William Eastlake – författare

These novels face head-on the reality of the American Indian, perhaps the last great taboo in American culture. After all of the flag-waving, the wars to protect the Land of the Free, and interventions around the world in the name of democracy, how do Americans admit, even today, that America was not discovered by Columbus and not courageously cultivated by white Anglo-Saxons? The land was invaded and a people destroyed, all in the name of religion, political freedom, and money.Long before Cormac McCarthy and even long before Tom Robbins, William Eastlake invented an American Southwest whose comic and tragic dimensions, as well as its hard beauty, encapsulates American myths and nightmares in much the way that Faulkner did with his invented Yoknapatawpha County. Against a background of New Mexico that transcends regional space, Eastlake explores race, greed, and tradition, evoking stereotypes for the sake of exploding them and laying bare an American reality that is a strange mix of pop culture, zany humor, biting satire, and a deep-seated respect for and love of the land.

It is December of 1944, and a detachment of American soldiers has been assigned to guard an ancient castle in Belgium inhabited by an elderly aristocrat, his young wife, and countless valuable artifacts. The soldiers virtually wait out the war--indulging in various hobbies, exploring the castle's excesses (including a replica of Venice, complete with canals and gondolas), in other words, trying to do something other than war--until a German counterattack puts them in the fray. Semi-autobiographical, ?"Castle Keep"?was the first major novel to use the real language of the soldier, uncensored and true-to-life. Inventive and brilliantly comic, this novel is the quintessential portrait of man at war.

-- Dying in a bamboo bed, Captain Clancy hallucinates several philosophical conversations with a snake and a tiger. Meanwhile, Captain Knightbridge and Nurse Jane of the Search & Rescue Unit have sex in their helicopter -- the Bamboo Bed -- at 10,000 feet, setting a wartime record. Down below, two hippy kids wander the forest trying to end the Vietnam war with a dream and a guitar. In the tradition of Catch-22 and Dr. Strangelove, The Bamboo Bed treats with hilarity and outrage the grim absurdity of war.