On April 27, 2011, just days after learning of their pregnancy, B. J. Hollars, his wife, and their future son endured the onslaught of an EF-4 tornado. There, while huddled in a bathtub in their Alabama home, mortality flashed before their eyes. With the last of his computer battery, Hollars began recounting the experience, and would continue to do so in the following years, writing his way out of one disaster only to find himself caught up in another. Tornadoes, drownings, and nuclear catastrophes force him to acknowledge the inexplicable, while he attempts to overcome his greatest fear—the impossibility of protecting his newborn son from the world's cruelties. Hollars creates a constellation of grief, tapping into the rarely acknowledged intersection between fatherhood and fear, sacrifice and safety, and the humbling effect of losing control of our lives.

Hard Air is a book about extraordinary flying—flying under conditions that keep fighters on the carrier deck and rockets on the launch pad—a book about rescue missions and long, lonely flights to gather urgently needed information, about flights to places where no one should be flying: into hurricanes, firestorms, and deep, engine-killing cold. As a pilot himself, W. Scott Olsen brings to these tales a sense of wonder and adventure as well as a genuine, firsthand understanding of the dangers and rigors of such flying. In prose that deftly conveys the grit and grace of his subjects, Olsen transports us into the air with hurricane hunters who fly into the planet's fiercest storms, with helicopter pilots racing emergency patients to clinics, with Canadian pilots who fly supplies to the Arctic, and with heavy air tanker pilots who drop water and slurry on remote wildfires. Their stories afford a rare look into the working lives of pilots whose methods are extreme and missions are simple: get there, do the job, and get out alive.

From the lowest highway in North America to the highest, W. Scott Olsen takes readers on a journey that is more about going than about getting there. These are stories of travel as it is lived, essays about motion and the desire to keep moving. In a companionable style that puts readers in the passenger seat, Olsen describes his travels through the United States, observing the world close-up as it rushes toward and then away from his old Jeep. The Upper Peninsula in March, a one-day drive from Death Valley to Mount Evans, a harrowing trip from Fargo to Spokane in the dead of winter: these journeys and others offer opportunities for Olsen's unconventional narrative to take flight in exploring the intricacies of America, its small towns, its people, its roads, its histories, and its landscapes in vistas long and short that might otherwise be overlooked. In Olsen's hands, travels along the most American routes of the heartland become an addictive tale that will appeal to anyone who has ever wondered what lies over the next hill.

A powerful meditation on the art of seeing A collaboration between English professor and photographer W. Scott Olsen and Tomasz Trzebiatowski, founder of Frames magazine, Reading Frames gathers sixty-nine photographs first featured in Frames’ digital companion. Olsen’s essays interrogate the compositional and aesthetic elements of the photographs, but rather than offering technical instruction, Olsen writes with a literary sensibility, tracing how light, tone, color, and line evoke mood, meaning, and story. The essays ask us to linger with each photograph, guiding readers toward attentiveness, presence, and conversation with the image itself. Suited both to introductory photography classes and to general readers, this book is an example of how truly seeing an image is not the same as looking at it.

On April 27, 2011, just days after learning of their pregnancy, B. J. Hollars, his wife, and their future son endured the onslaught of an EF-4 tornado. There, while huddled in a bathtub in their Alabama home, mortality flashed before their eyes. With the last of his computer battery, Hollars began recounting the experience, and would continue to do so in the following years, writing his way out of one disaster only to find himself caught up in another. Tornadoes, drownings, and nuclear catastrophes force him to acknowledge the inexplicable, while he attempts to overcome his greatest fear—the impossibility of protecting his newborn son from the world's cruelties. Hollars creates a constellation of grief, tapping into the rarely acknowledged intersection between fatherhood and fear, sacrifice and safety, and the humbling effect of losing control of our lives.

Hard Air is a book about extraordinary flying—flying under conditions that keep fighters on the carrier deck and rockets on the launch pad—a book about rescue missions and long, lonely flights to gather urgently needed information, about flights to places where no one should be flying: into hurricanes, firestorms, and deep, engine-killing cold. As a pilot himself, W. Scott Olsen brings to these tales a sense of wonder and adventure as well as a genuine, firsthand understanding of the dangers and rigors of such flying. In prose that deftly conveys the grit and grace of his subjects, Olsen transports us into the air with hurricane hunters who fly into the planet's fiercest storms, with helicopter pilots racing emergency patients to clinics, with Canadian pilots who fly supplies to the Arctic, and with heavy air tanker pilots who drop water and slurry on remote wildfires. Their stories afford a rare look into the working lives of pilots whose methods are extreme and missions are simple: get there, do the job, and get out alive.

From the lowest highway in North America to the highest, W. Scott Olsen takes readers on a journey that is more about going than about getting there. These are stories of travel as it is lived, essays about motion and the desire to keep moving. In a companionable style that puts readers in the passenger seat, Olsen describes his travels through the United States, observing the world close-up as it rushes toward and then away from his old Jeep. The Upper Peninsula in March, a one-day drive from Death Valley to Mount Evans, a harrowing trip from Fargo to Spokane in the dead of winter: these journeys and others offer opportunities for Olsen's unconventional narrative to take flight in exploring the intricacies of America, its small towns, its people, its roads, its histories, and its landscapes in vistas long and short that might otherwise be overlooked. In Olsen's hands, travels along the most American routes of the heartland become an addictive tale that will appeal to anyone who has ever wondered what lies over the next hill.

A powerful meditation on the art of seeing A collaboration between English professor and photographer W. Scott Olsen and Tomasz Trzebiatowski, founder of Frames magazine, Reading Frames gathers sixty-nine photographs first featured in Frames’ digital companion. Olsen’s essays interrogate the compositional and aesthetic elements of the photographs, but rather than offering technical instruction, Olsen writes with a literary sensibility, tracing how light, tone, color, and line evoke mood, meaning, and story. The essays ask us to linger with each photograph, guiding readers toward attentiveness, presence, and conversation with the image itself. Suited both to introductory photography classes and to general readers, this book is an example of how truly seeing an image is not the same as looking at it.