A scholarly monograph devoted to Jane Morris, an icon of Victorian art whose face continues to grace a range of Pre-Raphaelite merchandiseDescribed by Henry James as a ''dark, silent, medieval woman'', Jane Burden Morris has tended to remain a rather one-dimensional figure in subsequent accounts. This book, however, challenges the stereotype of Jane Morris as silent model, reclusive invalid, and unfaithful wife. Drawing on extensive archival research as well as the biographical and literary tradition surrounding William Morris and Dante Gabriel Rossetti, the book argues that Jane Morris is a figure who complicates current understandings of Victorian female subjectivity because she does not fit neatly into Victorian categories of feminine identity. She was a working-class woman who married into middle-class affluence, an artist''s model who became an accomplished embroiderer and designer, and an apparently reclusive, silent invalid who was the lover of Dante Gabriel Rossetti and Wilfred Scawen Blunt.Jane Morris and the Burden of History particularly focuses on textual representations - in letters, diaries, memoirs and novels - from the Victorian period onwards, in order to investigate the cultural transmission and resilience of the stereotype of Jane Morris. Drawing on recent reconceptualisations of gender, auto/biography, and afterlives, this book urges readers to think differently - about an extraordinary woman and about life-writing in the Victorian period.Key Features:First scholarly study of Jane Morris, which seeks to challenge the stereotype surrounding her as melancholy invalid and Pre-Raphaelite femme fataleInnovative case study of the role of class, gender and sexuality in the formation of Victorian feminine subjectivityContribution to emerging field of new biography and Victorian afterlives through the inclusion and examination of a wide variety of texts which construct the selfOriginal exploration of feminine creative agency that challenges conventional understandings of masculine artistic autonomy in the Victorian period

"Remarkable… an engaging and informative read." —Leah Moyes, author of A Polish Nurse 1838, England: When eighteen-year-old Frances Dickinson impulsively marries Lieutenant John Geils, all her hopes for her future are quickly shattered as she finds there is much about her husband she did not know. A cruel and violent man, John keeps Frances in isolation on his family’s estate, while spending her fortune and preying upon their maids.

Frances yearns to break free from her marriage but the law is not on her side. Only when John’s abuse escalates can she set in motion a daring plan to secure her freedom. A story of gaslighting, control and one woman’s fight, An Idle Woman is the true story behind one of the most sensational divorce trials of the nineteenth century.  

A scholarly monograph devoted to Jane Morris, an icon of Victorian art whose face continues to grace a range of Pre-Raphaelite merchandiseDescribed by Henry James as a ''dark, silent, medieval woman'', Jane Burden Morris has tended to remain a rather one-dimensional figure in subsequent accounts. This book, however, challenges the stereotype of Jane Morris as silent model, reclusive invalid, and unfaithful wife. Drawing on extensive archival research as well as the biographical and literary tradition surrounding William Morris and Dante Gabriel Rossetti, the book argues that Jane Morris is a figure who complicates current understandings of Victorian female subjectivity because she does not fit neatly into Victorian categories of feminine identity. She was a working-class woman who married into middle-class affluence, an artist''s model who became an accomplished embroiderer and designer, and an apparently reclusive, silent invalid who was the lover of Dante Gabriel Rossetti and Wilfred Scawen Blunt.Jane Morris and the Burden of History particularly focuses on textual representations - in letters, diaries, memoirs and novels - from the Victorian period onwards, in order to investigate the cultural transmission and resilience of the stereotype of Jane Morris. Drawing on recent reconceptualisations of gender, auto/biography, and afterlives, this book urges readers to think differently - about an extraordinary woman and about life-writing in the Victorian period.Key Features:First scholarly study of Jane Morris, which seeks to challenge the stereotype surrounding her as melancholy invalid and Pre-Raphaelite femme fataleInnovative case study of the role of class, gender and sexuality in the formation of Victorian feminine subjectivityContribution to emerging field of new biography and Victorian afterlives through the inclusion and examination of a wide variety of texts which construct the selfOriginal exploration of feminine creative agency that challenges conventional understandings of masculine artistic autonomy in the Victorian period

"Remarkable… an engaging and informative read." —Leah Moyes, author of A Polish Nurse 1838, England: When eighteen-year-old Frances Dickinson impulsively marries Lieutenant John Geils, all her hopes for her future are quickly shattered as she finds there is much about her husband she did not know. A cruel and violent man, John keeps Frances in isolation on his family’s estate, while spending her fortune and preying upon their maids.

Frances yearns to break free from her marriage but the law is not on her side. Only when John’s abuse escalates can she set in motion a daring plan to secure her freedom. A story of gaslighting, control and one woman’s fight, An Idle Woman is the true story behind one of the most sensational divorce trials of the nineteenth century.