Vittorio Cotesta – författare

Who was Max Weber? How did he live? What were his dreams, desires and designs? What relationship existed between his life, his illness and his work? Why are his studies of capitalism and China still so important today?This book throws light on a problem-riddled Weber, a man lacerated by tragic contradictions, a great intellectual, nationalistic yet cosmopolitan. This investigation of his private life reveals a tender, impassioned man, who, at a time of overwhelming conflict, sought true life in love. Whether Confucianism impeded the birth of modern capitalism in China remains a controversial issue. Equally problematic is the theory of the Calvinistic origins of European capitalism. Weber, however, answers both questions in an original manner, while also providing a lesson in methodology which remains unparalleled to date. A century after his death, Max Weber remains a controversial figure of the political and social sciences.

One might be surprised, astonished or indignant seeing men and women prostrating themselves in front of other men and other women. Or one might feel it is right to bow down before God, Allah, the saints, the Holy Virgin or the gods. Kings into Gods: How Prostration Shaped Eurasian Civilizations investigates the reasons why men prostrate themselves before deities or before powerful men. Through an in-depth historical and cultural analysis, this book highlights the connection between rituality and royalty within the Eurasian civilizations. The narrative and iconic documentation gathered and analyzed concerns the Greek and Roman world, the Mongolian civilization during the Middle Ages, the Hindu and Chinese civilizations, the Islamic civilization in India in the fourteenth century, the Mughal civilization and European civilization in the late Middle Ages. The different forms of the rituals in the courts of kings and emperors are tightly connected with the concept of royalty. The prostration is an act of humiliation of defeated enemies, a means to establish a abysmal distance between powerful elite and the people, a way of creating hierarchies within the elite itself.

Vittorio Cotesta’s The Heavens and the Earth traces the origin of the images of the world typical of the Graeco-Roman, Ancient Chinese and Medieval Islamic civilisations. Each of them had its own peculiar way of understanding the universe, life, death, society, power, humanity and its destiny. The comparative analysis carried out here suggests that they all shared a common human aspiration despite their differences: human being is unique; differences are details which enrich its image.Today, the traditions derived from these civilisations are often in competition and conflict. Reference to a common vision of humanity as a shared universal entity should lead, instead, to a quest for understanding and dialogue.