Will Alexander – författare

Mirach Speaks To His Grammatical Transparents is a philosophical meditation vertically scripted. It is an extension of Alexander's first book in this mode, Towards The Primeval Lightning Field. Both books in concert, exist as a double exploration, in what, for the author, is a nascent odyssey, concerning the mind at non-limit through cellular transmogrification.

the maps one comes to knoware but boulders which are shattered by spoilage—Will AlexanderIn navigation a loxodrome, or rhumb-line, is a line that crosses all meridians at the same angle, maintaining one compass direction, a path of constant bearing. In his breakthrough poetry collection, The Sri Lankan Loxodrome, Will Alexander connects this theme to a lone Sri Lankan sailor who beheads sea snakes as an ongoing meditation while sailing the expanse of the Indian Ocean. Along the way he meets various African communities as he journeys eastward, from Madagascar to Sri Lanka. In lush, perfumed language filled with the spirit of Aimé Césaire and Sun Ra, Alexander maps an epic voyage unlike any other in contemporary poetry.

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo—two writers whose luminous art suffered “colonial wrath through refraction.” A tribute to the Congo forms the bridge and brisé vole of the book: the Congo as “charged aural colony” and “primal interconnection,” a “subliminal psychic force” with a colonial and postcolonial history dominated by the Occident. Will Alexander’s improvisatory cosmicity pushes poetic language to the point of most resistance—incantatory and swirling with magical laterality and recovery.

The fifth volume of our Spotlight poetry series, Compression & Purity is a new collection of poetry by Los Angeles--based African American surrealist Will Alexander. Known for densely textured visionary epics influenced by poets like Aime Cesaire and Cesar Vallejo, Alexander here returns to shorter forms to address his ecological, cosmological, and historical concerns. Highlights include a monologue from the perspective of "The Blood Penguin," a song by the "New Water on Mars," and Alexander's autobiographical lyric essay, "My Interior Vita," describing the evolution of his artistic consciousness through jazz and surrealism. Compression & Purity confirms Alexander's reputation among surrealism's foremost contemporary practitioners.

From Will Alexander, finalist for the 2022 Pulitzer Prize in Poetry, a new collection of poems from the intersection between surrealism and afro-futurism, where Césaire meets Sun Ra. Divine Blue Light further affirms Alexander’s status as one of the most unique and innovative voices in contemporary poetry.One of Publishers Weekly’s Top 10 Notable Poetry Books for Fall 2022!“Since the 1980s, the Los Angeles-based Alexander has mixed politics with mesmeric, oracular lines.”—The New York TimesAgainst the ruins of a contemporary globalist discourse, which he denounces as a “lingual theocracy of super-imposed rationality,” Will Alexander’s poems constitute an alternative cartography that draws upon omnivorous reading—in subjects from biology to astronomy to history to philosophy—amalgamating their diverse vocabularies into an impossible instrument only he can play. Divine Blue Light is anchored by three major works: the opening “Condoned to Disappearance,” a meditation on the heteronymic exploits of Portuguese modernist Fernando Pessoa; the closing “Imprecation as Mirage,” a poem channeling an Indonesian man; and the title poem, an anthemic ode to the jazz saxophonist John Coltrane. Other key pieces include “Accessing Gertrude Bell,” a critique of one of the designers of the modern state of Iraq; “Deficits: Chaïm Soutine & Joan Miró,” in homage to two Jewish artists forced to flee the Nazi invasion of France; and “According to Stellar Scale,” a compact lyric that traveled to space with astronaut Sian Proctor. The newest installment in our Pocket Poets Series, Divine Blue Light confirms Alexander’s status among the foremost surrealists writing in English today.Praise for Divine Blue Light:"Adopting a surrealist approach to making sense of the universe, Alexander plumbs language for its limits, often with dazzling results....Pondering the mysteries of existence and artistic influence, this engrossing work turns the quest for self-knowledge into a choral act."—Publishers Weekly, Starred Review"Alexander’s range—which moves past the propriety of each subject to the expansiveness of every—can be approximated as Aimé Césaire’s totality of the lion, or form and emptiness, or appositional, apparitional Black being. And this being is most real and realized through the collection’s quantum mechanics and dynamics, which Alexander invokes astrophysically, evokes metaphysically."—Jenna Peng, The Poetry Foundation"These surrealist and Afrofuturist poems examine politics, globalism, and the powers and limitations of language, while paying tribute to artists forced to flee the Nazi invasion of France.”—Maya Popa, Publishers Weekly"The 'invisible current' Will Alexander channels in the meteoric poems of Divine Blue Light is not surreal escape but vibrational engagement—an engagement with the infinite streams of the heart of being."—Jeffrey Yang, author of Line and Light"Like agua tilting itself into a god, Will’s texts suffuse the horizon of Poetry with the abstract purity of their oceanic movements, sun-condensing, dissolving seemingly endless sight into a disappearing instant of the Miraculous. Divine Blue Light exists by what it exudes."—Carlos Lara, author of Like Bismuth When I Enter

FINALIST FOR THE PULITZER PRIZE IN POETRY A Poetry Book Society RecommendationRefractive Africa is a set of three poems ruminating on diasporic witness, colonialism, invasion, and political resistance. This 'pas de trois' of poems begins paying homage to Amos Tutuola, innovative Nigerian-Yoruban author, and ends with a speech towards modernist Malagasy poet Jean-Joseph Rabearivelo. The collection turns around the long middle poem, using the geographical site of the Congo river as a lens for considering the pillaging and dislocation of societies through history, honing-in on the specific colonial and post-colonial histories of the area. He welds these to contemporary instances of ecological damage through mining for tin and cobalt. Fierce, compelling, and full of astrological reckoning, this book is a 'savage enunciation':'this is the Congo vertiginous with derangement with its foul & delimited hygiene with its "weaver bird nests" with its sprawling grasslands with its "ghostly voltage" as flares from old oil rigs thus our intelligence forcibly blunted our thought stream injured as culpable integument within this compound negation terror persists snaking its way through interior suppression'

Diary as Sin is the powerful and evocative story of a blind girl, Rosanna Galvez. Confined to a private Catholic home in New Mexico, she unveils her beginnings as an incest baby - and moves through the odyssey beyond - with powerful incantatory language. Through poetic and often painful recall, Rosanna weaves a diary that will spellbind the reader with its imagistic and visionary prowess. Alexander cites Beckett, Bernhard and Goytisolo as an "ancestral trilology" for the work, living up to his forebears with some aplomb.

Kaleidoscopic Omniscience is a new collection from lingual contortionist and poetic sage Will Alexander, featuring his early works - Asia & Haiti, The Stratospheric Canticles, and Impulse & Nothingness. Alexander's prismatic and oracular voice cascades around bi-geographic confrontations, painterly morphologies, and the cosmology of the void. "[Alexander is] acutely conscious of the issue of poetic voice, and is unwilling to let poetry's potential for ventriloquizing or exploring the voices of others be subsumed in an impersonal ecriture or ultimately homogenous montage. He seems as well interested in the spiritual dimension of poetry, especially in the degrees to which poetry can give us access to spiritual or emotional states beyond those we normally experience." - Mark Scroggins, American Book Review

Life doesn't end. Reality isn't fixed. Time doesn't work the way you think. Even the universe, despite its size, is surprisingly aware of and attuned to each of us. Then come those moments when all boundaries dissolve, worlds merge, and we are given glimpses into how connected everything is. CALL ME JONAH is the story of an ordinary man who experiences such extraordinary moments starting in childhood and then continue throughout his lifetime. Afraid of ridicule, he keeps hidden what he learns from each mystical encounter for decades. Until a random meeting with street prophet ultimately convinces him to share his journey and the remarkable insights acquired along the way. Only God could write a story so touching as this through the words of Will Alexander. — Courtney Force, author of Soul Dancer