William Farina – författare

The question may be met with chagrin by traditionalists, but the identity of the Bard is not definitely decided. During the 20th century, Edward de Vere, the most flamboyant of the courtier poets, a man of the theater and literary patron, became the leading candidate for an alternative Shakespeare.This text presents the controversial argument for de Vere's authorship of the plays and poems attributed to Shakespeare, offering the available historical evidence and moreover the literary evidence to be found within the works. Divided into sections on the comedies and romances, the histories and the tragedies and poems, this fresh study closely analyzes each of the 39 plays and the sonnets in light of the Oxfordian authorship theory. The vagaries surrounding Shakespeare, including the lack of information about him during his lifetime, especially relating to the "lost years" of 1585-1592, are also analyzed, to further the question of Shakespeare's true identity and the theory of de Vere as the real Bard.

On May 3, 1861, Illinois Governor Richard Yates appointed a Mexican War veteran with Democratic sympathies and southern ties to be chief mustering officer at Camp Yates in Springfield. And so began Ulysses S. Grant's reluctantly revived military career. Over the next three years, Grant would have a chance to display a myriad of talents few suspected, including a remarkable penchant for organization, decided skill at written communication and a quick understanding of military potential. By March 1864, Grant had risen to lieutenant general, a rank last held by George Washington.This biography details the three years which saw Ulysses S. Grant's extraordinary rise from mediocre shop clerk to general-in-chief of the U.S. Army. Beginning with Grant's work at his family's leather shop in Galena, Illinois, it records his re-entry into a military life as a volunteer from Illinois. Grant's most spectacular campaigns, including Vicksburg and Chattanooga, are discussed in depth. Special emphasis is placed on events such as politicking, rumors, and intrigue which took place between the various battles. Other topics include Grant's personal qualities and background, his extraordinary good fortune and the general's informal and unorthodox command style. The work is indexed.

This is a study of the life and times of Saint Perpetua, Saint Felicity and their companions, all martyred at Carthage in A.D. 203. Unlike most early Christian saints, whose lives are often shrouded in legend and myth, Perpetua left an authentic prison diary, later completed by an anonymous eyewitness to her execution, that is now considered a classic of Christian, Latin and feminist literature. Perpetua was also unusual in that she was wealthy, educated, married, and a young mother. The book includes the first English translations of French archaeological scholarship covering the discovery of the martyrs' tombs.

During the late 12th century, the Arthurian legends first took their form in the imagination of French-speaking romancers. Foremost among these poets was the great Chretien de Troyes, credited with incorporating into the Arthurian tradition the quest for the Holy Grail and the adulterous affair between Lancelot and Guinevere. This critical text explores the French roots of the legends and the source material of the individual characters, with special attention to the creative role played by de Troyes, whose contribution to the saga continues to shape and inform the modern imagination.

The late Eliot Asinof (1919-2008), renowned author of Eight Men Out, on which the movie version was later based, also wrote 14 other full length books, including 4 more on baseball. In addition, he produced countless articles, interviews, short stories, and screenplays in a writing career spanning over half a century. This is the first detailed critical study for both his baseball and non-baseball output. His entire oeuvre is explored, as well as pertinent themes, major characters and the current status of his literary reputation. A major addition to the scholarly work on this minor-league baseball player turned author.

The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were the Germans Marlene Dietrich and Lotte Lenya, whose careers extended through the 1970s. Because of them (and others), the words and music of such artists as Kurt Weill, Bertolt Brecht, Friedrich Hollaender, and Marcellus Schiffer continue to be heard and exert widespread influence.Major songwriters touched by cabaret include Lennon & McCartney, Bacharach & David, Kander & Ebb, Bob Dylan, Randy Newman, and Patti Smith, among many others. African-American artists, beginning with Louis Armstrong, have been sympathetic interpreters of cabaret music. Modern-day Las Vegas appears to be the fulfillment of a prophecy made in the late 1920s by Weill & Brecht in their Mahagonny stage works. And today, the German Kabarett tradition remains strong with such stars as Ute Lemper and Max Raabe packing international venues.

Over the millennia, many great writers, from Pliny and Plutarch to C.S. Lewis and John Steinbeck, have addressed diverse canine themes in their work, usually in a broader, human context. Late in the 20th century it was conclusively established by modern science that all dogs, without exception, are descended from wolves. Viewed through the dynamic lens of this new model, the constantly evolving relationship between humankind and canines, both wild and domesticated, appears more complex and intertwined than ever before. This survey reviews what 20 selected authors from the Western tradition have had to say on the same subject matter leading up to our present times.

Among the 12 disciples of Jesus, perhaps none has inspired more magnificent art—as well as political upheaval—than Saint James the Greater. Portrayed in the New Testament as part of Jesus’ inner circle, he was the first apostle to be martyred. Eight centuries later, Saint James, or Santiago, become the de facto patron saint of Spain, believed to be a supernatural warrior who led victorious Christian armies during the Iberian Reconquista. After 1492, the Santiago cult found its way to the New World, where it continued to exert influence.Today, he remains the patron saint of pilgrims to the shrine of Santiago de Compostela. His legacy has bequeathed a magnificent tradition of Western art over nearly two millennia.

Over the last three decades, Italian crime fiction has demonstrated a trend toward a much higher level of realism and complexity. The origins of the New Italian Epic, as it has been coined by some of its proponents, can be found in the widespread backlash against the Mafia-sponsored murders of Sicilian magistrates which culminated with the assassinations of Judges Giovanni Falcone and Paolo Borsellino in 1992. Though beginning in the Italian language, this prolific, popular movement has more recently found its way into the English language and hence it has found a much wider international audience.Following a brief, yet detailed, history of the cultural and economic development of Sicily, this book provides a multilayered look into the evolution of the New Italian Epic genre. The works of ten prominent contemporary writers, including Andrea Camilleri, Michael Dibdin, Elena Ferrante, and Massimo Carlotto, are examined against the backdrop of various historical periods. This "past is prologue" approach to contemporary crime fiction provides context for the creation of these recent novels and enhances understanding of the complex moral ambiguity that is characteristic of anti-mafia Italian crime fiction.

Among professional storytellers whose works have been adapted for cinematic dramatization, mid-19th century English novelist Charles Dickens stands in a class of his own. In addition to his most well-known works such as A Christmas Carol and Oliver Twist, which are unrivaled for their sheer number of film adaptations, each of Dickens' other major works have been adapted for the screen multiple times, and many remain accessible for viewing on a variety of platforms. This survey highlights the most popular adaptations of each Dickens book, spanning from the films of the silent era through the 21st century. The survey also includes a critical examination that compares the adaptations to the original texts. An analysis outlines the many connections between the fictional narratives and the novelist's own frequently misunderstood biography.

Over the last decade or more, classical music programming has expanded to an unprecedented extent, now including works by less familiar composers and underappreciated works by familiar names. At the center of this recent trend has been the musical legacy of Florence B. Price, an African American woman originally from Arkansas, later spending her professional career on the south side of Chicago. The rediscovery of Price's manuscripts in an abandoned rural house circa 2009, along with subsequent publishings, major label recordings, and Grammy Awards, has further fueled this new development. This new biography of Price also appraises her career and legacy.