Walter de la Mare – författare

The perfect gift for children aged 8+, this stunning classic collection of poetry will delight a new generation of readers of the Faber Children's Classics list.Peacock Pie contains the finest of Walter de la Mare's poems for children, accompanied by exquisite original illustrations from Edward Ardizzone. This beautiful new edition of a classic anthology is an essential part of any child's bookshelf.

The publication of "Short Stories 1895-1926" celebrates the fiftieth anniversary of Walter de la Mare's death. It is also the culmination of a major literary enterprise. For many people Walter de la Mare (1873-1956) is as great a writer of fiction as of poetry. But the majority of his short stories, of which there are a hundred, have long been unavailable. "Short Stories" brings them all together in three volumes in the first comprehensive collection to be published. De la Mare's earliest published works were stories, and he continued writing and rewriting stories throughout the rest of his life. There was always a creative counterpoint between the themes and imagery of his prose and his poetry - such as the dream, childhood, the house, night, love lost and regained, solitude and the traveller. A full understanding of either is impossible without knowledge of both.

The definitive text for Walter de la Mare's poetry contains all the poems de la Mare published in book form during his lifetime, plus all the uncollected poems that have been found and a selection of unpublished poems.

Walter de la Mare's anthologies are in a category of their own, indeed, they are of such excellence as to make the description belittling. Walter de la Mare compiled five of them, with commentaries, using poems and passages of prose. All are being reissued in Faber Finds, and to each he brought such a range of reading, wisdom and intelligence as to make them cornucopias of delight and entertainment. Behold, This Dreamer was first published in 1939 and Faber Finds is proud to reissue it seventy years on. Walter de la Mare provides a long introduction which leads to, in his own words, '. . . a Survey - a panorama - of a wide theme, endlessly inviting, in much obscure, viewed from many different angles, by many diverse minds.' To quote from the original blurb, 'Mr de la Mare is concerned not merely with dreaming, whether by night or day, with fantasies, hallucinations, explanations and interpretations of dreams, and the whole business (so to speak) of getting into (as well as out of) the dreamstate. His net is thrown over death as well as sleep, Nature as well as Man: and he takes his soundings in those unconscious and unreasoning depths out of which human personality and art so mysteriously spring.'

'The most compelling of anthologies, the most leisurely, and the most complete.' ObserverFirst published in 1923, the conception of de la Mare's collection of poetry and prose 'for the young of all ages' had been in the poet's mind for some time. He wanted it to transcend the ordinary anthology, to have real unity and to be a true introduction to poetry. The result was, in its time, a completely original book, personal and creative - pervaded by his own company throughout.Come Hither takes its unity from de la Mare's introduction, an allegorical prose fable, the subtle and playful references of which are echoed throughout the proceeding collection. The anthology's ecstatic variety, where 'unofficial poetry', such as counting-out rhymes, appear on equal terms alongside Keats's Odes, suggests a relation between childhood and poetry that is at once serious and radiantly spontaneous. Together with the children's literature aspect, it also provides a selection of the leading Georgian poets and is arguably the best account of their 'hinterland', documenting their prevailing thematic concerns alongside a selection of their predecessors.

Walter de la Mare was among the leading proponents of the so-called 'Georgian' poets, a loose assembly of influential literary friends who gathered in London in the years leading up to the First World War. Concerned with a refinement of sensibility - in feeling, in expression and in particular in regard to the natural world - the Georgians tapped a popular vein that de la Mare first embraced then later distanced himself from. This engaging assembly of verse and prose, first published in 1943, is de la Mare's vivid survey on love and sensibility, and contains, in his words, 'many of the supreme lyrics in the language'.

Desert Islands opens with a captivating essay on the romance of islands and castaways in literature and life, and the associations that have arisen in the imagination of readers in every generation. The essay leads on to over 200 pages of what de la Mare himself calls 'a rambling commentary', in the form of an anthology or commonplace book on every conceivable aspect of this teeming subject. There are notes, reflections and quotations from a lifetime's reading on wrecks, maroons, pirates, utopias, goats, hallucinations, exotic foods, misers, punishments, solitude , Darwin, parrots, idols, saints, hermits, maps, spices, drugs . . . and of course Daniel Defoe.Desert Islands is the perfect bedside or holiday book. It also playfully boasts a subtitle of rococo inventiveness and one of the longest you will ever read!'A vast treasure chest, a bewildering collection . . . to dazzle and fascinate everyone who lifts the lid.' Geoffrey Grigson

'This is a book about childhood, but it is not a mere literary essay, it is a work of the widest learning, exploring the whole field of the subject ... a book rich in ideas, rich in information, rich in wisdom ...indeed, a kind of Anatomy of Childhood.' The Listener'An enchanting book, and one that is certain of deepening affection in every house into which it finds its way.'Observer'Only Walter de la Mare could have devised these ceremonies and been the master of them. In this conjuration of childhood he has amassed its evidence as displayed in many autobiographies, and has set against this the letters, diaries, stories and verses of these children ... His company ranges from mill hands and chimney sweeps to two queens of England; it embraces the whole gamut of the English poets; mathematicians and philosophers, though not so plentiful, are discovered to have been children once.' New Statesman

Up on their brooms the Witches stream, Crooked and black in the crescent's gleamIt's Halloween and a family is preparing to go trick-or-treating. Little do they know that up above them a coven of witches flies unseen through the starry sky... Carolina's stunning illustrations beautifully illuminate Walter de la Mare's thrilling, magical poem, published as a picture book for the first time.

The sandy cat by the Farmer's chairMews at his knee for dainty fare;Old Rover in his moss-greened houseMumbles a bone, and barks at a mouse. Carolina Rabei's stunning illustrations beautifully illuminate Walter de la Mare's glorious celebration of a balmy summer's evening. One of four exceptional Walter de la Mare picture books that form a seasonal set, each with complementing colour palates and illustrations by rising young star Carolina Rabei.

Walter de la Mare (1873-1956) was one of the best-loved English poets of the twentieth century, his verse admired by contemporaries including Thomas Hardy, Robert Frost, W. H. Auden and T. S. Eliot. This volume presents a new selection of de la Mare's finest poems, including perennial favourites such as 'Napoleon', 'Fare Well' and 'The Listeners', for a twenty-first-century audience. The poems are accompanied by commentaries by William Wootten, which build up a portrait of de la Mare's life, loves and friendships with the likes of Hardy, Rupert Brooke, Edward Thomas and Katherine Mansfield. They also point out the fascinating references to literature, folklore and the natural world that embroider the verse.

Originally published in 1927, Told Again is an enchanting collection of elegant fairy tales, showcasing the formidable talents of a writer who used magical realism before the term had even been invented. Walter de la Mare (1873-1956) was one of the most celebrated writers of children's literature during the first half of the twentieth century--so much so that W. H. Auden edited a selection of his poems and British children could recite de la Mare's verses by heart. His abundant literary gifts can be savored once more in this new edition. With marvelous black and white illustrations by A. H. Watson, this volume includes a splendid introduction by Philip Pullman, the contemporary master of fantasy literature. The significance of the nineteen adapted classics in Told Again lies in de la Mare's poetic insights and graceful prose, which--as Pullman indicates in his introduction--soften and sweeten the originals, making these tales appropriate for younger readers. In "The Four Brothers," the siblings allow the princess to choose her own husband rather than argue over her; and in "Rapunzel," de la Mare discreetly leaves out details of the prince's tortured, blind search for his love.Familiar stories, such as "Little Red Riding-Hood," "Rumplestiltskin," and "The Sleeping Beauty" are also made new through de la Mare's expansive, descriptive, and lyrical prose. Pullman covers important details about de la Mare's life and captures the stylistic intention behind the rewriting of these wonderful favorites. Reviving the work of a writer who exemplified a romantic vision and imagination, Told Again is a remarkable retelling of fairy tales touched by mystery and magic.

An enchanting retelling of nineteen fairy tales, introduced by popular fantasy writer Philip PullmanOriginally published in 1927, Told Again is an enchanting collection of elegant fairy tales, showcasing the formidable talents of Walter de la Mare, one of the most celebrated writers of children’s literature during the first half of the twentieth century. His abundant literary gifts can be savored once more in this beautiful new edition. Nineteen adapted classics, including “Rapunzel,” “Little Red Riding-Hood,” “Rumplestiltskin,” and “The Sleeping Beauty,” are made new by de la Mare’s poetic insights and graceful prose, making these tales appropriate for younger readers. With marvelous black and white illustrations by A. H. Watson, this volume also presents a splendid introduction by Philip Pullman, the contemporary master of fantasy literature.

'Come to-night', I heard the old man say, 'come to me to-night into the Wood of the Dead'.Join Weird Walk for a new journey into the ghostly and bizarre, striking out from the shelter of the inn for the places where the path begins to fade, from the sublime wilderness of mountains, coasts and ravines to forbidden, ancient tracts of woodland.Featuring disorientating classics from John Buchan and Algernon Blackwood alongside modern, thrilling (and sometimes violent) warnings to the intrepid from Lisa Tuttle and Dorothy K. Haynes, The Wayfarer's Weird leads you towards fae dangers, down lost tracks in time and deep into the liminal spaces of Britain and beyond.