Walter Moser – författare

Starting with Helmar Lerski’s outstanding photo series Metamorphose – Verwandlungen durch Licht from 1935/36, the magnificent volume Faces – The Power of the Human Visage presents portraits from the era of the Weimar Republic. The photographs taken by the photographers of the 1920s and 1930s achieved a radical renewal of portrait photography.Portrait photos traditionally served to depict the personality of an individual. The photographers of the interwar years saw the face as material to be presented in accordance with their own ideas. Through the photograph of a face they explored aesthetic considerations as well as the politicalchanges that took place during the Weimar Republic. Modernist experiments, the elationship between individual and type, feminist roles and political ideologies collided and hence expanded the concept of portrait photography.

Richard Prince (b. 1949) is one of the most renowned artists of our time. With his appropriations of advertising images, the American painter and photographer has been a polarising figure going back to the 1970s. This publication focuses on his photographic work, but also presents other media such as installations, drawings and paintings. Iconic works by Richard Prince, including his Cowboys and Fashion series, are brought together with rarely seen and previously unpublished pieces.

Featuring over 200 exquisite reproductions of Model’s most iconic works, this stunning volume celebrates a mid-twentieth century visionary whose photography captured the raw, dynamic spirit of urban life and its striking social contrasts.Lisette Model’s journey from her Viennese roots to her groundbreaking career in New York unfolds in this comprehensive collection of works spanning 1933 to 1959. Featuring her famous Coney Island Bather and Cafe Metropole photographs, as well as never-before-seen pieces, the book immerses readers in her distinctive style—equal parts confrontational and compassionate. Model’s self-taught approach to photography flourished during her years in France.Her early portraits of idle elites in Nice delivered biting social critiques, marking her as a bold new voice in visual storytelling. After emigrating to New York, her work graced the pages of Harper’s Bazaar and other leading magazines, showcasing the vivid contrasts of urban life, from the impoverished Lower East Side to high-society gatherings.Complemented by melancholic studies from her later travels to the U.S. West Coast and Venezuela, this collection underscores Model’s enduring relevance. Featuring insightful commentary from Walter Moser, this book is a must- have for photography enthusiasts and anyone intrigued by the intersection of art, history, and social critique.

In groundbreaking controversial works such as Touch and Tap Cinema and Action Pants: Genital Panic, Valie Export was one of the first feminist artists to reconsider the ways in which the female body is depicted in conventional film and media.This volume considers how Export’s photography plays into these projects, as a means of documentation, as experiments, or as independent works. Beginning in the late 1960s it spans decades of conceptual photographs that critically examine visual images and mass media’s modes of functioning, portrayal, and perception. Rarely seen publicly, these photographs afford new insights into Export’s oeuvre. They are situated at the nexus of film, video, and body art and causally linked to the socially critical and feminist issues around subject and space, performance and visual image, body and gaze, and femininity and representation. The volume traces Export’s photographic work as parallel to her first performance pieces and then later in her career as she investigates all characteristics of the photographic image, from one-point perspective to cropping, to the temporal implications of static individual images.Accompanying the first exhibition to highlighting Export’s photographs, this stunning volume was produced in close collaboration with the artist and reflects her exacting standards and vision.

The Baroque is back in contemporary culture. The ten essays authored by international scholars, and three interventions by artists, examine the return of the baroque as Neo-Baroque through interdisciplinary perspectives. Understanding the Neo-Baroque as transcultural (between different cultures) and transhistorical (between historical moments) the contributors to this volume offer diverse perspectives that suggest the slipperiness of the Neo-Baroque may best be served by the term ‘Neo-Baroques’. Case studies analysed reflect this plurality and include: the productions of Belgian theatre company Abattoir Fermé; Claire Denis’ French New Extremist film Trouble Every Day; the novel Lujuria tropical by exiled El Salvadorian Quijada Urias; the science fiction blockbuster spectacles The Matrix and eXistenZ; and the spectacular grandeur of early Hollywood movie palaces and the contemporary Las Vegas Strip. Contributors: Jens Baumgarten, Marjan Colletti, Bolívar Echeverría, Rita Eder, Hugh Hazelton, Monika Kaup, Peter Krieger, Patrick Mahon, Walter Moser, Angela Ndalianis, Richard Reddaway, Karel Vanhaesebrouck, Saige Walton.