William Drabkin – författare
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6 produkter
6 produkter
Inbunden, Engelska, 2005
3 643 kr
Skickas inom 7-10 vardagar
This is the second volume of a two-volume translation of Heinrich Schenker's Der Tonwille (1921-24). Among the foremost music theorists of the twentieth century, Schenker's methods of analysis continue to be one of the most important tools of musicology.
E-bok
PDF, Engelska, 20052 401 kr
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This is the second volume of a two-volume translation of Heinrich Schenker''s Der Tonwille (1921-24). Among the foremost music theorists of the twentieth century, Schenker''s methods of analysis continue to be one of the most important tools of musicology.
E-bok
PDF, Engelska, 20043 296 kr
Läs direkt efter köp
The groundbreaking analytical techniques of Heinrich Schenker have had a powerful impact on the English-speaking musical world, and their importance, a century after he embarked on his major projects, is greater than ever. A central work in the Schenkerian canon, Der Tonwille, introduced the use of voice-leading graphs that remains a critical tool for many music theorists today. This volume, the first of a two-volume English translation of Schenker''s complete original text, makes these important contributions available to English readers for the first time. In the first five "issues" that make up Der Tonwille, Schenker analyzes piano sonatas by Haydn, Mozart, and Beethoven, as well as shorter works including preludes by Bach and various classical keyboard pieces. The volume also includes the first two installments of a large-scale study of Beethoven''s Fifth Symphony which, in common with many of the other essays offered here, is comprised of a detailed analysis of the score, a commentary on the sketches and autograph and related textual problems, remarks on performance, and a critique of the literature on the symphony. Most significantly, the essays in this volume are the first that consistently embrace the concept of "Urlinie" by coordinating an explanatory text with a "graph of the Urlinie" for each work discussed. It also contains the most extensive expression of Schenker''s outspoken philosophical, political, and artistic beliefs, providing an important cultural perspective from which to view his theoretical work. Under the leadership of William Drabkin, a team of well-regarded musicologists has produced this skilled and lucid translation of Schenker''s influential writings, an essential resource for English-reading musicologists and music theorists.
Inbunden, Engelska, 1999
794 kr
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The six string quartets comprising Joseph Haydn's Opus 20 (composed in 1772) are the first works in the genre to have received consistent critical attention from writers on music. The twenty-two quartets Haydn wrote before this date, though rarely discussed by historians and theorists and seldom performed in public, are nevertheless fundamental to the development of the quartet and thus inseparable from Opus 20 itself. This thoughtful discussion provides a basis upon which to study the quartet by showing how the relationship among the four players can best be understood as a musical dialogue. A methodology is developed for analyzing these quartets by focusing on the characteristics of string instruments that inform not only the style of the music, but also the materials of the composition. The changing relationships among the instruments reveal the level of sophistication evident in Haydn's early works and attest to the affinity these works have with his later masterpieces. Music scholars and educators will appreciate the generous musical examples and clear prose that explains the more detailed analysis of the Opus 20 set.
Häftad, Engelska, 1991
206 kr
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The Missa Solemnis is a document of extraordinary richness from the last decades of Beethoven's creative life. In this compendious and accessible guide, William Drabkin considers the work as a musical expression of the most celebrated text of the Roman Catholic faith and as an example from a tradition of Mass settings in eighteenth and early nineteenth-century Austria. The opening chapters present various critical perspectives on the Missa Solemnis and chart the history of its composition, first performances and publication. But, above all, the work itself is considered in detail, including the overall design, connections between the movements, the orchestration, word painting and programmatic elements.
Inbunden, Engelska, 2014
382 kr
Skickas inom 5-8 vardagar
Brings together in one volume the full text of some 450 letters in first-time English translation, organized into sections each prefaced by an introduction. All the letters are fully annotated and they yield information about Viennese society, culture and politics of the time.The work of Heinrich Schenker (1868-1935), widely regarded as the most important music theorist of the twentieth century, has shaped the teaching of music theory in the United States profoundly and influenced theorists there, in Europe, and throughout the world. Living and working in Vienna, Schenker maintained a vigorous correspondence with a large circle of professional musicians, writers, music critics, institutions, administrators, patrons, friends, and pupils. A large part of his correspondence was preserved after his death: some 7,000 letters, postcards, telegrams, etc., to and from 400 correspondents. His diaries record the fabric of his personal life and his activities asa private music teacher and writer; they also provide a detailed commentary on historical and political events and offer a window on to the conditions of life in Vienna. Taken together, these documents contribute vividly to the picture of cultural life in Vienna, and elsewhere, from the perspective of a Jewish intellectual and his circle of musical and artistic friends.Heinrich Schenker: Selected Correspondence represents a concise edition ofsome of the theorist's most important and revelatory letters and diary entries. It offers the full text of some 450 letters in English translation, organized into sections devoted to various aspects of his professional life: teaching, writing, administration, and maintaining contact with an ever widening circle including Ferruccio Busoni, Julius Röntgen, Otto Erich Deutsch, Alphons von Rothschild, Paul von Klenau, Wilhelm Furtwängler, Paul Hindemith, MorizViolin, John Petrie Dunn, and Hans Weisse. Extracts from the diaries provide a summary of important parts of the correspondence that do not survive. The volume includes a detailed exposition of the editorial method, biographicalnotes on correspondents, and a substantial general introduction. Each of the sections is prefaced by an introduction which provides essential historical context, and the letters and diary entries are fully annotated.IAN BENT is Emeritus Professor of Music at Columbia University in New York, and lives in the United Kingdom.DAVID BRETHERTON is Lecturer in Music at the University of Southampton.WILLIAM DRABKIN is Professorof Music at the University of Southampton.CONTRIBUTORS: Marko Deisinger, Martin Eybl, Christoph Hust, Kevin C. Karnes, John Koslovsky, Lee Rothfarb, John Rothgeb, Hedi Siegel, Arnold Whittall