W.H. New – författare

New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts. Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how - from early records of oral tales to the writing strategies of the early twenty-first century - writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers representations of the "real," whether in documentary, fantasy, or satire; historical romance and the social construction of Nature and State; and ironic subversions of power, the politics of cultural form, and the relevance of the media to a representation of community standard and individual voice. New suggests some ways in which writers of the later twentieth century codified such issues as history, gender, ethnicity, and literary technique itself. In this second edition, he adds a lengthy chapter that considers how writers at the turn of the twenty-first century have reimagined their society and their roles within it, and an expanded chronology and bibliography. Some of these writers have spoken from and about various social margins (dealing with issues of race, status, ethnicity, and sexuality), some have sought emotional understanding through strategies of history and memory, some have addressed environmental concerns, and some have reconstructed the world by writing across genres and across different media. All genres are represented, with examples chosen primarily, but not exclusively, from anglophone and francophone texts. A chronology, plates, and a series of tables supplement the commentary.

Tropes and Territories demonstrates how current debates in postcolonial criticism bear on the reading, writing, and status of short fiction. These debates, which hinge on competing definitions of "trope" (motif vs rhetorical turn) and "territory" (political or aesthetic), lead to studies of space, place, influence, and writing and reading practices across cultural divides. The essays also explore the character of diasporic writing, the cultural significance of oral tale-telling, and interconnections between socio/political issues and strategies of style.

Canada's rich, diverse literary heritage has long attracted widespread recognition, and in recent years Canadian writers have won nearly every major international literary award. The breadth and sophistication of Canada's literature demands precisely the kind of critical reflection that W.H. New's comprehensive Encyclopedia of Literature in Canada now offers to readers.This up-to-date reference book brings together 300 leading Canadianists to look at literature in Canada from a variety of perspectives. In over 2000 entries, acknowledging Canada's cultural plurality, the Encyclopedia discusses literature in English and French, and also in such other languages as Yiddish, Spanish, Haida and Cree; authors and their work; related literary and social issues; professional institutions that play a role in the lives of Canadian writers; and the major historical and cultural events that have shaped Canada. The unique richness of this work is also reflected in the breadth of other entries. Among them are commentaries on humour and satire, genre (including radio drama and the long poem), social history, film, television and popular culture, literary awards, language, critical theory, the oral literatures of the First Nations, petroglyphs, the publishing industry, journalism, gender, race, religion, region, myth, and class.Extensive cross-referencing, a cultural chronology, supplementary index, and suggestions for further reading make this encyclopedia the most complete and accessible reference guide to Canadian literature in print. Encyclopedia of Literature in Canada will be an essential resource for scholars, writers, and readers for years to come.

Why have so many of this century's prominent political and literary critics wanted to find a single metaphor to describe the character of Canada? Why do so many use land-based metaphors to ask about the divisions between centres and margins, colony and empire, wealth and power? W.H. New, in Land Sliding: Imagining Space, Presence, and Power in Canadian Writing, investigates this established paradigm by examining why so many writers have accepted the land as a comprehensive image of nationhood. Is there in fact, he questions, a landscape which is 'natural,' unmediated by social values and literary representation?Asking what 'land' as an abstract concept and a physical site has to do with writing, representation, and power, New looks at the 'sliding' relationship by which people associate their surroundings with their position in society. New's study of land in literature is a commentary on the way a culture produces values by transforming the 'natural' into literary idiom and, in turn, making literary convention seem natural. Land Sliding develops not as a history of uniformity or progress, but as a series of dialogues between past and present, between paradigms and disciplines. It draws on a wide range of texts including First Nations narratives, contemporary poetry and fiction, government documents, real estate ads, artwork, and photographs to illustrate the complex associations that link place, power, and language in Canada today.W.H. New invites readers to look again at Canada's changing cultural character by rereading both the landscape and the people who have interpreted it. Land Sliding will have an important place in many disciplines, among them literary studies, geography, fine arts, and Canadian studies.