Virlana Tkacz – författare

The study of modernism has been largely focused on Western cultural centres such as Paris, Vienna, London, and New York. Extravagantly illustrated with over 300 photos and reproductions, Modernism in Kyiv demonstrates that the Ukrainian capital was a major centre of performing and visual arts as well as literary and cultural activity. While arguing that Kyiv's modernist impulse is most prominently displayed in the experimental work of Les Kurbas, one of the masters of the early Soviet stage, the contributors also examine the history of the city and the artistic production of diverse groups including Ukrainians, Russians, Jews, and Poles.Until now a silent presence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here restored to its historical, intellectual, and artistic complexity. Excerpts taken from the works of artists, writers, and critics as well as the numerous illustrations help give life to the exciting creativity of this period. The first book-length examination of this subject, Modernism in Kyiv is a breakthrough accomplishment that will become a standard volume in the field.

The study of modernism has been largely focused on Western cultural centres such as Paris, Vienna, London, and New York. Extravagantly illustrated with over 300 photos and reproductions, Modernism in Kyiv demonstrates that the Ukrainian capital was a major centre of performing and visual arts as well as literary and cultural activity. While arguing that Kyiv's modernist impulse is most prominently displayed in the experimental work of Les Kurbas, one of the masters of the early Soviet stage, the contributors also examine the history of the city and the artistic production of diverse groups including Ukrainians, Russians, Jews, and Poles.Until now a silent presence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here restored to its historical, intellectual, and artistic complexity. Excerpts taken from the works of artists, writers, and critics as well as the numerous illustrations help give life to the exciting creativity of this period. The first book-length examination of this subject, Modernism in Kyiv is a breakthrough accomplishment that will become a standard volume in the field.

The study of modernism has been largely focused on Western cultural centres such as Paris, Vienna, London, and New York. Extravagantly illustrated with over 300 photos and reproductions, Modernism in Kyiv demonstrates that the Ukrainian capital was a major centre of performing and visual arts as well as literary and cultural activity. While arguing that Kyiv's modernist impulse is most prominently displayed in the experimental work of Les Kurbas, one of the masters of the early Soviet stage, the contributors also examine the history of the city and the artistic production of diverse groups including Ukrainians, Russians, Jews, and Poles.Until now a silent presence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here restored to its historical, intellectual, and artistic complexity. Excerpts taken from the works of artists, writers, and critics as well as the numerous illustrations help give life to the exciting creativity of this period. The first book-length examination of this subject, Modernism in Kyiv is a breakthrough accomplishment that will become a standard volume in the field.

An intimate account of an ancient shamanic ritual of Siberia • Illustrated with vivid, full-color photographs throughout • Details the many preparations and ritual objects as well as the struggles of the shamans to complete the ceremony successfully Near the radiant blue waters of Lake Baikal, in the lands where Mongolia, Siberia, and China meet, live the Buryats, an indigenous people little known to the Western world. After seventy years of religious persecution by the Soviet government, they can now pursue their traditional spiritual practices, a unique blend of Tibetan Buddhism and shamanism. There are two distinct shamanic paths in the Buryat tradition: Black shamanism, which draws power from the earth, and White shamanism, which draws power from the sky. In the Buryat Aga region, Black and White shamans conduct rituals together, for the Buryats believe that they are the children of the Swan Mother, descendants of heaven who can unite both sides in harmony. Providing an intimate account of one of the Buryats’ most important shamanic rituals, this book documents a complete Shanar, the ceremony in which a new shaman first contacts his ancestral spirits and receives his power. Through dozens of full-color photographs, the authors detail the preparations of the sacred grounds, ritual objects, and colorful costumes, including the orgay, or shaman’s horns, and vividly illustrate the dynamic motions of the shamans as the spirits enter them. Readers experience the intensity of ancient ritual as the initiate struggles through the rites, encountering unexpected resistance from the spirit world, and the elder shamans uncover ancient grievances that must be addressed before the Shanar can be completed successfully. Interwoven with beautiful translations of Buryat ceremonial songs and chants, this unprecedented view of one of the world’s oldest shamanic traditions allows readers to witness extraordinary forces at work in a ritual that culminates in a cleansing blessing from the heavens themselves.