Wei Dong – författare

This book presents the gatherings of the “2016 International Conference on Water Resource and Hydraulic Engineering,” which primarily focused on the sustainable development of water resources and the environment in both China and the United States. water quality analysis and water pollution;

This book constitutes the proceedings of the 8th International Symposium on Dependable Software Engineering, SETTA 2022, held in Beijing, China, in October 2022.The 11 full papers and 3 short papers in this volume were carefully reviewed and selected from 29 submissions, and are presented with 3 abstracts of keynote speeches.

This book presents the gatherings of the “2016 International Conference on Water Resource and Hydraulic Engineering,” which primarily focused on the sustainable development of water resources and the environment in both China and the United States. The respective papers cover a wide variety of research areas, including watershed hydrology; river hydraulics; groundwater hydrology; water resources management and sustainability development; water supply planning under climate change; water quality analysis and water pollution; sponge city development and urban watershed management; environment and sustainability; global connections between air and water; and irrigation and drainage issues for agricultural engineering. The contributions will be of interest to a global readership and highlight the emerging problems facing developing countries, as well as research and measures to successfully deal with them and promote a greener and more eco-friendly living environment.

Against the background of the media commercialization reform since the 1990s in China and drawing on the case of »X-Change« (2006–2019), Wei Dong investigates the affective meaning-making mechanism in the multimodal text of Chinese reality TV. The focus lies on the ways in which emotions are appropriated and disciplined by regimes of power and identity, and the ways in which affect – in this case primarily kuqing (bitter emotions) communicated by the material and the body – have the potential to challenge or exceed existing relations of power in the mediascape. Wei Dong shows how Chinese reality TV provides a historical and theoretical opportunity for understanding the affective structures of contemporary China in the dynamic process of fracture and integration.