William Maxwell – författare

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42 produkter

So Long, See You Tomorrow

AvWilliam Maxwell

Häftad, Engelska, 2012

129 kr

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'A masterpiece, a perfect book' David NichollsDiscover this unmissable modern classic where the fragile friendship between two teenage boys has devastating consequences that echo throughout the years.**AS SEEN ON BBC BETWEEN THE COVERS**WITH AN INTRODUCTION BY ANN PATCHETTAway from the quiet farmlands of Illinois, two lonely teenagers – bound by the burden of their home lives – forge a delicate friendship. But when jealousy ignites in one of their families, it leads to unthinkable tragedy, and severs the two boys' bond forever.Fifty years later, haunted by the past, the narrator seeks to piece together those harrowing events and find redemption for a lifetime of regret. So Long, See You Tomorrow is a haunting exploration of memory, loss, and the enduring quest for forgiveness.'A mosaic of human emotion, a singular and spectacular work of art' Ann Patchett‘One of the great books of our age' Michael Ondaatje

Hej då, vi ses i morron

AvWilliam Maxwell

Inbunden, Svenska, 2015

33 kr

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»Efter att ha läst Hej då, vi ses i morron tänkte jag: Det är alltså så här det ska göras. Jag tänkte: Om jag bara kunde gå tillbaka och skriva om varenda sak jag skrivit.« ALICE MUNROI staden där William Maxwell växte upp inträffade en tragedi på tjugotalet: ett mord begicks i en familj i samband med en skilsmässa. Författaren minns sig själv som liten och frågar sig varför han inte kunde ge en hjälpande hand till den stackars skolkamrat som var mördarens son.Hej då, vi ses i morgon är en metafiktiv självbiografi, en konfrontation med förlust, ensamhet, rädsla och vänskapens tillkortakommanden, som kort efter att den kom ut 1980 belönades med The National Book Award.En modern amerikansk klassiker i översättning och med ett nyskrivet efterord av Staffan Holmgren.WILLIAM MAXWELL [1908 2000] var en amerikansk författare, essäist och skönlitterär redaktör på The New Yorker (en roll i vilken Maxwell blev legendarisk för sitt arbete med J. D. Salinger, Eudora Welty, Vladimir Nabokov, Isaac Bashevis Singer och många fler). Hej då, vi ses i morron [So Long, See You Tomorrow, 1980] var Maxwells hyllade återkomst till romanformen efter arton år.

Leveraged Financial Markets: A Comprehensive Guide to Loans, Bonds, and Other High-Yield Instruments

AvWilliam Maxwell,Mark Shenkman

Inbunden, Engelska, 2010

1 014 kr

Skickas inom 3-6 vardagar

Public companies acquire most of their outside capital from debt fi nancing and, more specifi cally, leveraged finance--an asset class that falls somewhere between traditional fixed income and stocks. While this type ofdebt fi nancing carries significant risk to both investorsand companies, the potential returns make leveraged finance a cornerstone of the modern financial markets.

Leveraged Financial Markets is a gathering of the most astute and informed minds in the business.The powerhouse editorial team of William F. Maxwell and Mark R. Shenkman have handselected contributions from the top practitioners and thinkers working in leveraged finance today.

The result is an authoritative guidebook that providesyou with what you need to navigate the highyield market in the integrated global economy. Packed with a wealth of analytical models illustrating the realities of distress probabilities and losses in default, Leveraged Financial Markets gives you all the insight and strategies you need to:

Use the Sharpe ratio to measure the return versus risk for high-yield debtDevelop and oversee a portfolio of high-yield bondsValue individual high-yield issuances

It also updates you on changes in the high-yield bond market and features in-depth coverage of numerous debt vehicles leveraged in the market today, including collateralized debt obligations (CDOs), credit derivative swaps (CDSs), collateralized loan obligations (CLOs), andleveraged loans.

Leveraged Financial Markets is your blueprint tobecoming a virtuoso of this resilient and popular asset class.

All the Days and Nights

AvWilliam Maxwell

Häftad, Engelska, 2012

169 kr

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In settings that range from small town Illinois to the Upper East Side of Manhattan, these stories are distinguished by Maxwell's inimitable wisdom and kindness, his sense of the small details that make up a life, the nuances of joy and sadness that change its direction. Whether describing the reunion of two brothers who will never agree, the furniture of the apartment that becomes everything to a childless couple, the search for the perfect French meal or the life of a ne'er-do-well uncle, Maxwell's stories capture responses that are recognisable in us all.

Folded Leaf

AvWilliam Maxwell

Häftad, Engelska, 2012

132 kr

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The path to adulthood is littered with broken relationships.In the suburbs of 1920s Chicago two boys form an unlikely friendship. Spud Latham is slow at school but quick to fight and a natural athlete - Lymie Peters, thin, pigeon-chested and terrible at games, is devoted to him. As they graduate from school to college, tensions start to surface. It is Lymie who first meets Sally Forbes, but it is Spud she falls in love with. This signals the end of their friendship and the rift is almost more than Lymie can bear.

Chateau

AvWilliam Maxwell

Häftad, Engelska, 2012

132 kr

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It is 1948 and a young American couple arrive in France for a holiday, full of anticipation and enthusiasm. But the countryside and people are war-battered, and their reception at the Chateau Beaumesnil is not all the open-hearted Americans could wish for.

New Negro, Old Left

African-American Writing and Communism Between the Wars

AvWilliam Maxwell

Häftad, Engelska, 1999

320 kr

Skickas inom 5-8 vardagar

Howard "Stretch" Johnson, a charismatic Harlemite who graduated from Cotton Club dancer to Communist Party youth leader, once claimed that in late 1930s New York "75% of black cultural figures had Party membership or maintained regular meaningful contact with the Party." He stretched the truth, but barely. In a broad-ranging, revisionary account of the extensive relationship between African-American literary culture and Communism in the 1920s and 1930s, William J. Maxwell uncovers both black literature's debt to Communism and Communism's debt to black literature-reciprocal obligations first incurred during the Harlem Renaissance. Juxtaposing well-known and newly rediscovered works by Claude McKay, Andy Razaf, Mike Gold, Langston Hughes, Louise Thompson, Richard Wright, Zora Neale Hurston, and Nelson Algren, Maxwell maintains that the "Old," Soviet-allied Left promoted a spectrum of exchanges between black and white authors, genres, theories, and cultural institutions. Channels opened between radical Harlem and Bolshevik Moscow, between the New Negro renaissance and proletarian literature.Claude McKay's 1922-23 pilgrimage to the Soviet Union, for example, usually recalled as a lighthearted adventure in radical tourism, actually jumpstarted the Comintern's controversial nation-centered program for Afro America. Breaking from studies governed by Cold War investments and pivoting on the Great Depression, Maxwell argues that Communism's rare sustenance for African-American initiative-not a seduction of Depression-scarred innocents-brought scores of literary "New Negroes" to the Old Left.