William J. Spurlin – författare

Lost Intimacies: Rethinking Homosexuality under National Socialism uses queer theory as a hermeneutic tool with which to read against the grain of heterotextual narratives of the Holocaust and as a way of locating alternative pathways of meaning in dominant Holocaust research. Specifically addressing the racialization of sexuality, the book asks how the politics of sexuality can be more explicitly and systematically theorized, along with state-sanctioned homophobia under Nazism, with a clear recognition that homophobia seldom operated alone, but worked in conjunction with other axes of power, including race, gender, eugenics, and population politics. In theorizing gender and sexuality as entangled axes of analysis, the book allows the specificity of lesbian difference to emerge and challenges the received wisdom that lesbians were not as systematically persecuted under National Socialism. William J. Spurlin questions the wisdom of received scholarship that reduces Nazi fascism to latent homosexuality, and examines the possible implications of Nazi homophobia, and its imbrication with other deployments of power, for the study of contemporary culture where the homophobic impulse continues to reverberate, thereby challenging understandings of history steeped in notions of progressive modernity.

Homoplot analyses the lesbian, gay and bisexual coming-out story in fiction and autobiography from the late 1960s to the present day. These stories are recognised as an invaluable record of lesbian, gay or bisexual life. However, this book illuminates their equally vital role as active tools in the arduous project of creating gay, lesbian and bisexual identities – constructing the identities they seem to describe. Homoplot shows how a popular twist of the plot, or a single common character trait, can be a powerful intervention into sexual politics. Approaching these texts with the tools of queer criticism, the book celebrates their success, but also illuminates their chief problem: how the need to create concrete sexual identities has often narrowed the range of queer experiences represented. Despite the ongoing popularity of coming-out stories, this is the first book-length study of the genre. Homoplot surveys hundreds of examples – including in-depth readings of authors such as Jeanette Winterson, Dorothy Allison, Rita Mae Brown, Oscar Moore, Paul Monette and Aaron Fricke – and provides an incisive account of the genre’s defining features. The book is essential reading for anyone considering queer literature, or lesbian, gay and bisexual identity in the twentieth century and beyond. Researchers and students considering life history and autobiography will also benefit from its analysis of feminist and queer politics.

This book broadens understandings of dissident sexualities in Africa through examining new representations of same-sex desire emerging in recent francophone autofictional writing from the Maghreb.Long-established traditions pertaining to gender and sexuality are brought into contact with new forms of gender and sexual dissidence, resulting from the inflection of globally circulating discourses and embodiments of queerness in North Africa, and from the experience of emigration and settlement by the writers concerned in France. The book analyses specifically how Franco-Maghrebi writers Rachid O., Abdellah Taïa, Eyet-Chékib Djaziri, and Nina Bouraoui foreground translation and narrative reflexivity around incommensurable spaces of queerness in order to index their crossings and negotiations of multiple languages, histories and cultures. By writing in French, Spurlin demonstrates that the writers are not merely mimicking the language of their former coloniser but inflecting a European language with discursive turns of phrase indigenous to North Africa, thus creating new possibilities of meaning and expression to name their lived experiences of gender and sexual alterity—a form of (queer) translational praxis that destabilises received gender/sexual categories both within the Maghreb and in Europe.

Contested Borders broadens understandings of dissident sexualities in Africa through examining new representations of same-sex desire emerging in recent francophone autofictional writing from the Maghreb, where long-established traditions pertaining to gender and sexuality are brought into contact with new forms of gender and sexual dissidence, resulting from the inflection of globally circulating discourses and embodiments of queerness in North Africa, and from the experience of emigration and settlement by the writers concerned in France. The book analyses specifically how Franco-Maghrebi writers Rachid O., Abdellah Taïa, Eyet-Chékib Djaziri, and Nina Bouraoui foreground translation and narrative reflexivity around incommensurable spaces of queerness in order to index their crossings and negotiations of multiple languages, histories and cultures. By writing in French, Spurlin demonstrates that the writers are not merely mimicking the language of their former coloniser but inflecting a European language with discursive turns of phrase indigenous to North Africa, thus creating new possibilities of meaning and expression to name their lived experiences of gender and sexual alterity—a form of (queer) translational praxis that destabilises received gender/sexual categories both within the Maghreb and in Europe.

This book provides an overview on critical healing, which draws on queer theory, disability studies, postcolonial theory, and literary and cultural studies in order to theorize productive engagements between the clinical and cultural aspects of biomedical knowledge and practice.