Viv Gardner - Böcker
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3 produkter
3 produkter
364 kr
Skickas inom 5-8 vardagar
The first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre.
364 kr
Skickas inom 5-8 vardagar
This groundbreaking book shows how female performers - one of the first groups of professional women - used and still use autobiography and performance as both a means of expression and control of their private and public selves, the 'face and the mask'. It looks at how a range of women in the theatre - actors, managers, writers and live artists - have done this on the page and on the stage from the late eighteenth-century to the present day, testing the boundaries between gender, theatre and autobiographical form. This paperback edition facilitates connections - between texts and performances, past and present practitioners, professional and private selves, individuals and communities, all of which have in some way renegotiated identity through autobiography and the creative act.'Auto/biography and identity' is a landmark in theatre history and performance analysis, in gender and cultural theory, and autobiographical studies.
1 311 kr
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With the outbreak of World War I, German-born Kitty Marion, suspected of being a German spy and placed under surveillance, sailed from Liverpool for New York. She left a dramatic and colourful life behind: a hectic and fascinating 20-year career as a performer crisscrossing Britain first as a singer, dancer and actress on the musical comedy and pantomime stage, and then in music hall as a ‘refined comedienne’. She campaigned against the sexual abuses rife in the theatre of the day which led her eventually into the suffragette movement where she became a ‘notorious’ militant, responsible for numerous acts of arson. She was imprisoned, went on hunger-strike, and was force-fed more than 300-times. In America, she became a celebrated ‘foot-soldier’ in Margaret Sanger’s birth control movement. Her autobiography, written in the 1930s is published here for the first time.