William Over – författare

The author offers an analysis of forms of U.S. mass culture that support, parallel, or critique official national, regional, and intergovernmental peace policy, prevention, and peacemaking. Major popular culture forms such as film, television, news media, peace parks and public memorials, and peace and justice movements are considered as public discourses influencing and reflecting public understanding of peace and war themes. The discussion includes events following September 11, 2001.World Peace, Mass Culture, and National Policy takes a critical and analytical approach to Washington foreign policy; unilateralist methods; and corporatism as global hegemony. It includes a wide discussion of these issues based on cultural institutions and ideologies of mass culture in the U.S. The work critiques the notion that corporate capitalism and the consumer affluence of the U.S. alone can bring other societies to democratic practice.

Human Rights in the International Public Sphere has an interdisciplinary focus and can be used as a text in communication studies, cultural studies, political science, current events, discourse analysis, area and international studies, and other courses in the social sciences and humanities.

Human Rights in the International Public Sphere has an interdisciplinary focus and can be used as a text in communication studies, cultural studies, political science, current events, discourse analysis, area and international studies, and other courses in the social sciences and humanities.

Focusing on international social justice drama in its current local, national, and international manifestation, this interdisciplinary approach explores the relationship of contemporary dramatic forms to human rights issues. Over examines the artistic styles, goals, and thematic interests of dramatists and film directors of works of social commitment. He also considers the conditions and economics of wide audience appeal that prevent Hollywood and many independent filmmakers from effectively addressing these politically explosive issues. In contrast, differing cultures and economic concerns result in third world filmmakers and playwrights producing more comprehensive expositions of social issues.Considering a selected group of film and stage movements the author concludes with an optimistic prediction for political drama in the new century. This informed discussion will appeal to film, theatre, and cultural studies scholars.

Focusing on international social justice drama in its current local, national, and international manifestation, this interdisciplinary approach explores the relationship of contemporary dramatic forms to human rights issues. Over examines the artistic styles, goals, and thematic interests of dramatists and film directors of works of social commitment. He also considers the conditions and economics of wide audience appeal that prevent Hollywood and many independent filmmakers from effectively addressing these politically explosive issues. In contrast, differing cultures and economic concerns result in third world filmmakers and playwrights producing more comprehensive expositions of social issues.Considering a selected group of film and stage movements the author concludes with an optimistic prediction for political drama in the new century. This informed discussion will appeal to film, theatre, and cultural studies scholars.