William H. Martin – författare

Practical FDG Imaging provides the reader with a reference source of cases with FDG images obtained both on dedicated PET tomographs and hybrid scintillation cameras. The cases are presented in depth so that they will be of value to both specialists and residents in training who need to learn the indications and interpretations of FDG images and the advantages and limitations of hybrid scintillation cameras compared with dedicated PET tomographs. This book is ideal for nuclear and radiology medicine residents, as well as those practitioners who need to become familiar with this technology. The first part of the book concentrates on the technical aspects of FDG imaging. Part two is devoted to clinical applications in the fields of neurology, cardiology and oncology.

Practical FDG Imaging provides the reader with a reference source of cases with FDG images obtained both on dedicated PET tomographs and hybrid scintillation cameras.

The book presents the text of Edward FitzGerald’s three main versions of the Rubáiyát of Omar Khayyám, together with non-technical commentary on the origins, role and influence of the poem, including the story of its publication. The commentary also addresses the many spin-offs the poem has generated in the fields of art and music, as well as its message and its worldwide influence during the 150 years since its first appearance.

Edward FitzGerald's ‘Rubáiyát’, loosely based on verses attributed to the eleventh-century Persian writer, Omar Khayyám, has become one of the most widely known poems in the world, republished virtually every year from 1879 to the present day, and translated into over eighty different languages. And yet it has been largely ignored or at best patronized by the academic establishment. This volume sets out to explore the reasons for both the popularity and the neglect.

Practical FDG Imaging provides the reader with a reference source of cases with FDG images obtained both on dedicated PET tomographs and hybrid scintillation cameras.

Edward FitzGerald's ‘Rubáiyát’, loosely based on verses attributed to the eleventh-century Persian writer, Omar Khayyám, has become one of the most widely known poems in the world, republished virtually every year from 1879 to the present day, and translated into over eighty different languages. And yet it has been largely ignored or at best patronized by the academic establishment. This volume sets out to explore the reasons for both the popularity and the neglect.

Its lines and verses have become part of the western literary canon and his translation of this most famous of poems has been continuously in print in for almost a century and a half. But just who was Edward FitzGerald? Was he the eccentric recluse that most scholars would have us believe? Is there more to the man than just his famous translation? In The Man Behind the Rubaiyat of Omar Khayyam William Martin and Sandra Martin go beyond the standard view. Drawing on their unique analysis of the more than 2,000 surviving letters of FitzGerald, together with evidence from his scrapbooks, commonplace books and materials from his personal library, they reveal a more convivial yet complex personality than we have been led to suppose."

Its lines and verses have become part of the western literary canon and his translation of this most famous of poems has been continuously in print in for almost a century and a half. But just who was Edward FitzGerald? Was he the eccentric recluse that most scholars would have us believe? Is there more to the man than just his famous translation? In The Man Behind the Rubaiyat of Omar Khayyam William Martin and Sandra Martin go beyond the standard view. Drawing on their unique analysis of the more than 2,000 surviving letters of FitzGerald, together with evidence from his scrapbooks, commonplace books and materials from his personal library, they reveal a more convivial yet complex personality than we have been led to suppose."