William Hansen – författare

Classical Mythology offers both newcomers and long-time enthusiasts new ways to navigate the world of Greek and Roman myths and legends, beginning by explaining what classical mythology is, how it came into being, and how we know about it today. Although classical myths and legends are often encountered separately, they actually make up a coherent, self-contained system--a corpus of narratives with geography, history, and interrelationships as well as narrative rules and conventions. The present book explores the individual stories and the cosmic realms in which they are situated, and introduces the principal characters--gods, nymphs, satyrs, centaurs, monsters, and humans--along with their relationships to one another: how they are similar, how they differ, and why deities and humans need each other. It describes the physical worlds in which the mythic action takes place: terrestrial landscapes and waters, the lofty abode of the Olympian gods, the lowly realm of the dead, and Tartaros, cosmic prison for defeated supernatural beings. The main part of the book gives a detailed narration of the principal events of classical mythology in chronological sequence from the beginning of the cosmos to the end of the heroic age, showing the relationship of individual narratives to the whole. This chronological narration is complemented by a mythological dictionary of the most important characters and themes. In addition, the dictionary discusses key concepts that are crucial for understanding how classical mythology functions. Richly illustrated with more than one hundred images drawn from ancient art, the second edition of this unparalleled guide includes a thoroughly revised introduction, augmented lexical entries, an updated further-reading section, and enlarged discussions about the reception of classical mythology and the impact of cognitive science on the study of myth.Whether you wish only to explore the narratives or do research on a specific aspect of the whole, this handbook is the best available guide to an extraordinary cast of characters, to the fascinating world in which they play out their fates, and to current work on classical mythology.

"Hansen has assembled an anthology like no other, which will fascinate students of late antiquity, folklorists, and curiosity-seekers, and will offer new possibilities to teachers of ancient-culture surveys." —Classical World" . . . lively, entertaining, and unique anthology . . . This anthology is appropriate not only for graduate and undergraduate students in classics but for anyone interested in the transmission of folklore." —Journal of American Folklore" . . . higly readable English translations of a wide variety of Greek texts . . . a solid introduction to the general question of 'popular literature' in the ancient world." —Bryn Mawr Classical Review" . . . what one hopes for in an anthology . . . this volume can be used as a textbook yet is of benefit for the scholar, has clear, well-written, and well-formed introductions that avoid eccentricity while noting different viewpoints, and provides a representative selection of mostly complete works." —The Petronian Society NewsletterReaders in ancient Greece didn't curl up with only the weighty tomes of Homer, Plato, and Sophocles—they also enjoyed light entertainment such as novels, short stories, fantasies, jokes, and fortune-telling handbooks. In fact, some of this literature was so successful that it remained in circulation into the Middle Ages. Most of these selections are little known except to scholars, but all will prove an unexpected delight to readers everywhere.

Myth: A New Symposium offers a broad-based assessment of the present state of myth study. It was inspired by a revisiting of the influential mid-century work Myth: A Symposium (edited by Thomas Sebeok). A systematic introduction and 15 contributions from a wide spectrum of disciplines offer a range of views on past myth study and suggest directions for the future. Contributors blend theoretical analysis with richly documented historical, ethnographic, and literary illustrations and examples drawn from Native American, classical, medieval, and modern sources.

The first anthology ever to present the entire range of ancient Greek and Roman stories--from myths and fairy tales to jokes Captured centaurs and satyrs, talking animals, people who suddenly change sex, men who give birth, the temporarily insane and the permanently thick-witted, delicate sensualists, incompetent seers, a woman who remembers too much, a man who cannot laugh--these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology--from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled. Featuring nearly four hundred stories in authoritative and highly readable translations, this is the first book to offer a representative selection of the entire range of traditional classical storytelling. Set mostly in the world of humans, not gods, these stories focus on figures such as lovers, tricksters, philosophers, merchants, rulers, athletes, artists, and soldiers.The narratives range from the well-known--for example, Cupid and Psyche, Diogenes and his lantern, and the tortoise and the hare--to lesser-known tales that deserve wider attention. Entertaining and fascinating, they offer a unique window into the fantasies, anxieties, humor, and passions of the people who told them. Complete with beautiful illustrations by Glynnis Fawkes, a comprehensive introduction, notes, and more, this one-of-a-kind anthology will delight general readers as well as students of classics, fairy tales, and folklore.

The first anthology to present the entire range of ancient Greek and Roman stories—from myths and fairy tales to jokesCaptured centaurs and satyrs, incompetent seers, people who suddenly change sex, a woman who remembers too much, a man who cannot laugh—these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology—from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled. Featuring nearly four hundred stories in authoritative and highly readable translations, this is the first book to offer a representative selection of the entire range of traditional classical storytelling. Complete with beautiful illustrations, this one-of-a-kind anthology will delight general readers as well as students of classics, fairy tales, and folklore.

From Cinderella to The Boy Who Cried Wolf to The Dragon Slayer to the Judgment of Solomon, certain legends, myths, and folktales are part of the oral tradition in countries around the world. In addition to their pervasiveness, these stories show an astonishing longevity; many such tales are found in classical antiquity. Ariadne's Thread is an encyclopedia of more than a hundred such international oral tales, all present in the literature of ancient Greece and Rome.It takes into account writings, including early Jewish and Christian literature, recorded in or translated into Greek or Latin by writers of any nationality. As a result, it will be invaluable not only to classicists and folklorists but also to a wide range of other readers who are interested in stories and storytelling. William Hansen presents the familiar form of each tale and discusses the similar ancient story or stories, examining how each corresponds with and differs from that form. He then gives principal sources and, where appropriate, comments on the cultural factors affecting the shape and content of the ancient story, the context of transmission, and issues raised in the secondary literature.Finally, he provides a bibliography of scholarly studies and the pertinent reference in the standard folk-narrative index, The Types of the Folktale by Antti Aarne and Stith Thompson. Again and again, Hansen demonstrates how ancient narratives are often best understood in the context of the larger tradition. He forces us to rethink the nature of Greek mythology by encouraging an appreciation of the extent to which Greek myths and legends parallel international stories. By virtue of their durability, he says, these orally transmitted stories rank among the world's most successful artistic creations.

From Cinderella to The Boy Who Cried Wolf to The Dragon Slayer to the Judgment of Solomon, certain legends, myths, and folktales are part of the oral tradition in countries around the world. In addition to their pervasiveness, these stories show an astonishing longevity; many such tales are found in classical antiquity. Ariadne's Thread is an encyclopedia of more than a hundred such international oral tales, all present in the literature of ancient Greece and Rome.It takes into account writings, including early Jewish and Christian literature, recorded in or translated into Greek or Latin by writers of any nationality. As a result, it will be invaluable not only to classicists and folklorists but also to a wide range of other readers who are interested in stories and storytelling. William Hansen presents the familiar form of each tale and discusses the similar ancient story or stories, examining how each corresponds with and differs from that form. He then gives principal sources and, where appropriate, comments on the cultural factors affecting the shape and content of the ancient story, the context of transmission, and issues raised in the secondary literature.Finally, he provides a bibliography of scholarly studies and the pertinent reference in the standard folk-narrative index, The Types of the Folktale by Antti Aarne and Stith Thompson. Again and again, Hansen demonstrates how ancient narratives are often best understood in the context of the larger tradition. He forces us to rethink the nature of Greek mythology by encouraging an appreciation of the extent to which Greek myths and legends parallel international stories. By virtue of their durability, he says, these orally transmitted stories rank among the world's most successful artistic creations.

The Book of Marvels, a compilation of marvellous events of a grotesque, bizarre or sensational nature, was composed in the second century A.D. by Phlegon of Tralles, a Greek freedman of the Roman emperor Hadrian. This remarkable text is the earliest surviving work of pure sensationalism in Western literature. The Book is arranged thematically: Ghosts; Sex-Changers and Hermaphrodites; Finds of Giant Bones; Monstrous Births; Births from Males; Amazing Multiple Births; Abnormally Rapid Development of Human Beings; Discoveries of Live Centaurs. This volume also contains and Introduction and commentary on the texts, as well as translations of fragments of two other works and a translation of Goethe's well-known vampire poem, The Bride of Corinth, which was inspired by Phlegon's Book of Marvels.