Willemien Otten – författare

In the massive literature on the idea of the self, the Augustinian influence has often played a central role. The volume Augustine Our Contemporary, starting from the compelling first essay by David W. Tracy, addresses this influence from the Middle Ages to modernity and from a rich variety of perspectives, including theology, philosophy, history, and literary studies. The collected essays in this volume all engage Augustine and the Augustinian legacy on notions of selfhood, interiority, and personal identity. Written by prominent scholars, the essays demonstrate a connecting thread: Augustine is a thinker who has proven his contemporaneity in Western thought time and time again. He has been "the contemporary" of thinkers ranging from Eriugena to Luther to Walter Benjamin and Jacques Derrida. His influence has been dominant in certain eras, and in others he has left traces and fragments that, when stitched together, create a unique impression of the "presentness" of Christian selfhood. As a whole, Augustine Our Contemporary sheds relevant new light on the continuity of the Western Christian tradition. This volume will interest academics and students of philosophy, political theory, and religion, as well as scholars of postmodernism and Augustine. Contributors: Susan E. Schreiner, David W. Tracy, Bernard McGinn, Vincent Carraud, Willemien Otten, Adriaan T. Peperzak, David C. Steinmetz, Jean-Luc Marion, W. Clark Gilpin, William Schweiker, Franklin I. Gamwell, Jean Bethke Elshtain, Fred Lawrence, and Françoise Meltzer.

This volume takes up the challenge implied in Augustine's paradox of time: How does one account for the continuity of history and the certitude of memory, if time, in the guise of an indivisible "now," cuts off any extension of the present? The thinkers and artists the essays address include Augustine, Abelard, Eriugena and Thoreau, Calvin, Shakespeare, De Rance, Stravinsky and Messiaen, Rubens and Woolf.

This volume takes up the challenge implied in Augustine's paradox of time: How does one account for the continuity of history and the certitude of memory, if time, in the guise of an indivisible "now," cuts off any extension of the present? The thinkers and artists the essays address include Augustine, Abelard, Eriugena and Thoreau, Calvin, Shakespeare, De Rance, Stravinsky and Messiaen, Rubens and Woolf.

A fresh and more capacious reading of the Western religious tradition on nature and creation, Thinking Nature and the Nature of Thinking puts medieval Irish theologian John Scottus Eriugena (810–877) into conversation with American philosopher Ralph Waldo Emerson (1803–1882). Challenging the biblical stewardship model of nature and histories of nature and religion that pit orthodoxy against the heresy of pantheism, Willemien Otten reveals a line of thought that has long made room for nature's agency as the coworker of God. Embracing in this more elusive idea of nature in a world beset by environmental crisis, she suggests, will allow us to see nature not as a victim but as an ally in a common quest for re-attunement to the divine. Putting its protagonists into further dialogue with such classic authors as Augustine, Maximus the Confessor, Friedrich Schleiermacher, and William James, her study deconstructs the idea of pantheism and paves the way for a new natural theology.

A fresh and more capacious reading of the Western religious tradition on nature and creation, Thinking Nature and the Nature of Thinking puts medieval Irish theologian John Scottus Eriugena (810–877) into conversation with American philosopher Ralph Waldo Emerson (1803–1882). Challenging the biblical stewardship model of nature and histories of nature and religion that pit orthodoxy against the heresy of pantheism, Willemien Otten reveals a line of thought that has long made room for nature's agency as the coworker of God. Embracing in this more elusive idea of nature in a world beset by environmental crisis, she suggests, will allow us to see nature not as a victim but as an ally in a common quest for re-attunement to the divine. Putting its protagonists into further dialogue with such classic authors as Augustine, Maximus the Confessor, Friedrich Schleiermacher, and William James, her study deconstructs the idea of pantheism and paves the way for a new natural theology.

How the West Was Won contains articles in three main areas of the humanities. It focuses on various aspects of literary imagination, with essays ranging from Petrarch to Voltaire; on the canon, with essays on western history as one of shifting cultural horizons and ideals, and including censorship; and on the Christian Middle Ages, when an interesting combination of religion and culture stimulated the monastic and intellectual experiments of Anselm of Canterbury and Peter Abelard. The volume is held together by the method of persistent questioning, in the tradition of the western church father and icon of the self Augustine, to discover what the values are that drive the culture of the West: where do they come from and what is their future? This volume is a Festschrift for Burcht Pranger of the University of Amsterdam.