W. G. Sebald – författare

Austerlitz is W. G. Sebald's haunting novel of post-war Europe.In 1939, five-year-old Jacques Austerlitz is sent to England on a Kindertransport and placed with foster parents. This childless couple promptly erase from the boy all knowledge of his identity and he grows up ignorant of his past. Later in life, after a career as an architectural historian, Austerlitz - having avoided all clues that might point to his origin - finds the past returning to haunt him and he is forced to explore what happened fifty years before. Austerlitz is W.G. Sebald's melancholic masterpiece.'Mesmeric, haunting and heartbreakingly tragic. Simply no other writer is writing or thinking on the same level as Sebald' Eileen Battersby, Irish Times'Greatness in literature is still possible' John Banville, Irish Times, Books of the Year'A work of obvious genius' Literary Review'A fusion of the mystical and the solid ... His art is a form of justice - there can be, I think, no higher aim' Evening Standard'Spellbindingly accomplished; a work of art' The Times Literary Supplement 'I have never read a book that provides such a powerful account of the devastation wrought by the dispersal of the Jews from Prague and their treatment by the Nazis' Observer'A great book by a great writer' Boyd Tonkin, IndependentW . G. Sebald was born in Wertach im Allgäu, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, A Place in the Country. His selected poetry is published in a volume called Across the Land and the Water.

A classic novel of post-war Europe, haunting and timelessly beautiful'The greatest writer of our time' Peter CareyIn 1939, five-year-old Jacques Austerlitz is sent to England on a Kindertransport and placed with foster parents. This childless couple promptly erase from the boy all knowledge of his identity and he grows up ignorant of his past. Later in life, after a career as an architectural historian, Austerlitz - having avoided all clues that might point to his origin - finds the past returning to haunt him and he is forced to explore what happened fifty years before. Austerlitz is W.G. Sebald's melancholic masterpiece.'Mesmeric, haunting and heartbreakingly tragic. Simply no other writer is writing or thinking on the same level as Sebald' Eileen Battersby, Irish Times'Greatness in literature is still possible' John Banville, Irish Times, Books of the Year'A work of obvious genius' Literary Review'A fusion of the mystical and the solid ... His art is a form of justice - there can be, I think, no higher aim' Evening Standard'Spellbindingly accomplished; a work of art' The Times Literary Supplement 'I have never read a book that provides such a powerful account of the devastation wrought by the dispersal of the Jews from Prague and their treatment by the Nazis' Observer'A great book by a great writer' Boyd Tonkin, IndependentW . G. Sebald was born in Wertach im Allgäu, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, A Place in the Country. His selected poetry is published in a volume called Across the Land and the Water.

A Place in the Country is a window into the brilliant mind of W. G. Sebald'The greatest writer of our time' Peter CareyWhen W. G. Sebald travelled to Manchester in 1966, he packed in his bags certain literary favourites which would remain central to him throughout the rest of his life and during the years when he was settled in England. In A Place in the Country, he reflects on six of the figures who shaped him as a person and as a writer, from Jean-Jacques Rousseau to Jan Peter Tripp. Fusing biography and essay, and finding, as ever, inspiration in place - as when he journeys to the Ile St. Pierre, the tiny, lonely Swiss island where Jean-Jacques Rousseau found solace and inspiration - Sebald lovingly brings his subjects to life in his distinctive, inimitable voice.'A fascinating volume that confirms Sebald as one of Europe's most mysterious and best-loved literary imaginations' Evening Standard'Sebald was in possession of the uncanny ability to make his own intellectual obsessions, immediately, compulsively his reader's' Observer'Irresistible . . . an intimate anatomy of the pathos, absurdity and perverse splendour of trying to find patterns in the chaos of the world' IndependentW . G. Sebald was born in Wertach im Allgäu, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted and a selection of poetry, Across the Land and the Water.Jo Catling taught German for a number of years alongside W. G. Sebald at the University of East Anglia, where she is currently a senior lecturer in the School of Literature, Drama and Creative Writing.

The Rings of Saturn—with its curious archive of photographs—records a walking tour of the eastern coast of England. A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne’s skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt’s "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager Empress Tzu Hsi, and the silk industry in Norwich. W.G. Sebald’s The Emigrants (New Directions, 1996) was hailed by Susan Sontag as an "astonishing masterpiece perfect while being unlike any book one has ever read." It was "one of the great books of the last few years," noted Michael Ondaatje, who now acclaims The Rings of Saturn "an even more inventive work than its predecessor, The Emigrants."

Sebald's On the Natural History of Destruction explores German writers' silence about a moment of mass destructionIn the last years of World War II, a million tons of bombs were dropped by the Allies on one hundred and thirty-one German towns and cities. Six hundred thousand civilians died, and three and a half million homes were destroyed. When it has cast such a very dark shadow over his life and work, Sebald asks, how have so many writers allowed themselves to write it out of their experience and avoid articulating the horror? W.G. Sebald's On the Natural History of Destruction sparked a wide-ranging debate in the German press.'Sebald makes exquisite art out of vile history' Boyd Tonkin, Independent'One of the most important writers of our time' A.S. Byatt, New Statesman 'Demands to be read for its grand emotional power ... it absorbs and horrifies and illuminates' Scotsman'Brilliant and disturbing' Antony Beevor, The TimesW . G. Sebald was born in Wertach im Allgäu, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, For Years Now and A Place in the Country. His selected poetry is published in a volume called Across the Land and the Water.

After Nature is the very first literary work by W. G. Sebald, author of Austerlitz'The greatest writer of our time' Peter CareyAfter Nature by W.G. Sebald, author of Austerlitz, is his first literary work and the start of his highly personal and brilliant writing journey. In this long prose poem, Sebald introduces many of the themes that he explores in his subsequent books. Focusing on the conflict between man and nature, each of the three distinct parts of After Nature give centre stage to a different character from a different century - the last being W.G. Sebald himself.'A deeply intelligent book, but also a marvellously warm, exciting and compassionate one' Andrew Motion'A début of rare poetic grandeur' Irish Times'Astonishing writing. A true poet at work' Evening Standard'Graceful, allusive, serious, but also immensely readable' Sunday Telegraph'When you read Sebald you are transported to another realm' Literary ReviewW . G. Sebald was born in Wertach im Allgäu, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, For Years Now and A Place in the Country. His selected poetry is published in a volume called Across the Land and the Water.

Campo Santo is a collection of essays by W. G. SebaldWhen W.G. Sebald died tragically in 2001 a unique voice was silenced. Campo Santo is a collection of the pieces he left behind - none of them previously published in book form - which provide a powerful insight into the themes that came to dominate his life. Four pieces pay tribute to Corsica, weaving elegiacally between past and present. Sebald also examines the works of writers such as Kafka, Nabokov, and Günter Grass, showing both how literature can provide restitution for the injustices of the world and how such literature came to have so great an influence on him. Campo Santo is a fitting memorial to W.G. Sebald, who himself studied the shifting nature of memory and time with such sensitivity.'A precious addition to the canon' Independent'Will come to be seen as indispensable to an understanding of his work' Sunday Times'Full of a sense of liberation and lightness ... these [pieces] abound in energy and work the authentic Sebaldian magic' Literary Review'We have become suspicious, rightly, of claims for literary greatness, but in Sebald's case the claim was triumphantly justified. He was, he is, the real thing' John Banville, Guardian'Sebald was probably the greatest intellect and voice of the late twentieth century' Anthony Beevor, The Times'A writer whose explorations of time and memory make him arguably the closest author modern European letters has to rival Borges' Sunday TimesW . G. Sebald was born in Wertach im Allgäu, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, For Years Now and A Place in the Country. His selected poetry is published in a volume called Across the Land and the Water.

‘A profoundly affirming book about the potential for literature . . . One of the few essential writers of this generation’ The ScotsmanFrom acclaimed critic, novelist and academic W. G. Sebald, author of Austerlitz and The Rings of Saturn, a collection of essay on the Austrian writers who inspired himAppearing for the first time in English, Silent Catastrophes brings together W. G. Sebald’s essays on the Austrian writers who meant so much to him.The evolution of Austria from vast empire to diminutive Alpine republic, followed by its annexation by Nazi Germany, had a profound traumatic impact on the literary output of the nation. Essays on the writings of Kafka, Handke, Bernhard and more, explore the concepts of ‘home/land’, ‘borderland’ and ‘exile’ with deep compassion and insight.A revelation to Sebald’s English-language readers, Silent Catastrophes traces many of the themes which animate Sebald’s own work and illuminates how melancholy – the contemplation of disaster in progress – is itself a form of resistance.‘One of Europe’s most mysterious and best-loved literary imaginations’ Evening Standard

‘We have become suspicious, rightly, of claims for literary greatness, but in Sebald’s case the claim was triumphantly justified. He was, he is, the real thing’ John Banville, GuardianFrom acclaimed critic, novelist and academic W. G. Sebald, author of Austerlitz and The Rings of Saturn, a collection of essay on the Austrian writers who meant so much to him - appearing for the first time in EnglishAs a German in self-chosen exile from his country of birth, Sebald found a particular affinity with these writers from a neighbouring nation. The traumatic evolution of Austria from vast empire to diminutive Alpine republic, followed by its annexation by Germany, meant that concepts such as ‘home/land’, ‘borderland’ and ‘exile’ occupy a prominent role in its literature, just as they would in Sebald’s own.Through a series of remarkable close readings of texts by Bernhard, Stifter, Kafka, Handke, Roth and more, Sebald charts both the pathologies which so often drove their work and the seismic historical forces which shaped them. This sequence of essays will be a revelation to Sebald’s English-language readers, tracing as they do so many of the themes which animate his own literary writings, to which these essays form a kind of prelude.'A writer whose life and work has become a wonderful vindication of literary culture in all its subtle and entrancing complexity' Guardian‘Sebald was probably the greatest intellect and voice of the late twentieth century’ Antony Beevor, The Times

The Rings of Saturn, with its curious archive of photographs, records a walking tour of the eastern coast of England. A few of the things that cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics. Rembrandt's "Anatomy Lesson", the natural history of the herring, Borges, a matchstick model of the Temple of Jerusalem, Sir Thomas Browne's skull, recession-hit seaside towns, Joseph Conrad, the once-thriving silk industry of Norwich, Swinburne, the dowager Empress Tzu Hsi, and the massive bombings of WWII.Mesmerized by the mutability of all things, the narrator catalogs the transmigration of whole worlds: "On every new thing, there lies already the shadow of annihilation."

Unrecounted combines thirty-three of what W. G. Sebald called his "micropoems"—miniatures as unclassifiable as all of his works—with thirty-three exquisitely exact lithographs by one of his oldest friends, the acclaimed artist Jan Peter Tripp.The lithographs portray, with stunning precision, pairs of eyes—the eyes of Beckett, Borges, Proust Jasper Johns, Francis Bacon, Tripp, Sebald, Sebald's dog Maurice. Brief as haiku, the poems are epiphanic and anti-narrative. What the author calls "time lost, the pain of remembering, and the figure of death" here find a small home. The art and poems do not explain one another, but rather engage in a kind of dialogue. "The longer I look at the pictures of Jan Peter Tripp," Sebald comments in his essay, "the better I understand that behind the illusions of the surface, a dread-inspiring depth is concealed. It is the metaphysical lining of reality, so to speak."

The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs—the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with fictional motifs, and as he puts the question to realism, the four stories merge into one unfathomable requiem.

Perfectly titled, Vertigo —W.G. Sebald's marvelous first novel — is a work that teeters on the edge: compelling, puzzling, and deeply unsettling.An unnamed narrator, beset by nervous ailments, journeys accross Europe to Vienna, Venice, Verona, Riva, and finally to his childhood home in a small Bavarian village. He is also journeying into the past. Traveling in the footsteps of Stendhal, Casanova, and Kafka, the narrator draws the reader, line by line, into a dizzying web of history, biography, legends, literature, and — most perilously — memories.

New Directions is delighted to announce beautiful new editions of these three classic Sebald novels, including his two greatest works, The Emigrants and The Rings of Saturn. All three novels are distinguished by their translations, every line of which Sebald himself made pitch-perfect, slaving to carry into English all his essential elements: the shadows, the lambent fallings-back, nineteenth-century Germanic undertones, tragic elegiac notes, and his unique, quiet wit.

A powerful work by the heralded writer, this collection is a touchstone event in German literature of the post-war era.On April 8, 1945, several American bomber squadrons were informed that their German targets were temporarily unavailable due to cloud cover. As it was too late to turn back, the assembled ordnance of more than two hundred bombers was diverted to nearby Halberstadt. A mid-sized cathedral town of no particular industrial or strategic importance, Halberstadt was almost totally destroyed, and a then-thirteen-year-old Alexander Kluge watched his town burn to the ground. Incorporating photographs, diagrams, and drawings, Kluge captures the overwhelming rapidity and totality of the organized destruction of his town from numerous perspectives, bringing to life both the strategy from above and the futility of the response on the ground. Originally published in German in 1977, this exquisite report, fragmentary and unfinished, is one of Kluge’s most personal works and one of the best examples of his literary technique. The English edition of Air Rair includes additional new stories by the author and features an appreciation of the work by W. G. Sebald. “More than a few of Kluge’s many books are essential, brilliant achievements. None are without great interest.”—Susan Sontag

For the first time ever, this volume presents a thrillingly comprehensive, fully-illustrated catalogue of all photographic materials (negatives, prints, slides) left in the University’s photographic archives by W. G. Sebald at the time of his death in 2001; these have never been made public before in their entirety. Every care has been given to the quality of reproduction, layout, annotation and overall design to ensure maximum clarity for researchers and to make vivid Sebald’s working methods to the delight of enthusiasts across the globe.