Virgina Woolf – författare

Mrs. Dalloway (1925) is a novel by Virginia Woolf. Adapted from two short stories, “Mrs. Dalloway in Bond Street” and “The Prime Minister,” Mrs. Dalloway is a moving portrait of a day in the life of one woman, her thoughts and perceptions, and the influence of war on the human psyche. Recognized as one of Woolf’s most important works, Mrs. Dalloway is often considered one of the greatest English language novels of the twentieth century. In the aftermath of the Great War, two Londoners lead vastly different lives. Each of them, in their own way, has been impacted by violence—one, Clarissa Dalloway, has had her aristocratic lifestyle interrupted and struggles to reconcile her idyllic past with a present reeling from conflict; the other, Septimus Warren Smith, is a wounded veteran left to fend for himself on the streets of England’s capital. Throughout the day, as Mrs. Dalloway readies herself and her home for a party in the evening, she muses on her youth in the countryside and fantasizes about leaving her husband Richard. Across the city, Septimus lives in a park with his estranged Italian wife, Lucrezia. Suffering from a mental breakdown, he is struck with a series of powerful hallucinations and ultimately taken to a nearby psychiatric hospital. Well educated and decorated in battle, he has been left behind by the society he fought to protect, the very society gathering that night at Mrs. Dalloway’s opulent home. With a beautifully designed cover and professionally typeset manuscript, this edition of Virginia Woolf’s Mrs. Dalloway is a classic work of English literature reimagined for modern readers.

“No plainer manifestation of the modernist trend in contemporary English fiction may be found than in Virginia Woolf’s Jacob’s Room”-The New York Times“I have seldom read a cleverer book…it is exquisitely written, but the characters do not vitally survive in the mind because the author has been obsessed by details of originality and cleverness.”-Arnold BennettVirginia Woolf’s third novel, Jacob’s Room (1922), is a penetrating look at one man’s life from childhood until his untimely death in the first World War. On the surface, this could be considered an anti-war novel, yet it is a wildly inventive experimental work that dispels traditional forms of narration. The nebulous central character, Jacob Flanders, is strangely is absent from the novel, yet the spaces he traversed are not. In telling the story of Jacob through the perspective of the characters he encountered through his short life, Woolf has created an exceptional contemplation of memory, time, and identity. Subverting the bildungsroman genre, Jacob’s Room recounts a short and unsettled life through related incidents, fleeting impression, and delirious stream-of-conscience passages. Through an almost cinematic lens, glimpses of Jacob’s early life are recollected through his mother; the idyllic time spent with her children and her uneasy experiences living a widower’s life. Through other voices, Jacob arrives at Cambridge, where he is able to socially integrate despite his humble upbringings. After graduating, he leaves for London, where he interacts with a wide range of individuals, both impoverished and from the wealthy class; yet he never fully connects to a meaningful human relationship. Jacob, questioning whether he is a failure, decides to leave London and travels to Greece. Fortunes abroad turn precarious, and he returns to London only to be sent off to the war, where he is killed in action. As E.M. Forester remarked at the publication of Jacob’s Room, “A new type of fiction has swum into view.” Woolf has created a transformative reading experience conveying the emptiness of one individual’s life by leaving out the traditional elements of plot and character, yet she manages to question the ways we fail to see each other as we actually are.With an eye-catching new cover, and professionally typeset manuscript, this edition of Jacob’s Room is both modern and readable.

“No plainer manifestation of the modernist trend in contemporary English fiction may be found than in Virginia Woolf’s Jacob’s Room”-The New York Times“I have seldom read a cleverer book…it is exquisitely written, but the characters do not vitally survive in the mind because the author has been obsessed by details of originality and cleverness.”-Arnold BennettVirginia Woolf’s third novel, Jacob’s Room (1922), is a penetrating look at one man’s life from childhood until his untimely death in the first World War. On the surface, this could be considered an anti-war novel, yet it is a wildly inventive experimental work that dispels traditional forms of narration. The nebulous central character, Jacob Flanders, is strangely is absent from the novel, yet the spaces he traversed are not. In telling the story of Jacob through the perspective of the characters he encountered through his short life, Woolf has created an exceptional contemplation of memory, time, and identity. Subverting the bildungsroman genre, Jacob’s Room recounts a short and unsettled life through related incidents, fleeting impression, and delirious stream-of-conscience passages. Through an almost cinematic lens, glimpses of Jacob’s early life are recollected through his mother; the idyllic time spent with her children and her uneasy experiences living a widower’s life. Through other voices, Jacob arrives at Cambridge, where he is able to socially integrate despite his humble upbringings. After graduating, he leaves for London, where he interacts with a wide range of individuals, both impoverished and from the wealthy class; yet he never fully connects to a meaningful human relationship. Jacob, questioning whether he is a failure, decides to leave London and travels to Greece. Fortunes abroad turn precarious, and he returns to London only to be sent off to the war, where he is killed in action. As E.M. Forester remarked at the publication of Jacob’s Room, “A new type of fiction has swum into view.” Woolf has created a transformative reading experience conveying the emptiness of one individual’s life by leaving out the traditional elements of plot and character, yet she manages to question the ways we fail to see each other as we actually are.With an eye-catching new cover, and professionally typeset manuscript, this edition of Jacob’s Room is both modern and readable.