William Luhr – författare

Few films have had the impact or retained the popularity of The Maltese Falcon. An unexpected hit upon its release in 1941, it helped establish the careers of John Huston and Humphrey Bogart while also helping both to transform the detective genre of movies and to create film noir. This volume includes an introduction by its editor and a shot-by-shot continuity of the film, as well as essays on its production, on literary and film traditions it drew upon, and on its reputation and influence over the last half century. Included are reviews from the time of the film's original release, the enthusiastic French response in 1946 that helped define film noir, and a close formal anaylsis of the film. In addition, the volume contains a comparison of this version to earlier film versions of the Dashiell Hammett novel, and helpful explorations of cultural, historical, and psychoanalytic issues. Like Casablanca, The Maltese Falcon has attained iconic status; this volume will contribute to the pleasure its many fans find in viewing the film again and again. William Luhr is a professor of English at St. Peter's College in New Jersey. He is the author of Raymond Chandler and Film and co-author of Blake Edwards and other books.

Gender roles have been tested, challenged, and redefined everywhere during the past thirty years, but perhaps nowhere more dramatically than in film. Screening Genders is a lively and engaging introduction to the evolving representations of masculinity, femininity, and places once thought to be "in between." The book begins with a general introduction that traces the movement of gender theory from the margins of film studies to its center. The ten essays that follow address a range of topics, including screen stars; depictions of gay, straight, queer, and transgender subjects; and the relationship between gender and genre. Widely respected scholars, including Robert T. Eberwein, Lucy Fischer, Chris Holmlund, E. Ann Kaplan, Kathleen Rowe Karlyn, David Lugowski, Patricia Mellencamp, Jerry Mosher, Jacqueline Reich, and Chris Straayer, focus on the radical ideological advances of contemporary cinema, as well as on those groundbreaking films that have shaped our ideas about masculinity and femininity, not only in movies but in American culture at large. The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike.

A complete introduction to analyzing and enjoying a wide variety of movies, for film students and movie lovers alike Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is a thorough overview of movie analysis designed to enlighten both students and enthusiasts, and heighten their enjoyment of films. Readers will delve into the process of thinking about movies critically and analytically, and find how doing so can greatly enhance the pleasure of watching movies. Divided roughly into two parts, the book addresses film studies within the context of the dynamics of cinema, before moving on to a broader analysis of the relationship of films to the larger social, cultural, and industrial issues informing them. This updated fourth edition includes an entirely new section devoted to a complete analysis of the film adaptation of The Girl with the Dragon Tattoo, along with many in-depth discussions of important films such as Citizen Kane and Silence of the Lambs. The chapter on television integrates a major expansion distinguishing between television in the digital era of the convergence of the entertainment and technology industries in comparison to the era of broadcast analogue television. The final chapter places film within the current context of digital culture, globalization, and the powerful rise of China in film production and exhibition. The authors clearly present various methodologies for analyzing movies and illustrate them with detailed examples and images from a wide range of films from cult classics to big-budget, award-winning movies. This helps viewers see new things in movies and also better understand and explain why they like some better than others. Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is ideal for film students immersed in the study of this important, contemporary medium and art form as well as students and readers who have never taken a class on cinema before.

BLAKE EDWARDS Blake Edwards: Film Director as Multitalented Auteur is the first critical analysis to focus on the dramatic works of Blake Edwards. Best known for successful comedies such as The Pink Panther series with Peter Sellers, Blake Edwards wrote, produced, and directed serious works in radio, television, film, and theater for seven decades. Although hit films such as Breakfast at Tiffany’s and ‘10’ remain popular, many of Edwards’s dramas have been forgotten or marginalized. In this unique book, William Luhr and Peter Lehman draw on original research from numerous set visits and personal interviews with Edwards and many of his creative and business collaborators to explore his dramas, radio and television work, theatrical productions, one-man art shows, and unproduced screenplays. In-depth chapters analyze non-comedic films including Experiment in Terror, Days of Wine and Roses, and The Tamarind Seed, the theatrical feature film Gunn and the made-for-television film Peter Gunn, the musical adaptation of Victor/Victoria, and lesser-known films written but not directed by Edwards, such as Drive a Crooked Road. Throughout the book, the authors apply contemporary film theory to auteur criticism of different works while sharing original insights into how Edwards worked creatively in disparate genres and media using composition, editing, sound, and visual motifs to shape his films and radio and television series. A one-of-a-kind examination of one of the most influential film directors of his generation, Blake Edwards: Film Director as Multitalented Auteur is an excellent supplementary text for university courses in American cinema, genres, auteurs, and film criticism, and a must-read for critics, scholars, and general readers interested in the works of Blake Edwards.

Film Noir offers new perspectives on this highly popular and influential film genre, providing a useful overview of its historical evolution and the many critical debates over its stylistic elements. Brings together a range of perspectives on a topic that has been much discussed but remains notoriously ill-definedTraces the historical development of the genre, usefully exploring the relations between the films of the 1940s and 1950s that established the "noir" universe and the more recent films in which it has been frequently revivedEmploys a clear and intelligent writing style that makes this the perfect introduction to the genreOffers a thorough and engaging analysis of this popular area of film studies for students and scholarsPresents an in-depth analysis of six key films, each exemplifying  important trends of film noir: Murder, My Sweet; Out of the Past; Kiss Me Deadly; The Long Goodbye; Chinatown; and Seven