William Kerrigan – författare

To assimilate a writer as allusive as Lacan is to enter into an entire culture.  However firm their grounding in Freud, readers of Lacan must learn to rethink psychoanalysis with a speculative breadth sometimes exceeding that of Freud himself.  This book, designed to clarify the works of a controversial and influential figure, is the first collection of critical essays to appear in English since Lacan’s own writings began to be widely distributed in translation. Drawing on psychology, philosophy, literary criticism, and clinical and theoretical psychiatry, this volume explores the full range of Lacan’s thought.  An introduction by Kerrigan is followed by three papers by Stanley Laeavy, John Muller, and Julia Kristeva centered on the application of Lacan to the work of therapy.  The second section clarifies Lacan’s Hegelian and Heideggerian roots, with contributions by William Richardson, Edward Casey and J. Melvin Woody, Wilfried Ver Eecke, André Green, and Antoine Vergote.  The final article is a Lacanian interpretation of Bleak Houseby Christine van Boheemen-Saaf indicating the potential of this approach for applied psychoanalysis.

This reading of Milton juxtaposes the poet's theology and Freud's account of the Oedipus complex in ways that yield both new understanding of Milton and a model for psychoanalytic interpretation of literature. The book ranges widely through the art and life of Milton, including extensive discussions of his theological irregularities and the significance, medical and symbolic, he assigned to his blindness. Kerrigan analyzes the oedipal aspect of Milton's religion; examines the nature of the Miltonic godhead; studies Milton's analogies linking human, angelic, and cosmic bodies; and explores Milton's symbolism of home. In a commanding demonstration, Kerrigan delineates how the great epic and the psyche of its author bestow meaning on each other.

A challenging and multisided meditation on the importance of Derrida to current developments in psychoanalysis and psychoanalytical interpretations of literature.

In this lively study, Kerrigan celebrates both Hamlet's perfection, the character's creation of new ideals out of an inheritance of disillusionment, and Hamlet's perfection, the play's brilliance as Shakespeare's greatest tragedy. Kerrigan's approach reflects his interests in literary formalism, historical scholarship, intellectual history, and psychoanalysis. In an overview of the history of Hamlet criticism, Kerrigan argues that recent critics have done little or nothing to elucidate the play, and he suggests ways in which the abandoned tradition of Hamlet commentary might still inspire fruitful approaches to the play.

"It is impossible to imagine any kind of moral life without obligations, and impossible to imagine obligations without types of promises. We are always up against them. Before we ever reflect on what a promise is, we have made them and are expected to make more of them. We are born into nations that enter into treaties and agreements. Promises are with us like gravity. Man is a promising animal."-from Shakespeare's Promises Oaths, vows, contracts, and promises are among the most momentous actions human beings can perform, in art as well as life. Although virtually ignored by literary theorists, these obligations motivate plots, test characters, provide rhetorical occasions, structure ironies, and open thematic horizons. According to William Kerrigan, they had particular importance for Shakespeare, who wrote at a decisive moment in the history of promising, toward the end of its High Christian phase and near the beginning of its metaphysically lessened, though still central, role in the "contractual" state. Motivating his plots and supplying his characters with lofty rhetorical occasions, Shakespeare gave promising great dramatic life.More than that, promises made and kept "in good faith" reside at the heart of his idealism. Yet he also explores the ways in which promising and morality, for a variety of reasons, part company. Kerrigan's is the first book to treat this subject with the amplitude it deserves. After a discussion of promises in philosophy, law, psychology, politics, language, and ordinary life, the author presents detailed studies of Richard III, The Merchant of Venice, and Othello, and concludes with a brief visit to the swearing scene in Hamlet. Shakespeare's Promises is a unique and valuable resource, providing a fresh perspective that will benefit all readers of Shakespeare.

This book explores the unique history of West Virginia, the only state born out of the Civil War. Western Virginians faced a dual crisis of allegiance and identity, torn between their historical ties to the secessionist state of Virginia and their loyalty to the Union. The population included a significant number of enslaved people, for whom the conflict’s outcome would have major consequences.Many Civil War narratives focus on major battles, but William Kerrigan shifts attention to the civilians of Western Virginia-both free and enslaved-who endured military occupation, raids, and guerrilla warfare. Civilians faced loyalty oaths, arrests, property destruction, and invasions by soldiers and partisans from both sides. Enslaved individuals played an active role, providing intelligence and assistance to Union forces and risking their lives for their freedom.At the same time, political leaders grappled with complex legal and political questions, first rejecting secession from the Union and subsequently pursuing their own secession from Virginia to form the new state of West Virginia. Their challenges included framing a new government, defining the state’s borders, addressing the future of slavery, and securing federal recognition. Postwar reconstruction in West Virginia presented its own challenges, distinct from those of other border states, as the return of defeated Confederates threatened the stability of the new state. The book highlights how the experiences of Western Virginia’s noncombatants, political leaders, and enslaved people contributed to the region’s turbulent transformation during and after the Civil War.

"Johnny Appleseed and the American Orchard" illuminates the meaning of Johnny "Appleseed" Chapman's life and the environmental and cultural significance of the plant he propagated. Creating a startling new portrait of the eccentric apple tree planter, William Kerrigan carefully dissects the oral tradition of the "Appleseed" myth and draws upon material from archives and local historical societies across New England and the Midwest. The character of Johnny Appleseed stands apart from other frontier heroes like Davy Crockett and Daniel Boone, who employed violence against Native Americans and nature to remake the West. His apple trees, nonetheless, were a central part of the agro-ecological revolution at the heart of that transformation. Yet men like Chapman, who planted trees from seed rather than grafting, ultimately came under assault from agricultural reformers who promoted commercial fruit stock and were determined to extend national markets into the West. Over the course of his life John Chapman was transformed from a colporteur of a new ecological world to a curious relic of a pre-market one.Weaving together the stories of the Old World apple in America and the life and myth of John Chapman, "Johnny Appleseed and the American Orchard" casts new light on both.

"Johnny Appleseed and the American Orchard" illuminates the meaning of Johnny "Appleseed" Chapman's life and the environmental and cultural significance of the plant he propagated. Creating a startling new portrait of the eccentric apple tree planter, William Kerrigan carefully dissects the oral tradition of the "Appleseed" myth and draws upon material from archives and local historical societies across New England and the Midwest. The character of Johnny Appleseed stands apart from other frontier heroes like Davy Crockett and Daniel Boone, who employed violence against Native Americans and nature to remake the West. His apple trees, nonetheless, were a central part of the agro-ecological revolution at the heart of that transformation. Yet men like Chapman, who planted trees from seed rather than grafting, ultimately came under assault from agricultural reformers who promoted commercial fruit stock and were determined to extend national markets into the West. Over the course of his life John Chapman was transformed from a colporteur of a new ecological world to a curious relic of a pre-market one.Weaving together the stories of the Old World apple in America and the life and myth of John Chapman, "Johnny Appleseed and the American Orchard" casts new light on both.