William Howell – författare

Our government is failing us. From health care to immigration, from the tax code to climate change, our political institutions cannot deal effectively with the challenges of modern society. Why the dysfunction? Contemporary reformers single out the usual suspects, including polarization and the rise in campaign spending. But what if the roots go much deeper, to the nation's founding?In Relic , William G. Howell and Terry M. Moe point to the Constitution as the main culprit. The framers designed the Constitution some 225 years ago for a simple, agrarian society. But the government they created, with a parochial Congress at its centre, is ill-equipped to address the serious social problems that arise in a complex, postindustrial nation. We are prisoners of the past, burdened with an antiquated government that cannot make effective policy, and often cannot do anything at all.The solution is to update the Constitution for modern times. This can be accomplished, Howell and Moe argue, through reforms that push Congress and all its pathologies to the periphery of the lawmaking process, and bring presidents,whose concern for their legacy drives them to seek coherent policy solutions,to the centre of decision making. As Howell and Moe reveal, the key to effective government for modern America is a more powerful presidency. Relic is a provocative and essential book for our era of political dysfunction and popular despair. It sheds new light on what is wrong with our government and what can be done about it, challenging us to reconsider the very foundation of the American experiment.

More than 70 photographs documenting the “end of an era” for queer cruising culture on Manhattan’s West Side piers Throughout the 1970s and ’80s, the abandoned piers running along New York’s West Side Highway served as a hotbed of gay cruising activity as well as a haven for the broader LGBT community. By the mid-1990s, abutting neighborhoods were undergoing intense transformation through gentrification, with many dilapidated buildings and structures being demolished. The remaining piers were a gathering spot beyond the boundaries of daily life, where gay, lesbian, bisexual and transgender people found a place to be openly themselves. For some, the piers were a place for hustlers and sex workers to meet with their patrons. For others, the piers were a place to simply “be” in the sunshine, relaxing, free of scorn, fear or judgment, in ways not possible elsewhere at that time. The series likewise documents a New York that doesn’t exist anymore: the World Trade Center stands proud in the background of many of these photos. The surrounding habitat of the piers themselves have since been replaced with luxury apartments and a family-friendly city park. The West Side Highway Pier series depicts that, even in New York City, people had to go to extremes—to the end of a pier, at the edge of a continent, treading on unsafe structures—to be free to be their authentic selves. This series documents the final days of this once-infamous gay playground, with reverence to the historical context in which it once existed.William Howell is a Brooklyn-based photographer and artist who earned his BFA in photography from Pratt Institute and currently resides in Bedford-Stuyvesant, Brooklyn.