William McCarthy – författare

The Collected Works of Anna Letitia Barbauld presents, for the first time, all the known surviving works of this major English writer, who lived from 1743 to 1825. Poet, essayist, editor, innovative writer for children, polemicist for religious and political reform, Barbauld helped set the agenda for Anglo-American culture for over a century. Her poems influenced Coleridge and Wordsworth; her writings on education, church-state relations, identity politics, and the ethics of citizenship are freshly relevant today; her commentary on books and writers went far to establish today's canon of English novelists. Beyond their importance, her writings are distinguished by great charm and profound intelligence. Volume I presents all of Anna Letitia Barbauld's known poems, drawing on manuscript and printed sources that were not known in 1994, when the last standard edition of Barbauld's poems was published. William McCarthy's critical edition adds new poems to Barbauld's canon, and removes several found to be doubtful. It takes into account the surprising number of early American texts. It revisits the question of copy-texts and makes different choices of them. It re-dates several poems and corrects and supplements annotations. It notices reprints, which played a major role in creating Barbauld's after-image on both shores of the Atlantic. The Poems, Revised, is the new standard edition today, indispensable for all students of Barbauld's work.

The Collected Works of Anna Letitia Barbauld presents, for the first time, all the known surviving works of this major English writer, who lived from 1743 to 1825. Poet, essayist, editor, innovative writer for children, polemicist for religious and political reform, Barbauld helped set the agenda for Anglo-American culture for over a century. Her poems influenced Coleridge and Wordsworth; her writings on education, church-state relations, identity politics, and the ethics of citizenship are freshly relevant today; her commentary on books and writers went far to establish today's canon of English novelists. Beyond their importance, her writings are distinguished by great charm and profound intelligence.Volume IV, Essays and Discourses continues the recovery of this gifted writer by bringing back into print her influential essays and powerful political tracts, and by reprinting for the first time thirty magazine essays and jeux-d'esprit not previously identified as hers.The edition of Barbauld's writings published in 1825 by her niece, Lucy Aikin, omitted at least half of Barbauld's work, all of it prose; and while Aikin did reprint Barbauld's political tracts, she belittled their historical context--the reform movement in England, in response to the French Revolution--and thus helped to create the figure known to Victorian feminists as "good Mrs. Barbauld." Barbauld's importance as a writer for children has long been acknowledged. However, her significance as a political writer is only now being recognized as the British reform movement has come to be better understood. Her full achievement as a satirist and humorist is revealed for the first time in this volume through its attribution of essays she sent to her brother's Monthly Magazine and Athenaeum. Scrupulously edited, annotated, and collected as fully as is now possible, the texts in this volume reveal a writer of sharp intelligence, moral passion, wit, and humor.

Much has been written about Thrale, friend and hostess of Samuel Johnson, but this is the first study to focus on Piozzi as the writer. In his narrative of her life, McCarthy draws on a large body of published and unpublished sources to map Piozzi's literary development, define her literary identity, and evaluate her achievement. In addition to reexamining her best-known works, he present the first serious treatment of her poetry, political works, and historical writings.Originally published in 1985.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Winner, 2011 Annibel Jenkins Biography Prize, American Society for Eighteenth-Century Studies. 2009 Outstanding Academic Title, Choice. Against the background of the American and French revolutions, the Napoleonic Wars, and the struggle for religious equality in Great Britain, a brilliant, embattled woman strove to defend Enlightenment values to her nation. Poet, teacher, essayist, political writer, editor, and critic, Anna Letitia Barbauld was venerated by contemporaries on both sides of the Atlantic, among them the young Walter Scott, the young Samuel Taylor Coleridge, and Boston Unitarians such as William Ellery Channing. After decades in the historical limbo into which almost all work by women writers of her era was swept, Barbauld's writings on citizenly ethics, identity politics, church-state relations, and empire are still deeply relevant today. Inquiring and witty as well as principled and passionate, Barbauld was a voice for the Enlightenment in an age of revolution and reaction.Based on more than fifteen years of research in dozens of libraries and archives across five countries, this is the first full-length biography of one of the foremost women writers in Georgian England.

In Contested Kingdom: Fan Attachment and Corporate Control at Disneyland, William McCarthy presents a groundbreaking study centered on the history of Disneyland and Disney theme park enthusiasts. Focusing on two unexplored yet interconnected phenomena—the dynamic relationship between the Disney corporation and Southern Californian fans in both online and physical park settings over a span of more than three decades—this volume sheds new light on the meaning and purpose of Disneyland.Through a comprehensive analysis of the interwoven dimensions of individuals, place, and cognitive, affective, and behavioral processes, McCarthy explores the fervent sense of place attachment experienced by the approximately one million annual passholders who visit the park. McCarthy’s analysis extends beyond the physical world of Disneyland by delving into the evolution of Disney fandom, discourse, commerce, and social formations in online social platforms like Usenet, web discussion boards, and social media. By employing a mixed-methods approach incorporating interviews, participant observation, surveys, and data analysis, this study establishes a novel analytical framework for comprehending the interrelationships between the Disney corporation, its fan communities, and online social platforms. As the first in-depth longitudinal analysis of the ongoing struggle on successive social platforms between fan users and a corporate entity, Contested Kingdom will also provide valuable insights for scholars and future investigations.

In Contested Kingdom: Fan Attachment and Corporate Control at Disneyland, William McCarthy presents a groundbreaking study centered on the history of Disneyland and Disney theme park enthusiasts. Focusing on two unexplored yet interconnected phenomena—the dynamic relationship between the Disney corporation and Southern Californian fans in both online and physical park settings over a span of more than three decades—this volume sheds new light on the meaning and purpose of Disneyland.Through a comprehensive analysis of the interwoven dimensions of individuals, place, and cognitive, affective, and behavioral processes, McCarthy explores the fervent sense of place attachment experienced by the approximately one million annual passholders who visit the park. McCarthy’s analysis extends beyond the physical world of Disneyland by delving into the evolution of Disney fandom, discourse, commerce, and social formations in online social platforms like Usenet, web discussion boards, and social media. By employing a mixed-methods approach incorporating interviews, participant observation, surveys, and data analysis, this study establishes a novel analytical framework for comprehending the interrelationships between the Disney corporation, its fan communities, and online social platforms. As the first in-depth longitudinal analysis of the ongoing struggle on successive social platforms between fan users and a corporate entity, Contested Kingdom will also provide valuable insights for scholars and future investigations.