William Watson – författare

This book is the first in a major three-volume series that will survey China's immense wealth of art, architecture, and artifacts from prehistoric times to the twentieth century. The Arts of China to A.D. 900 investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around A.D. 900.William Watson discusses in lively detail a wide range of art forms and techniques: porcelain and pottery, lacquer, religious and secular painting and sculpture, mural painting, monumental sculpture and architecture. He explains the materials and techniques of bronze casting, jade carving, pottery manufacture, and other arts, and he describes the most important sites, the artifacts that were produced at each one, and the historical interactions between different areas. He discusses the iconography, the technique and the function of every art form. Written by one of the most distinguished scholars in the field of Chinese art and archaeology, this lavishly illustrated book will be a valuable resource for both experts and beginners in the field.

The care and management of mentally disordered offenders poses a major challenge to criminal justice agencies and psychiatric services. These patients, 'the people nobody owns', are particularly vulnerable to political and professional change and as psychiatric services become increasingly community-based, the task of meeting the needs of the offender, as well as expectations of public protection, becomes a more difficult prospect. This book brings together the papers and a summary of the discussion presented at a Cropwood Round Table conference organized by the Institute of Criminology and the Department of Psychiatry of the University of Cambridge. Seeking to define future needs and directions in legal and service provisions, it includes perspectives from the fields of criminology, sociology and social psychiatry, and contributions from practitioners and administrators. Remarkable for the tenacity and depth with which the expert contributors address the problems, this is essential reading for all professionals working in the psychiatric and criminal justice systems with this frequently marginalized client group. Through a searching examination of the situation within one jurisdiction it points the way to service developments, improved care management and research opportunities that have universal applications.

The care and management of mentally disordered offenders poses a major challenge to criminal justice agencies and psychiatric services. These patients, 'the people nobody owns', are particularly vulnerable to political and professional change and as psychiatric services become increasingly community-based, the task of meeting the needs of the offender, as well as expectations of public protection, becomes a more difficult prospect. This book brings together the papers and a summary of the discussion presented at a Cropwood Round Table conference organized by the Institute of Criminology and the Department of Psychiatry of the University of Cambridge. Seeking to define future needs and directions in legal and service provisions, it includes perspectives from the fields of criminology, sociology and social psychiatry, and contributions from practitioners and administrators. Remarkable for the tenacity and depth with which the expert contributors address the problems, this is essential reading for all professionals working in the psychiatric and criminal justice systems with this frequently marginalized client group. Through a searching examination of the situation within one jurisdiction it points the way to service developments, improved care management and research opportunities that have universal applications.

Globalization, the dominant economic force of this era, is a phenomenon that invites misrepresentation and exaggeration. One of its results has been to introduce several false premises into this country's policy debates. So says William Watson, whose new book draws on economics and history to pose interesting challenges to modes of thinking that have become habitual in late twentieth-century Canadian life.Watson begins by pointing out that globalization is not new: Canadians have some 400 years' experience of being dependent on economic events in other countries. He goes on to show that deepening economic integration does not bind governments as tightly as much popular commentary suggests, but rather leaves room for considerable diversity in national economic and social policies. Although Canadians remain free to choose what size government they want, Watson argues that their decision to invest so much of their national identity in a larger-than-American state has been harmful to the country in ways that only now are becoming clear.This vigorously argued book offers much new insight and corrects many current misperceptions about Canadian affairs. Readers will welcome its lively mix of historical and contemporary perspectives.

For more than forty years William Watson has occupied a unique place in the study and teaching of Chinese art in Great Britain. Professor Watson's publications cover a wide field, his command of Chinese, Japanese, Russian and western languages giving access to the fullest literature on his subjects. The colloquies he organized at the Percival David Foundation achieved international repute, with results that remain on record. At the Royal Academy of Arts he took a leading part in the Chinese archaeological exhibition of 1972 which reinstated cultural relations between Britain and China. Also at the Royal Academy he was the instigator and chief organizer of the Japanese exhibition of 1982, in which for the first time the art of the Tokugawa period was comprehensively presented outside of Japan as enshrining the national genius. The present two volumes collect Professor Watson's main smaller publications made in the course of museum and university careers. Many are specific studies of works in terms of cultural context, dating and historical significance. They contain mainly writing on Chinese, Japanese and Korean subjects, in particular the bronze art, ceramics and sculpture of the T'ang and earlier periods. Painting is treated in some closely defined topics. Contents: Preface The Lathe in Antiquity Ancient Khorezm The Seligman Gift A Grave Guardian from Ch'ang Sha A Bronze Mirror from Shao Hsing Recent Discoveries in Chinese Archaeology I & II A Buddhist Patron of the Refectory Chinese Lacquered Wine-cups The Earliest Buddhist Images of Korea Sung Bronzes A Dated Buddhist Image of the Northern Wei Period A Jade Hatstand An Inscribed Jade Cup from Samarqand A Chinese Bronze Bell of the Fifth Century BC A Chinese Bronze Figure of the Fourth Century BC The Kingdom of Tien and the Dong Son Culture Inner Asia and China in the pre-Han Period Overlay and p'ing-t'o in T'ang Silverwork On T'ang Soft-glazed Pottery The Thai-British Archaeological Expedition Chinese Ceramics from Neolithic to T'ang History and Technological History Traditions of Material Culture in the Territory of Ch'u The Chinese Contribution to Nomad Culture in the pre-Han and early Han Periods

For more than forty years William Watson has occupied a unique place in the study and teaching of Chinese art in Great Britain. Professor Watson's publications cover a wide field, his command of Chinese, Japanese, Russian and western languages giving access to the fullest literature on his subjects. The colloquies he organized at the Percival David Foundation achieved international repute, with results that remain on record. At the Royal Academy of Arts he took a leading part in the Chinese archaeological exhibition of 1972 which reinstated cultural relations between Britain and China. Also at the Royal Academy he was the instigator and chief organizer of the Japanese exhibition of 1982, in which for the first time the art of the Tokugawa period was comprehensively presented outside of Japan as enshrining the national genius. The present two volumes collect Professor Watson's main smaller publications made in the course of museum and university careers. Many are specific studies of works in terms of cultural context, dating and historical significance. They contain mainly writing on Chinese, Japanese and Korean subjects, in particular the bronze art, ceramics and sculpture of the T'ang and earlier periods. Painting is treated in some closely defined topics.