Walter Feilchenfeldt – författare

The Years in France is a wealth of new information of crucial importance to collectors, dealers, art historians and public institutions, while providing an extraordinary visual record of the most creative and productive period of Van Gogh's career.Vincent van Gogh's tumultuous final years were the climax of his career as a colourist. In France he reached a sustained height of expression and created a prodigious quantity of work, the importance of which is incontestable. In the landscapes, portraits and still lifes from this period, the intensity and singularity of vision finds its apotheosis.Presented here is a comprehensive illustrated catalogue of Van Gogh's paintings executed between 1886 and 1890 in Paris, Arles, Saint-Remy and Auvers-sur-Oise. Each of some 580 works from that time is reproduced in full colour and appears in related scale to its original size. All known provenance is given. For the first time the paintings recorded in early documents like the Andries Bonger Inventory List of 1890 and the 1905 Amsterdam Exhibition are fully identified. This book promises to be one of the most significant and enduring contributions to the understanding of this artist.

The Lost Landscapes of England Anthony Amies’ paintings assert a classical conception of painting. From the mid 1970s, the British artis pursued a radical counter-concept to the art of his time with a stylistically peculiar landscape painting. They are calm and enigmatic pictures that do without any scandal. In large-scale drawings and oil paintings, he plays with the “blot” technique: Amies abstracts the landscapes to convey an idea rather than a realistic image. The reduction to land and sea is a reflection on England and the loss of its individual landscapes to the monotony of industrial and urban proliferation and sprawling housing estates. In this idiosyncrasy - the assertion of the genre of landscape painting and in the painterly quality of the works as a contribution to the assertion of painting in art - lies the importance of this English painter.

Showing What Cannot Be Explained Along the three major themes of technique, art epochs, and pictorial genres, art history can delve into the smallest details. “Don't think, but look!” concern is diametrically opposed. Foregoing any commentary text, this book is about the conscious act of seeing without distraction in order to recognize the essential—the “unexplainable”— in the work of art. This publication does not intend to be a comprehensive history of art. Instead, this quite subjective selection of 338 paintings aims to provide an unclouded view of the chronological development of Western painting over seven centuries. The key painting is on the cover: Cezanne’s Bathers (Les Grandes Baigneuses) that, like a gateway, opens the path to the non-representational image of our time.