Vivian Bickford-Smith - Böcker

Nineteenth-century Cape Town, the capital of the British Cape Colony, was conventionally regarded as a liberal oasis in an otherwise racist South Africa. Longstanding British influence was thought to mitigate the racism of the Dutch settlers and foster the development of a sophisticated and colour-blind English merchant class. Vivian Bickford-Smith skilfully interweaves political, economic and social analysis to show that the English merchant class, far from being liberal, were generally as racist as Afrikaner farmers. Theirs was, however, a peculiarly English discourse of race, mobilised around a 'Clean Party' obsessed with sanitation and the dangers posed by 'un-English' Capetonians in a period of rapid urbanisation brought about by the discovery of diamonds and gold in the interior. This original contribution to South African urban history draws on comparative material from other colonial port towns and on relevant studies of the Victorian city.

Black and White in Colour: African History on Screen considers how the African past has been represented in a wide range of historical films. Written by a team of eminent international scholars, the volume provides extensive coverage of both place and time and deals with major issues in the written history of Africa. Themes include the slave trade, imperialism and colonialism, racism, and anticolonial resistance. Many of the films will be familiar to readers: they include Out of Africa, Hotel Rwanda, Breaker Morant, Cry Freedom, The Battle of Algiers, and Chocolat.This collection of essays is a highly original and useful contribution to African historiography, as well as a significant addition to the growing body of work within the emerging subdiscipline of "film and history." It will appeal to those interested in African history and the ways in which films use the past to raise questions about the present.Contributors: Mahir Saul, Ralph A. Austen, Robert Baum, Robert Harms, Nigel Worden, Carolyn Hamilton and Litheko Modisane, Richard Mendelsohn, Shamil Jeppie, Bill Nasson, Nigel Penn, Ruth Watson, Patrick Harries, David Moore, Teresa Barnes, Vivian Bickford-Smith, Mohamed Adhikari, and David Philips.

Focusing on South Africa's three main cities - Johannesburg, Cape Town, and Durban - this book explores South African urban history from the late nineteenth century onwards. In particular, it examines the metropolitan perceptions and experiences of both black and white South Africans, as well as those of visitors, especially visitors from Britain and North America. Drawing on a rich array of city histories, travel writing, novels, films, newspapers, radio and television programs, and oral histories, Vivian Bickford-Smith focuses on the consequences of the depictions of the South African metropolis and the 'slums' they contained, and especially on how senses of urban belonging and geography helped create and reinforce South African ethnicities and nationalisms. This ambitious and pioneering account, spanning more than a century, will be welcomed by scholars and students of African history, urban history, and historical geography.

Focusing on South Africa's three main cities - Johannesburg, Cape Town, and Durban - this book explores South African urban history from the late nineteenth century onwards. In particular, it examines the metropolitan perceptions and experiences of both black and white South Africans, as well as those of visitors, especially visitors from Britain and North America. Drawing on a rich array of city histories, travel writing, novels, films, newspapers, radio and television programs, and oral histories, Vivian Bickford-Smith focuses on the consequences of the depictions of the South African metropolis and the 'slums' they contained, and especially on how senses of urban belonging and geography helped create and reinforce South African ethnicities and nationalisms. This ambitious and pioneering account, spanning more than a century, will be welcomed by scholars and students of African history, urban history, and historical geography.