Wally Lamb – författare

#1New York TimesBestseller and Oprah Book Club selection

""Thoughtful . . . heart-wrenching . . . . An exercise in soul-baring storytelling—with the soul belonging to 20th-century America itself. It''s hard to read and to stop reading, and impossible to forget."" —USA Today

Dominick Birdsey, a forty-year-old housepainter living in Three Rivers, Connecticut, finds his subdued life greatly disturbed when his identical twin brother Thomas, a paranoid schizophrenic, commits a shocking act of self-mutilation. Dominick is forced to care for his brother as well as confront dark secrets and pain he has buried deep within himself—a journey of the soul that takes him beyond his blue-collar New England town to Sicily’s Mount Etna, the birthplace of his grandfather and namesake. Coming to terms with his life and lineage, Dominick struggles to find forgiveness and finally rebuild himself beyond the haunted shadow of his troubled twin.

I Know This Much Is True is a masterfully told story of alienation and connection, power and abuse, devastation and renewal—an unforgettable masterpiece.

For several years, Wally Lamb, the author of two of the most beloved novels of our time, has run a writing workshop at the York Correctional Institution, Connecticut''s only maximum-security prison for women. Writing, Lamb discovered, was a way for these women to face their fears and failures and begin to imagine better lives. Couldn''t Keep It to Myself, a collection of their essays, was published in 2003 to great critical acclaim. With I''ll Fly Away, Lamb offers readers a new volume of intimate pieces from the York workshop. Startling, heartbreaking, and inspiring, these stories are as varied as the individuals who wrote them, but each illuminates an important core truth: that a life can be altered through self-awareness and the power of the written word.

#1 New York Times Bestseller and Oprah Book Club selection

"Thoughtful . . . heart-wrenching . . . . An exercise in soul-baring storytelling—with the soul belonging to 20th-century America itself. It''s hard to read and to stop reading, and impossible to forget."  — USA Today

Dominick Birdsey, a forty-year-old housepainter living in Three Rivers, Connecticut, finds his subdued life greatly disturbed when his identical twin brother Thomas, a paranoid schizophrenic, commits a shocking act of self-mutilation. Dominick is forced to care for his brother as well as confront dark secrets and pain he has buried deep within himself—a journey of the soul that takes him beyond his blue-collar New England town to Sicily’s Mount Etna, the birthplace of his grandfather and namesake. Coming to terms with his life and lineage, Dominick struggles to find forgiveness and finally rebuild himself beyond the haunted shadow of his troubled twin.

I Know This Much Is True is a masterfully told story of alienation and connection, power and abuse, devastation and renewal—an unforgettable masterpiece.   

When high school teacher Caelum Quirk and his wife, Maureen, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, while Caelum is away, Maureen finds herself in the library at Columbine, cowering in a cabinet and expecting to be killed. Miraculously, she survives. But when Caelum and Maureen flee to an illusion of safety on the Quirk family''s Connecticut farm, they discover that the effects of chaos are not easily put right.

While Maureen fights to regain her sanity, Caelum discovers five generations'' worth of diaries, letters, and newspaper clippings in his family''s house. As unimaginable secrets emerge, Caelum grapples with the past and struggles to fashion a future from the ashes of tragedy. His quest for meaning is at once mythic and contemporary, personal and quintessentially American.

“This book is a bonbon for any baby boomer. . . . Lamb gets Felix’s voice just right, and he does a spot-on job of evoking the special joys and trials of parochial school in the ‘60’s…Put a bow on this book and warm somebody’s heart.” —St. Petersburg Times

Wally Lamb, the beloved #1 New York Times bestselling author of The Hour I First Believed, I Know This Much Is True, and She’s Come Undone, delivers a holiday treat with Wishin’ and Hopin’—an unforgettable novella that captures the warmth and joy of the holiday season.

It''s 1964. LBJ and Lady Bird are in the White House, Meet the Beatles is on everyone’s turntable, and ten-year-old Felix Funicello (distant cousin of the iconic Annette!) is doing his best to navigate fifth grade—easier said than done when scary movies still give you nightmares and you bear a striking resemblance to a certain adorable cartoon boy. But there are several things young Felix can depend on: the birds and bees are puzzling, television is magical, and this is one Christmas he’s never going to forget.

Poignant and hilarious, in a vein similar to Jean Shepherd’s A Christmas Story and David Sedaris’s The Santaland Diaries, Lamb’s Christmas tale focuses on a feisty parochial school fifth grader named Felix Funicello—a distant cousin of the iconic Annette!

New York Times BestsellerThe profound and compelling story of a personal quest for meaning and faith from Wally Lamb, #1 New York Times bestselling author of She’s Come Undone and I Know This Much Is True“The beauty of The Hour I First Believed, a soaring novel as amazingly graceful as the classic hymn that provides the title, is that Lamb never loses sight of the spark of human resilience. . . . Lamb’s wonderful novel offers us the promise and power of hope.”—Miami Herald

When 47-year-old high school teacher Caelum Quirk and his younger wife, Maureen, a school nurse, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, Caelum returns home to Connecticut to be with his aunt who has just had a stroke. But Maureen finds herself in the school library at Columbine, cowering in a cabinet and expecting to be killed, as two vengeful students go on a murderous rampage. Miraculously she survives, but at a cost: she is unable to recover from the trauma. Caelum and Maureen flee Colorado and return to an illusion of safety at the Quirk family farm back east. But the effects of chaos are not so easily put right, and further tragedy ensues. In The Hour I First Believed, Wally Lamb travels well beyond his earlier work and embodies in his fiction myth, psychology, family history stretching back many generations, and the questions of faith that lie at the heart of everyday life. The result is an extraordinary tour de force, at once a meditation on the human condition and an unflinching yet compassionate evocation of character.  

In this radiant homage to the resiliency, strength, and power of women, Wally Lamb—author of numerous New York Times bestselling novels including She’s Come Undone, I Know This Much is True, and We Are Water—weaves an evocative, deeply affecting tapestry of one Baby Boomer''s life and the trio of unforgettable women who have changed it.

I’ll Take You There centers on Felix, a film scholar who runs a Monday night movie club in what was once a vaudeville theater. One evening, while setting up a film in the projectionist booth, he’s confronted by the ghost of Lois Weber, a trailblazing motion picture director from Hollywood’s silent film era. Lois invites Felix to revisit—and in some cases relive—scenes from his past as they are projected onto the cinema’s big screen.

In these magical movies, the medium of film becomes the lens for Felix to reflect on the women who profoundly impacted his life. There’s his daughter Aliza, a Gen Y writer for New York Magazine who is trying to align her post-modern feminist beliefs with her lofty career ambitions; his sister, Frances, with whom he once shared a complicated bond of kindness and cruelty; and Verna, a fiery would-be contender for the 1951 Miss Rheingold competition, a beauty contest sponsored by a Brooklyn-based beer manufacturer that became a marketing phenomenon for two decades. At first unnerved by these ethereal apparitions, Felix comes to look forward to his encounters with Lois, who is later joined by the spirits of other celluloid muses.

Against the backdrop of a kaleidoscopic convergence of politics and pop culture, family secrets, and Hollywood iconography, Felix gains an enlightened understanding of the pressures and trials of the women closest to him, and of the feminine ideals and feminist realities that all women, of every era, must face.