Vladimir Braginsky – författare

This book represents the first ever published introduction to the comparative study of traditional Asian literatures, embracing three vast literary zones: Arab-Islamic, Indo-South East Asian and Sino-Far Eastern. The aim of the book is to outline the main properties of Asian literatures in the period of 'reflective traditionalism' (the early centuries CE to the first half of the 19th century), when the creation of a vast body of aesthetically significant works was coupled with the emergence of literary self-awareness: when the nature of the creative process, the poetics and functions of the literary works, and the ways of their influence on the reader were thoroughly comprehended and committed to writing for the first time.The book is intended for specialists in Asian literatures, comparative literature, and literary theory, and for students of these topics.

With particular emphasis on history, religion, literature and arts, this collection provides a multifaceted and representative picture of the classical civilizations of South-East Asia which will be of interest for comparative and cross-disciplinary studies in this field, as well as providing a number of historical and literary documents and translations of great scholarly value.

With particular emphasis on history, religion, literature and arts, this collection provides a multifaceted and representative picture of the classical civilizations of South-East Asia which will be of interest for comparative and cross-disciplinary studies in this field, as well as providing a number of historical and literary documents and translations of great scholarly value.

This book represents the first ever published introduction to the comparative study of traditional Asian literatures, embracing three vast literary zones: Arab-Islamic, Indo-South East Asian and Sino-Far Eastern. The aim of the book is to outline the main properties of Asian literatures in the period of 'reflective traditionalism' (the early centuries CE to the first half of the 19th century), when the creation of a vast body of aesthetically significant works was coupled with the emergence of literary self-awareness: when the nature of the creative process, the poetics and functions of the literary works, and the ways of their influence on the reader were thoroughly comprehended and committed to writing for the first time.The book is intended for specialists in Asian literatures, comparative literature, and literary theory, and for students of these topics.