The letters in this volume, the majority never before published, vividly document the period in which Yeats, having left the family house in Bedford Park, began a new life in Bloomsbury; as he later recalled, `a new scene was set, new actors appeared'. With his association with the Savoy magazine and its circle of decadents, he achieved the financial emancipation that enabled him to begin his first affair with Olivia Shakespear. 1896 also saw the beginning of the most important and creative friendship of his life, that with Lady Gregory; other influential friendships, such as those with Synge and W. T. Horton, were forged. In 1898, Yeats's friendship with George Moore expanded, only to contract with the disastrous collaboration on Diarmuid and Grania.It was a period of considerable unhappiness for Yeats. His love for Maud Gonne was hopeless; in December 1898, she was to tell him of her long-standing affair with Lucian Millevoye (by whom she had two children). The crisis produced a run of confused and incoherent letters to Lady Gregory. The letters also document Yeats's greatest early period of political activity. He organized the centenary celebrations of the 1798 uprising, while combating double agents within the Irish Revolutionary Brotherhood. In 1897, he began planning a National Theatre and letters chart a massive expansion of theatrical activity. Letter by letter, we see how private concerns, artistic quarrels and exhausting political life forced him to develop a public persona. Rich and readable notes provide a narrative of these years, explaining allusions and setting the correspondence in its cultural and political contexts, as well as relating it to the emergence of Yeats's canon. The Collected Letters of W. B. Yeats is redefining the territory of modern literary history and this volume, with its valuable biographical and thematic appendices, is indispensable to anyone interested in the development of modern poetry, Irish drama and cultural history.

In the twelfth century Joachim of Fiore (c.1132-1202) developed a powerful and original theology of history. In the twentieth century, particularly after the Second World War, much interest was focused on the influence of his ideas, with the result that large and sometimes exaggerated claims were made for his impact on nineteenth- and twentieth-century thought. The first version of this book (Clarendon Press, 1987) sought to distinguish between the precise, documented evidence of Joachim's influence in the modern period and the vaguer assertions which had appeared in histories of ideas. A surprising, and until now virtually unchronicled, story emerged. French romantic visionaries, English literary writers, fin de siecle figures dabbling in the occult, a Czech poet involved in resurgent nationalism - all, to a greater or lesser degree, had taken this medieval abbot as a prophet of the `new religion of humanity' which they had sought. The `Eternal Evangel' (the radical form of Joachim's doctrine) was evidently a symbol of the `new spirit' of the future for such figures as Michelet, Quinet, Leroux, Sand, Mazzini, Renan, Matthew Arnold, George Eliot, Pater, Huysmans, W. B. Yeats, and Vrchlicky.In this process, of course, the genuine thought of the medieval biblical exegete was largely lost, but the myth became a powerful inspiration. This radically revised study has been augmented with further prophetic voices and symbols from the past. Extended by more than 100 pages, it not only confirms the deep structures of visions of the future, but demonstrates and questions the persistence of Joachimist themes in the twentieth-century fin de siecle.

The latest in a renowned research-level series, focusing on Yeats' multifarious reading and his iconography. Examining the making of his work - a new unfinished play for dancers is presented - here his influence in Japan via Yone Noguchi and in England and Dorothy Wellesley are explored, together with his legacy via W.H. Auden and Seamus Heaney.

This research-level publication for current thought and documentation upon the life and work of Yeats, focuses on Yeats at work on various manuscripts and on his tours of America. Two of his poems are published from manuscript for the first time.

The essays in Yeats Annual No 7 are dedicated to the memory of Richard Ellmann, one of the great pioneer critics of W.B.Yeats. They have been contributed by distinguished colleagues and friends of Richard Ellmann, chosen on his advice. The volume also contains much new material by Yeats himself - a new and virtually complete early draft of his novel The Speckled Bird, here entitled 'The Lilies of the Lord' and two new poems from The Flame of the Spirit manuscript book, given to Maud Gonne in 1981.

Yeats Annual No.8 has two distinct themes: Yeats's poetic technique and his aims for an Irish Theatre. Essays from Helen Vendler, Richard Taylor, Timothy Armstrong and Wayne Chapman place the poetry under close scrutiny and offer challenging new studies. Yeats himself writes the remaining essays, including the long-awaited first publication of his Wildean dialogue and an uncollected address on the Irish National Theatre delivered in 1934. Richard Londraville edits four of Yeats's lectures given in England and America in 1902-4.

This is a reissue of a much-admired variorum edition of Yeats's stories. 'This edition, which includes previously unpublished texts, gives a text history, which establishes once and for all the extent to which Yeats's work was modified by editors. Truly definitive. Indispensible for any major collection, including public libraries.' Library Journal

Yeats Annual No. 10 finds new thresholds and margins in Yeats's thought and work. It concentrates upon his plays, his occult concerns with spiritualism and the Irish belief in an otherworld, and closely examines certain aspects of his textual state and the borders of his canon. 'The admirable Yeats Annual ... a powerful base of biographical and textual knowledge. Since 1982 the vade mecum of ... Yeats ... full of interest'. Bernard O'Donoghue, The Times Literary Supplement

Yeats Annual No. 11 has four broad themes: W.B. Yeats's written and oral poetic technique; his philosophical interests in Eastern thought and A Vision; his manuscripts: and Jack B. Yeats's work, including his illustrations for his brother's writing. The contributions include: Michael Sidnell on Yeats's 'Written Speech'; Helen Vendler on Yeats and Ottava Rima; Steve Ellis on Chaucer, Yeats and the Living Voice; P.S. Sri on Yeats and Mohini Chatterjee; Matthew Gibson and Colin McDowell on A Vision and the automatic script; Wayne Chapman on the 'Countess Cathleen Row' of 1899 and revisions to the play; Warwick Gould and Deirdre Toomey on The Flame of the Spirit; Hilary Pyle on Jack B. Yeats's Illustrations for his Brother; John Purser's edited transcript of Jack Yeats and Thomas MacGreevy in conversation. There are shorter notes by Morton D. Paley, A.Norman Jeffares, Lis Pihl and others. Fourteen new books are reviewed and the nine plates include hitherto unpublished images.

Modernist Writers and the Marketplace is a new research-level collection devoted to an exciting area in the history of the book. Focusing on Henry James, W.B. Yeats, Joseph Conrad, D.H. Lawrence, Virginia Woolf, T.S. Eliot, James Joyce, Ezra Pound, Wyndham Lewis and the culture of the little magazine of the period, eleven contributors from six countries demonstrate new developments in the sociology of texts, the practice of literary biography, and textual criticism.

Yeats Annual is the leading international research-level journal devoted to the greatest twentieth-century poet in the English language. Its twelfth issue, That Accusing Eye: Yeats and His Irish Readers , is a special number devoted to one of the great realities of Yeats's writing, the Irish audience that he loved enough to scorn. This audience managed to wound him both by its attention and its indifference. As the eight essays by Irish critics show, it matters even more in the changing Ireland of today. A total of eighteen authors is represented, and seventeen new books are reviewed, including five new volumes in the Cornell Manuscripts Series.

Writing the Lives of Writers ponders that strange ventriloquized dialogue between biographers and their subjects, a dialogue all the stranger when the subject is a writer. It contains 22 essays by internationally distinguished scholars and biographers including Martin C. Battestin, Isobel Grundy, John Haffenden, Hermione Lee, Lawrence Lipking, Ray Monk, Hazel Rowley, Max Saunders, Martin Stannard and John Worthen. They tackle the lives of Chaucer, Tyndale, More, Fielding and Lady Mary Wortley Montagu, Wordsworth, Henry James, Ford Madox Ford, Yeats, Lawrence, Dorothy Richardson, Virginia Woolf, Malcolm Lowry, F.R. Leavis, Richard Wright and Brian Penton.

Yeats Annual is the leading international research-level journal devoted to the greatest twentieth-century poet in the English language. In this number there are new essays on Yeats's theatre by leading scholars such as Richard Allen Cave, Gregory N. Eaves and Masaru Sekine, while scholars from nine countries including Peter L. Caracciolo and Paul Edwards, Maneck H. Daruwala, William F. Halloran, Elisabeth Heine and Colleen MacKenna address such matters as 'Yeats and Maud Gonne: Marriage and the Astrological Record, 1908-9', Yeats's relations with Fiona Macleod and with Wyndham Lewis, the Ghost of Wordsworth, Philip Larkin and Seamus Heaney. There are new essays on A Vision , shorter bibliographical notes and reviews of ten new studies.

This research-level publication for current thought and documentation upon the life and work of Yeats, focuses on Yeats at work on various manuscripts and on his tours of America. Two of his poems are published from manuscript for the first time.

The essays in Yeats Annual No 7 are dedicated to the memory of Richard Ellmann, one of the great pioneer critics of W.B.Yeats. They have been contributed by distinguished colleagues and friends of Richard Ellmann, chosen on his advice. The volume also contains much new material by Yeats himself - a new and virtually complete early draft of his novel The Speckled Bird, here entitled ''The Lilies of the Lord'' and two new poems from The Flame of the Spirit manuscript book, given to Maud Gonne in 1981.

Yeats Annual No.8 has two distinct themes: Yeats''s poetic technique and his aims for an Irish Theatre. Essays from Helen Vendler, Richard Taylor, Timothy Armstrong and Wayne Chapman place the poetry under close scrutiny and offer challenging new studies. Yeats himself writes the remaining essays, including the long-awaited first publication of his Wildean dialogue and an uncollected address on the Irish National Theatre delivered in 1934. Richard Londraville edits four of Yeats''s lectures given in England and America in 1902-4.

This is a reissue of a much-admired variorum edition of Yeats''s stories. ''This edition, which includes previously unpublished texts, gives a text history, which establishes once and for all the extent to which Yeats''s work was modified by editors. Truly definitive. Indispensible for any major collection, including public libraries.'' Library Journal

Yeats Annual No. 10 finds new thresholds and margins in Yeats''s thought and work. It concentrates upon his plays, his occult concerns with spiritualism and the Irish belief in an otherworld, and closely examines certain aspects of his textual state and the borders of his canon. ''The admirable Yeats Annual ... a powerful base of biographical and textual knowledge. Since 1982 the vade mecum of ... Yeats ... full of interest''. Bernard O''Donoghue, The Times Literary Supplement

Yeats Annual is the leading international research-level journal devoted to the greatest twentieth-century poet in the English language. In this number there are new essays on Yeats''s theatre by leading scholars such as Richard Allen Cave, Gregory N. Eaves and Masaru Sekine, while scholars from nine countries including Peter L. Caracciolo and Paul Edwards, Maneck H. Daruwala, William F. Halloran, Elisabeth Heine and Colleen MacKenna address such matters as ''Yeats and Maud Gonne: Marriage and the Astrological Record, 1908-9'', Yeats''s relations with Fiona Macleod and with Wyndham Lewis, the Ghost of Wordsworth, Philip Larkin and Seamus Heaney. There are new essays on A Vision , shorter bibliographical notes and reviews of ten new studies.

Yeats Annual No. 11 has four broad themes: W.B. Yeats''s written and oral poetic technique; his philosophical interests in Eastern thought and A Vision; his manuscripts: and Jack B. Yeats''s work, including his illustrations for his brother''s writing. The contributions include: Michael Sidnell on Yeats''s ''Written Speech''; Helen Vendler on Yeats and Ottava Rima; Steve Ellis on Chaucer, Yeats and the Living Voice; P.S. Sri on Yeats and Mohini Chatterjee; Matthew Gibson and Colin McDowell on A Vision and the automatic script; Wayne Chapman on the ''Countess Cathleen Row'' of 1899 and revisions to the play; Warwick Gould and Deirdre Toomey on The Flame of the Spirit; Hilary Pyle on Jack B. Yeats''s Illustrations for his Brother; John Purser''s edited transcript of Jack Yeats and Thomas MacGreevy in conversation. There are shorter notes by Morton D. Paley, A.Norman Jeffares, Lis Pihl and others. Fourteen new books are reviewed and the nine plates include hitherto unpublished images.

Modernist Writers and the Marketplace is a new research-level collection devoted to an exciting area in the history of the book. Focusing on Henry James, W.B. Yeats, Joseph Conrad, D.H. Lawrence, Virginia Woolf, T.S. Eliot, James Joyce, Ezra Pound, Wyndham Lewis and the culture of the little magazine of the period, eleven contributors from six countries demonstrate new developments in the sociology of texts, the practice of literary biography, and textual criticism.

The letters in this volume, the majority never before published, vividly document the period in which Yeats, having left the family house in Bedford Park, began a new life in Bloomsbury; as he later recalled, `a new scene was set, new actors appeared'. With his association with the Savoy magazine and its circle of decadents, he achieved the financial emancipation that enabled him to begin his first affair with Olivia Shakespear. 1896 also saw the beginning of the most important and creative friendship of his life, that with Lady Gregory; other influential friendships, such as those with Synge and W. T. Horton, were forged. In 1898, Yeats's friendship with George Moore expanded, only to contract with the disastrous collaboration on Diarmuid and Grania.It was a period of considerable unhappiness for Yeats. His love for Maud Gonne was hopeless; in December 1898, she was to tell him of her long-standing affair with Lucian Millevoye (by whom she had two children). The crisis produced a run of confused and incoherent letters to Lady Gregory. The letters also document Yeats's greatest early period of political activity. He organized the centenary celebrations of the 1798 uprising, while combating double agents within the Irish Revolutionary Brotherhood. In 1897, he began planning a National Theatre and letters chart a massive expansion of theatrical activity. Letter by letter, we see how private concerns, artistic quarrels and exhausting political life forced him to develop a public persona. Rich and readable notes provide a narrative of these years, explaining allusions and setting the correspondence in its cultural and political contexts, as well as relating it to the emergence of Yeats's canon. The Collected Letters of W. B. Yeats is redefining the territory of modern literary history and this volume, with its valuable biographical and thematic appendices, is indispensable to anyone interested in the development of modern poetry, Irish drama and cultural history.

In the twelfth century Joachim of Fiore (c.1132-1202) developed a powerful and original theology of history. In the twentieth century, particularly after the Second World War, much interest was focused on the influence of his ideas, with the result that large and sometimes exaggerated claims were made for his impact on nineteenth- and twentieth-century thought. The first version of this book (Clarendon Press, 1987) sought to distinguish between the precise, documented evidence of Joachim's influence in the modern period and the vaguer assertions which had appeared in histories of ideas. A surprising, and until now virtually unchronicled, story emerged. French romantic visionaries, English literary writers, fin de siecle figures dabbling in the occult, a Czech poet involved in resurgent nationalism - all, to a greater or lesser degree, had taken this medieval abbot as a prophet of the `new religion of humanity' which they had sought. The `Eternal Evangel' (the radical form of Joachim's doctrine) was evidently a symbol of the `new spirit' of the future for such figures as Michelet, Quinet, Leroux, Sand, Mazzini, Renan, Matthew Arnold, George Eliot, Pater, Huysmans, W. B. Yeats, and Vrchlicky.In this process, of course, the genuine thought of the medieval biblical exegete was largely lost, but the myth became a powerful inspiration. This radically revised study has been augmented with further prophetic voices and symbols from the past. Extended by more than 100 pages, it not only confirms the deep structures of visions of the future, but demonstrates and questions the persistence of Joachimist themes in the twentieth-century fin de siecle.

The latest in a renowned research-level series, focusing on Yeats' multifarious reading and his iconography. Examining the making of his work - a new unfinished play for dancers is presented - here his influence in Japan via Yone Noguchi and in England and Dorothy Wellesley are explored, together with his legacy via W.H. Auden and Seamus Heaney.

This research-level publication for current thought and documentation upon the life and work of Yeats, focuses on Yeats at work on various manuscripts and on his tours of America. Two of his poems are published from manuscript for the first time.

The essays in Yeats Annual No 7 are dedicated to the memory of Richard Ellmann, one of the great pioneer critics of W.B.Yeats. They have been contributed by distinguished colleagues and friends of Richard Ellmann, chosen on his advice. The volume also contains much new material by Yeats himself - a new and virtually complete early draft of his novel The Speckled Bird, here entitled 'The Lilies of the Lord' and two new poems from The Flame of the Spirit manuscript book, given to Maud Gonne in 1981.

Yeats Annual No.8 has two distinct themes: Yeats's poetic technique and his aims for an Irish Theatre. Essays from Helen Vendler, Richard Taylor, Timothy Armstrong and Wayne Chapman place the poetry under close scrutiny and offer challenging new studies. Yeats himself writes the remaining essays, including the long-awaited first publication of his Wildean dialogue and an uncollected address on the Irish National Theatre delivered in 1934. Richard Londraville edits four of Yeats's lectures given in England and America in 1902-4.

This is a reissue of a much-admired variorum edition of Yeats's stories. 'This edition, which includes previously unpublished texts, gives a text history, which establishes once and for all the extent to which Yeats's work was modified by editors. Truly definitive. Indispensible for any major collection, including public libraries.' Library Journal

Yeats Annual No. 10 finds new thresholds and margins in Yeats's thought and work. It concentrates upon his plays, his occult concerns with spiritualism and the Irish belief in an otherworld, and closely examines certain aspects of his textual state and the borders of his canon. 'The admirable Yeats Annual ... a powerful base of biographical and textual knowledge. Since 1982 the vade mecum of ... Yeats ... full of interest'. Bernard O'Donoghue, The Times Literary Supplement

Yeats Annual No. 11 has four broad themes: W.B. Yeats's written and oral poetic technique; his philosophical interests in Eastern thought and A Vision; his manuscripts: and Jack B. Yeats's work, including his illustrations for his brother's writing. The contributions include: Michael Sidnell on Yeats's 'Written Speech'; Helen Vendler on Yeats and Ottava Rima; Steve Ellis on Chaucer, Yeats and the Living Voice; P.S. Sri on Yeats and Mohini Chatterjee; Matthew Gibson and Colin McDowell on A Vision and the automatic script; Wayne Chapman on the 'Countess Cathleen Row' of 1899 and revisions to the play; Warwick Gould and Deirdre Toomey on The Flame of the Spirit; Hilary Pyle on Jack B. Yeats's Illustrations for his Brother; John Purser's edited transcript of Jack Yeats and Thomas MacGreevy in conversation. There are shorter notes by Morton D. Paley, A.Norman Jeffares, Lis Pihl and others. Fourteen new books are reviewed and the nine plates include hitherto unpublished images.

Modernist Writers and the Marketplace is a new research-level collection devoted to an exciting area in the history of the book. Focusing on Henry James, W.B. Yeats, Joseph Conrad, D.H. Lawrence, Virginia Woolf, T.S. Eliot, James Joyce, Ezra Pound, Wyndham Lewis and the culture of the little magazine of the period, eleven contributors from six countries demonstrate new developments in the sociology of texts, the practice of literary biography, and textual criticism.

Yeats Annual is the leading international research-level journal devoted to the greatest twentieth-century poet in the English language. Its twelfth issue, That Accusing Eye: Yeats and His Irish Readers , is a special number devoted to one of the great realities of Yeats's writing, the Irish audience that he loved enough to scorn. This audience managed to wound him both by its attention and its indifference. As the eight essays by Irish critics show, it matters even more in the changing Ireland of today. A total of eighteen authors is represented, and seventeen new books are reviewed, including five new volumes in the Cornell Manuscripts Series.

Writing the Lives of Writers ponders that strange ventriloquized dialogue between biographers and their subjects, a dialogue all the stranger when the subject is a writer. It contains 22 essays by internationally distinguished scholars and biographers including Martin C. Battestin, Isobel Grundy, John Haffenden, Hermione Lee, Lawrence Lipking, Ray Monk, Hazel Rowley, Max Saunders, Martin Stannard and John Worthen. They tackle the lives of Chaucer, Tyndale, More, Fielding and Lady Mary Wortley Montagu, Wordsworth, Henry James, Ford Madox Ford, Yeats, Lawrence, Dorothy Richardson, Virginia Woolf, Malcolm Lowry, F.R. Leavis, Richard Wright and Brian Penton.

Yeats Annual is the leading international research-level journal devoted to the greatest twentieth-century poet in the English language. In this number there are new essays on Yeats's theatre by leading scholars such as Richard Allen Cave, Gregory N. Eaves and Masaru Sekine, while scholars from nine countries including Peter L. Caracciolo and Paul Edwards, Maneck H. Daruwala, William F. Halloran, Elisabeth Heine and Colleen MacKenna address such matters as 'Yeats and Maud Gonne: Marriage and the Astrological Record, 1908-9', Yeats's relations with Fiona Macleod and with Wyndham Lewis, the Ghost of Wordsworth, Philip Larkin and Seamus Heaney. There are new essays on A Vision , shorter bibliographical notes and reviews of ten new studies.

This research-level publication for current thought and documentation upon the life and work of Yeats, focuses on Yeats at work on various manuscripts and on his tours of America. Two of his poems are published from manuscript for the first time.

The essays in Yeats Annual No 7 are dedicated to the memory of Richard Ellmann, one of the great pioneer critics of W.B.Yeats. They have been contributed by distinguished colleagues and friends of Richard Ellmann, chosen on his advice. The volume also contains much new material by Yeats himself - a new and virtually complete early draft of his novel The Speckled Bird, here entitled ''The Lilies of the Lord'' and two new poems from The Flame of the Spirit manuscript book, given to Maud Gonne in 1981.

Yeats Annual No.8 has two distinct themes: Yeats''s poetic technique and his aims for an Irish Theatre. Essays from Helen Vendler, Richard Taylor, Timothy Armstrong and Wayne Chapman place the poetry under close scrutiny and offer challenging new studies. Yeats himself writes the remaining essays, including the long-awaited first publication of his Wildean dialogue and an uncollected address on the Irish National Theatre delivered in 1934. Richard Londraville edits four of Yeats''s lectures given in England and America in 1902-4.

This is a reissue of a much-admired variorum edition of Yeats''s stories. ''This edition, which includes previously unpublished texts, gives a text history, which establishes once and for all the extent to which Yeats''s work was modified by editors. Truly definitive. Indispensible for any major collection, including public libraries.'' Library Journal

Yeats Annual No. 10 finds new thresholds and margins in Yeats''s thought and work. It concentrates upon his plays, his occult concerns with spiritualism and the Irish belief in an otherworld, and closely examines certain aspects of his textual state and the borders of his canon. ''The admirable Yeats Annual ... a powerful base of biographical and textual knowledge. Since 1982 the vade mecum of ... Yeats ... full of interest''. Bernard O''Donoghue, The Times Literary Supplement

Yeats Annual is the leading international research-level journal devoted to the greatest twentieth-century poet in the English language. In this number there are new essays on Yeats''s theatre by leading scholars such as Richard Allen Cave, Gregory N. Eaves and Masaru Sekine, while scholars from nine countries including Peter L. Caracciolo and Paul Edwards, Maneck H. Daruwala, William F. Halloran, Elisabeth Heine and Colleen MacKenna address such matters as ''Yeats and Maud Gonne: Marriage and the Astrological Record, 1908-9'', Yeats''s relations with Fiona Macleod and with Wyndham Lewis, the Ghost of Wordsworth, Philip Larkin and Seamus Heaney. There are new essays on A Vision , shorter bibliographical notes and reviews of ten new studies.

Yeats Annual No. 11 has four broad themes: W.B. Yeats''s written and oral poetic technique; his philosophical interests in Eastern thought and A Vision; his manuscripts: and Jack B. Yeats''s work, including his illustrations for his brother''s writing. The contributions include: Michael Sidnell on Yeats''s ''Written Speech''; Helen Vendler on Yeats and Ottava Rima; Steve Ellis on Chaucer, Yeats and the Living Voice; P.S. Sri on Yeats and Mohini Chatterjee; Matthew Gibson and Colin McDowell on A Vision and the automatic script; Wayne Chapman on the ''Countess Cathleen Row'' of 1899 and revisions to the play; Warwick Gould and Deirdre Toomey on The Flame of the Spirit; Hilary Pyle on Jack B. Yeats''s Illustrations for his Brother; John Purser''s edited transcript of Jack Yeats and Thomas MacGreevy in conversation. There are shorter notes by Morton D. Paley, A.Norman Jeffares, Lis Pihl and others. Fourteen new books are reviewed and the nine plates include hitherto unpublished images.

Modernist Writers and the Marketplace is a new research-level collection devoted to an exciting area in the history of the book. Focusing on Henry James, W.B. Yeats, Joseph Conrad, D.H. Lawrence, Virginia Woolf, T.S. Eliot, James Joyce, Ezra Pound, Wyndham Lewis and the culture of the little magazine of the period, eleven contributors from six countries demonstrate new developments in the sociology of texts, the practice of literary biography, and textual criticism.