Will Harris – författare

WINNER OF THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION SHORTLISTED FOR THE T.S. ELIOT PRIZE FOR POETRY 2020A startlingly radical and surreal poetic journey, RENDANG takes the reader from West Sumatra to Planet Mongo via Gray's Inn Road, alighting on Indonesian artefacts, gentrification, and citizenry. RENDANG is an urgent comment on what it means to be a person now, a dissection of and love letter to the histories, places, and things that make us.Through adept and complex language play, a ludic voice, and a masterful command of form, Will Harris creates a poetry that charts the ambivalences, difficulties, and voices of our contemporary landscape.

Ink Tales reinvigorates fairy tales and myths from around the world, breaking barriers and challenging stereotypes throughout. Illustrated by Inkquisitive (Amandeep Singh) in his vibrant signature Indian inks, each story is accessible and visually inspiring. Travel across oceans and discover the vengeful wrath of a River God in Kayo Chingonyi's West African tale. Soar too close to the sun with Inua Ellam's timely story of a young refugee girl. Fly to a mysterious castle inhabited by a cursed prince with Helen Mort's retelling of East of the Sun, West of the Moon. Uncover the truth of #Bluebeard with Joelle Taylor's modernised fairy tale. Look to the constellations with Will Harris' futuristic Greek tragedy, and never, ever answer to your name in Malika Booker's Trinidadian recreation of the Dwen. Bedtime Stories for the End of the World is produced in partnership with the ground-breaking poetry podcast of the same name. The six featured poets draw on their own experience, adding a new dimension to an existing tale. 'Bedtime Stories for the End of the World' is a spoken word and poetry podcast about the power of myth and the politics of storytelling. The podcast asks some of the UK's top poets to re-imagine their favourite myths, fairy tales and legends - the stories they want to keep and protect for the future. It also involves an annual live event, creating a tangible and accessible experience for existing and new audiences. Reimagined tales include Icarus, the legend of the Zambezi River God, East of the Sun West of the Moon, Bluebeard, Philoctetes and the Trinidadian folklore figure 'douen'.

Ink Tales reinvigorates fairy tales and myths from around the world, breaking barriers and challenging stereotypes throughout. Illustrated by Inkquisitive (Amandeep Singh) in his vibrant signature Indian inks, each story is accessible and visually inspiring. Travel across oceans and discover the vengeful wrath of a River God in Kayo Chingonyi''s West African tale. Soar too close to the sun with Inua Ellam''s timely story of a young refugee girl. Fly to a mysterious castle inhabited by a cursed prince with Helen Mort''s retelling of East of the Sun, West of the Moon. Uncover the truth of #Bluebeard with Joelle Taylor''s modernised fairy tale. Look to the constellations with Will Harris'' futuristic Greek tragedy, and never, ever answer to your name in Malika Booker''s Trinidadian recreation of the Dwen. Bedtime Stories for the End of the World is produced in partnership with the ground-breaking poetry podcast of the same name. The six featured poets draw on their own experience, adding a new dimension to an existing tale. ''Bedtime Stories for the End of the World'' is a spoken word and poetry podcast about the power of myth and the politics of storytelling. The podcast asks some of the UK''s top poets to re-imagine their favourite myths, fairy tales and legends - the stories they want to keep and protect for the future. It also involves an annual live event, creating a tangible and accessible experience for existing and new audiences. Reimagined tales include Icarus, the legend of the Zambezi River God, East of the Sun West of the Moon, Bluebeard, Philoctetes and the Trinidadian folklore figure ''douen''.

A speculative-poetic work from the Forward Prize-winning, T.S. Eliot shortlisted author of RENDANG.At the heart of Brother Poem is a sequence addressed to a fictional brother. Through these fragments, Will Harris attempts to reckon with the past while mourning what never existed.The text moves, cloud-like, through states of consciousness, beings and geographies, to create a moving portrait of contemporary anxieties around language and the need to communicate. With pronominal shifts, broken dialogisms, and obsessive feedback loops, it reflects on the fictions we tell ourselves, and in our attempts to live up to the demands of others.From a dimension uncannily like our own, intuited through signs, whispers, and glitches, Brother Poem is shadowed by the loss of what can't be seen. Telling stories of bizarre familial reckonings and difficult relationships, about love and living with others, it is a deeply sensitive coming-of-age poetics.

A personal yet universal family memoir, this story introduces us to Will’s grandmother, Evelyn, who suffered from dementia in the later years of her life. As her memories eroded, history and fiction collided and a new relationship bloomed; once her grandson, the young photographer became an old friend, creating this work while trying to make sense of a newfound connection and to deal with his own grief. At times both haunting and lighthearted, this book weaves together family archives with altered images, collage, and new photographs including views inside the multi-generational family home in Pennsylvania. Along with some confused and touching conversations with Nana, Will assembles the fragments that went missing from her mind.