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Thought and Play in Musical Rhythm offers new understandings of musical rhythm through the analysis and comparison of diverse repertoires, performance practices, and theories as formulated and transmitted in speech or writing. Editors Richard K. Wolf, Stephen Blum, and Christopher Hasty address a productive tension in musical studies between universalistic and culturally relevant approaches to the study of rhythm. Reacting to commonplace ideas in (Western) music pedagogy, the essays explore a range of perspectives on rhythm: its status as an "element" of music that can be usefully abstracted from timbre, tone, and harmony; its connotations of regularity (or, by contrast, that rhythm is what we hear against the grain of background regularity); and its special embodiment in percussion parts. Unique among studies of musical rhythm, the collection directs close attention to ways performers and listeners conceptualize aspects of rhythm and questions many received categories for describing rhythm. By drawing the ear and the mind to tensions, distinctions, and aesthetic principles that might otherwise be overlooked, this focus on local concepts enables the listener to dispel assumptions about how music works "in general." Readers may walk away with a few surprises, become more aware of their assumptions, and/or think of new ways to shock their students out of complacency.

In this work, the author argues that, contrary to the tradition in analytic philosophy, freedom of the will cannot be understood as a purely metaphysical notion. You enjoy freedom of the will only if you are in a position that enables you, not only to govern your actions on the basis of your own values, but also to develop and alter your values on the basis of the right data and by the right means. Accordingly, free will is the freedom to be good, or the freedom to do the right thing for the right reasons. This approach allows us to explain the failure of attempts to provide satisfactory metaphysical accounts of free will, whether compatibilist or incompatilist: the metaphysical conditions of freedom of the will vary in accordance with the value of the action in question.

Bioethics tackles the most vexing problems in health care and the biological sciences: from reproductive technologies to euthanasia, the AIDS epidemic, mapping the human genome, human subjects research, and health care reform. Yet surprisingly little attention has been paid to the special problems faced by women and to feminist analyses of current health care issues other than reproduction. This breakthrough volume of original essays authored by leading figures in bioethics and feminist theory moves beyond the areas of reproduction and nursing, taking bioethics into new territory. The book starts with an investigation of the relationship between feminism and bioethics and introduces different approaches to the problem. These chapters stress the importance of liberal feminism that prefers feminist over feminine analysis, integrates the experience of women of color, draws from the women's self-help movement, and uses the feminist stand-point theory. In the second part of the book, the authors apply the feminist perspective to different bioethics problems: euthanasia, AIDS, the definition of health, doctor-patient communication, the Human Genome Project, the conduct of biomedical research, and health care reform. They demonstrate the gain and benefit that results when bioethics pays attention to gender and feminism. With a substantive introduction by Professor Susan Wolf, Associate Professor of Law and Medicine at the University of Minnesota, this volume will change the way bioethicists, students, patients, and the public think about these profoundly challenging problems.

Children's play has long been studied by clinicians as a window on the individual's early emotional development. More recently, developmental psychologists have taken an interest in play for what it reveals about early cognitive development. With the rise of developmental research into play, the time is right for an integration of both perspectives. This book answers the need for such a work. It brings together the work of leading workers in the field to provide an excellent overview of clinical and developmental approaches to play for the benefit of professionals in both fields, as well as readers interested in child behaviour.

For years, Robert Wolf traveled around the Midwest and the South teaching small town folk, farmers, and homeless individuals to write about their lives through poems, essays and fiction. Through his own small publishing company, Free River Press, Wolf published these stories of the forgotten parts of America. In 1999, Oxford published an anthology of his students' works in a volume entitled American Mosaic: Poetry and Prose by Everyday Folk.Now, we have Jump Start--a concise guide that offers Wolf's writing techniques from his Free River Press workshops across the country. Rooted in the oral tradition, Wolf's methods include storytelling, visualization, spontaneous prose composition, and sketching. Useful for both the individual and groups as well as for beginning or practiced writers, his concrete techniques are flexible enough to be applied towards any form (poetry, composition, non-fiction, plays, etc.). With the inclusion of writing samples from past workshop participants, Wolf's main emphasis is that people from all walks of life, even with no previous background in writing, may produce meaningful and memorable work.

This collection of original essays, written by scholars from disciplines across the humanities, addresses a wide range of questions about love through a focus on individual films, novels, plays, and works of philosophy. The essays touch on many varieties of love, including friendship, romantic love, parental love, and even the love of an author for her characters. How do social forces shape the types of love that can flourish and sustain themselves? What is the relationship between love and passion? Is love between human and nonhuman animals possible? What is the role of projection in love? These questions and more are explored through an investigation of works by authors ranging from Henrik Ibsen to Ian McEwan, from Rousseau to the Coen Brothers.

In The Life and Afterlife of St. Elizabeth of Hungary, Kenneth Baxter Wolf offers a study and translation of the testimony given by witnesses at the canonization hearings of St. Elizabeth of Hungary, who died in 1231 in Marburg, Germany, at the age of twenty-four. The bulk of the depositions were taken from people who claimed to have been healed by the intercession of this new saint. Their descriptions of their maladies and their efforts to secure relief at Elizabeth's shrine in Marburg provide the modern reader not only with a detailed, inside look at the genesis of a saint's cult, but also with an unusually clear window into the lives and hopes of ordinary people living in Germany at the time. Beyond testimony about her miracles, the papal commissioners also heard witnesses speak to the holiness of Elizabeth's life. Four women who knew Elizabeth from her arrival at the Wartburg castle in Thuringia as the future wife of Landgrave Ludwig IV to her death as a caregiver in the hospital that she founded in Marburg provide vivid vignettes about her life. Together with the testimony of Elizabeth's confessor and guardian, Conrad of Marburg, they capture in words the Hungarian princess's tireless, creative efforts to "cure" her life of privilege with its opposite: a life of voluntary deprivation and direct service to the poor and sick.

Rammellzee was an enigmatic yet key figure in the nexus of creative forces that defined New York City s heady downtown scene in the late 1970s and 1980s. In the first major monograph on the multi-hyphenate artist, his inspired vision and wildly diverse artistic output are considered in depth. The oversize volume presents a treasure trove of material, providing extraordinary insight into his creative genius: a comprehensive selection of artworks (his iconic resin frescoes, paintings, sculpture, and performance paraphernalia), never-before-seen documentation of his graffiti work and performances, archival material, and ephemera. Gathered here for the first time, these materials tell this complex artist s origin story and details his artistic evolution, cementing Rammellzee s place in the art historical canon. Maxwell Wolf, lead curator of the much-lauded retrospective in 2018 on which this book is largely based, and co-editor Jeff Mao convene a historic gathering of the key actors of the time to tell Rammellzee s extraordinary story in their own words in an extensive oral history. From graffiti writers, artists, musicians, and actors to filmmakers, photographers, gallerists, and family, those close to the late artist including Toxic, Futura, Lee Quinones, Charlie Ahearn, Jim Jarmusch, and Henry Chalfant provide critical context about his life and work. This richly layered volume is a must-have for the legions of Rammellzee fans, as well as enthusiasts of contemporary underground art and culture, old New York, graffiti, and the history of hip-hop.

From the perspective of the Hispano-Romans, the Visigoths who invaded Spain in the mid-fifth century were heretical barbarians. But Leovigild’s military success and Reccared’s conversion to Catholic Christianity led to more positive assessments of the Gothic role in Iberian history. John of Biclaro (c.590) and Isidore of Seville (c.625) authored histories that projected the Gothic achievements back on to their uncertain beginnings, transforming them from antagonists of the Roman Empire to protagonists of a new, independent Chistianity in Spain.

Eulogius (d. 859), a priest living under Islamic rule in Córdoba, is our principal source for the so-called “Córdoban martyrs’ movement” (850-859), in the course of which forty-eight Christians were decapitated for religious offenses against Islam. The majority of the victims were condemned for blasphemy, having deliberately flouted proscriptions against public expressions of disrespect for Muhammad. Interestingly enough, the Córdoban Christian community was not of one mind when it came to interpreting such provocative acts. While some were inclined to embrace the executed Christians as martyrs of the classic Roman type, others criticized them as self-immolators whose unprovoked outbursts only complicated the working relationship between the Christian community and the Muslim authorities. The writings of Eulogius, which were designed to record the deaths and present them as legitimate martyrdoms, allow both for the reconstruction of Christian life under Muslim rule and an appreciation for the range of Christian attitudes toward Islam in ninth-century al-Spain. They also capture Eulogius’ self-conscious effort to construct a saint cult despite the absence of wide support for the “martyrs.” This is the first complete rendering of Eulogius' writings into English, and will be a valuable resource for historians and theologians alike.

Eulogius (d. 859), a priest living under Islamic rule in Córdoba, is our principal source for the so-called “Córdoban martyrs’ movement” (850-859), in the course of which forty-eight Christians were decapitated for religious offenses against Islam. The majority of the victims were condemned for blasphemy, having deliberately flouted proscriptions against public expressions of disrespect for Muhammad. Interestingly enough, the Córdoban Christian community was not of one mind when it came to interpreting such provocative acts. While some were inclined to embrace the executed Christians as martyrs of the classic Roman type, others criticized them as self-immolators whose unprovoked outbursts only complicated the working relationship between the Christian community and the Muslim authorities. The writings of Eulogius, which were designed to record the deaths and present them as legitimate martyrdoms, allow both for the reconstruction of Christian life under Muslim rule and an appreciation for the range of Christian attitudes toward Islam in ninth-century al-Spain. They also capture Eulogius’ self-conscious effort to construct a saint cult despite the absence of wide support for the “martyrs.” This is the first complete rendering of Eulogius' writings into English, and will be a valuable resource for historians and theologians alike.

Hope & Harmony is a groundbreaking anthology of entirely new and exclusive romance stories from fourteen of romance’s best-selling authors.Vibrant, poignant, and heartfelt, each tale is a testament to the enduring connection between love and music. From the vibrant, upbeat tracks signifying new beginnings, to the slow, soulful tunes accompanying dramatic happily ever afters, each story is like a song on your “playlist”, bursting with authenticity and passion.Whether you're a fan of classical harmonies or hard rock, jazz or emo, the authors of Hope & Harmony will tug at your heartstrings and leave you wanting more.