation that claimed to be founded on the principle that all men are created equal.Grounded in extensive primary research, Phillis Wheatley Peters recovers her life and times and reclaims the recognition and status she deserves as a heroic literary and political figure in an age of heroes. She is indisputably the founder of African American literature. Contemporary African American authors, including Nikki Giovanni, Amanda Gorman, Honorée Fanonne Jeffers, June Jordan, and Alice Walker, celebrate Phillis Wheatley Peters’s transcendent literary achievement and influence.This new edition incorporates significant discoveries that Vincent Carretta and others have made since the book’s initial publication about Wheatley’s education, affiliations, activities, publications, marriage, husband, maternity, later years, and the posthumous survival of the manuscript of her proposed second volume of writings. Moreover, this new edition gives Carretta the opportunity to reconsider some previously available evidence.

In 1773 Phillis Wheatley Peters became the first person of African descent to publish a book, when she was barely twenty years old, and still enslaved. Her book made her the earliest international celebrity of African descent, just a dozen years after she had been brought from Africa to America. She became the unofficial poet laureate of the American Revolution, only to die in poverty and relative obscurity in 1784. Recent biographical discoveries related to John Peters and Phillis Wheatley's marriage to him in 1778 have led to significant reassessments of her life and character. As the Cambridge Introduction to Phillis Wheatley Peters demonstrates, she has subsequently become recognized as a pioneer of American and African American literature. Her standing as a transnational literary figure is increasingly appreciated as criticism of her writings has become more sophisticated.

In 1773 Phillis Wheatley Peters became the first person of African descent to publish a book, when she was barely twenty years old, and still enslaved. Her book made her the earliest international celebrity of African descent, just a dozen years after she had been brought from Africa to America. She became the unofficial poet laureate of the American Revolution, only to die in poverty and relative obscurity in 1784. Recent biographical discoveries related to John Peters and Phillis Wheatley's marriage to him in 1778 have led to significant reassessments of her life and character. As the Cambridge Introduction to Phillis Wheatley Peters demonstrates, she has subsequently become recognized as a pioneer of American and African American literature. Her standing as a transnational literary figure is increasingly appreciated as criticism of her writings has become more sophisticated.