W. Dean Sutcliffe – författare
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6 produkter
Haydn Studies
Häftad, 2006
821 kr
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The advances in Haydn scholarship would have been unthinkable to earlier generations, who honoured the composer more in word than in deed. Haydn Studies deals with many aspects of a composer who is perennially fresh, concentrating principally on matters of reception, style and aesthetics and …
The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style
Häftad, 2008
838 kr
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W. Dean Sutcliffe investigates one of the greatest yet least understood repertories of Western keyboard music: the 555 keyboard sonatas of Domenico Scarlatti. Scarlatti occupies a position of solitary splendour in musical history. The sources of his style are often obscure and his immediate …
Haydn: String Quartets, Op. 50
Av W. Dean Sutcliffe, W. Dean Sutcliffe m. fl.
Häftad, 1992
266 kr
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The Op. 50 string quartets contain some of the purest writing Haydn ever accomplished. In this first full account of these six quartets Dean Sutcliffe evaluates the Op. 50 in relation to Haydn's more frequently performed quartets and considers their relevance to the composer's wider output. A lucid …
Haydn Studies
Inbunden, 1998
1928 kr
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The advances in Haydn scholarship would have been unthinkable to earlier generations, who honoured the composer more in word than in deed. Haydn Studies deals with many aspects of a composer who is perennially fresh, concentrating principally on matters of reception, style and aesthetics and …
Instrumental Music in an Age of Sociability
Haydn, Mozart and Friends
Häftad, 2023
502 kr
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Sociability may be a key term of reference for eighteenth-century studies as a whole, but it has not yet developed an especially strong profile in music scholarship. Many of the associations that it brings do not fit comfortably with a later imperative of individual expression. W. Dean Sutcliffe …
Instrumental Music in an Age of Sociability
Haydn, Mozart and Friends
Inbunden, 2019
2724 kr
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Sociability may be a key term of reference for eighteenth-century studies as a whole, but it has not yet developed an especially strong profile in music scholarship. Many of the associations that it brings do not fit comfortably with a later imperative of individual expression. W. Dean Sutcliffe …