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47 produkter
47 produkter
3 324 kr
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This handbook in English provides a systematic overview of the present state of international research in narratology. Detailed individual studies by internationally renowned narratologists elucidate 34 central terms. The articles present original research contributions and are all structured in a similar manner. Each contains a concise definition and a detailed explanation of the term in question. In a main section they present a critical account of the major research positions and their historical development and indicate directions for future research; they conclude with selected bibliographical references.
Del 16 - Narratologia
Russische Proto-Narratologie
Texte in kommentierten Übersetzungen
Inbunden, Tyska, 2009
2 790 kr
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Der Sammelband enthält kommentierte und annotierte deutsche Übersetzungen von 12 theoretischen Texten aus der russischen Vorgeschichte der Narratologie. Die Texte, durchweg präformalistischer, formalistischer, formalismusnaher oder strukturalistischer Provenienz, sind zwei kardinalen Themen der russischen Proto-Narratologie gewidmet, dem „Sujet“ und dem werkimmanenten abstrakten Autor. Zum ersten Problemkreis sind Texte von Aleksandr Veselovskij, Viktor Šklovskij, Nikolaj Aseev, Michail Petrovskij, Aleksandr Skaftymov, Vladimir Propp, Aleksandr Nikiforov und Jurij Lotman aufgenommen. Das Problem des werkimmanenten Autors wird in Texten von Il’ja Gruzdev, Viktor Vinogradov und Boris Korman exponiert. Auswahl, Übersetzung, Kommentar und Annotation stammen in der Regel von Mitarbeitern eines Teilprojekts der von der DFG geförderten Hamburger Forschergruppe Narratologie. In zwei Fällen wurde auf bereits publizierte Übersetzungen zurückgegriffen. Der Band enthält eine Gesamtbibliographie zu den Texten. Kommentaren und Anmerkungen, ein Verzeichnis der Namen von Personen und Institutionen sowie einen Index der Namen und Werke.
1 865 kr
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Stories do not actually exist in the (fictional or factual) world but are constituted, structured and endowed with meaning through the process of mediation, i.e. they are represented and transmitted through systems of verbal, visual or audio-visual signs. The terms usually proposed to describe aspects of mediation, especially perspective, point of view, and focalization, have yet to bring clarity to this field, which is of central importance, not only for narratology but also for literary and media studies. One crucial problem about mediation concerns the dimensions of its modeling effect, particularly the precise status and constellation of the mediating agents, i.e. author, narrator or presenter and characters. The question is how are the structure and the meaning of the story conditioned by these different positions in relation to the mediated happenings perceived from outside and/or inside the storyworld? In this volume, fourteen articles by international scholars from seven different countries address these problems anew from various angles, reviewing the sub-categorization of mediation and re-specifying its dimensions both in literary texts and other media such as drama and theater, film, and computer games.
2 959 kr
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Der Sammelband beleuchtet in acht Beiträgen, die von Mitgliedern der Hamburger Forschergruppe Narratologie und von externen Experten verfasst worden sind, Grundkategorien der russischen und tschechischen Erzähltheorie, die für die Entwicklung der internationalen Narratologie bedeutsam wurden oder Potential für die weitere Theorieentwicklung enthalten. Zu den untersuchten Konzepten gehören „Fabel“ und „Sujet“, die „Sujetentfaltung“, das „Ereignis“ und die „fiktiven Welten“. In vergleichenden Studien werden die russische Kompositionstheorie, die Autortheorien des slavischen Funktionalismus, formalistische Film- und Theaterkonzepte und die narrative Semantik in der Konzeption des Prager Strukturalismus behandelt. Der Bogen der besprochenen Theoretiker reicht vom russischen Formalisten Viktor Šklovskij und dem formalismusnahen Kompositionstheoretiker Michail Petrovskij über die tschechischen Strukturalisten Jan Mukařovský, Felix Vodička und Lubomír Doležel bis zur Zentralfigur der Moskau-Tartu-Schule Jurij Lotman.
366 kr
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This book is a standard work for modern narrative theory. It provides a terminological and theoretical system of reference for future research. The author explains and discusses in detail problems of communication structure and entities of a narrative work, point of view, the relationship between narrator’s text and character’s text, narrativity and eventfulness, and narrative transformations of happenings. The book outlines a theory of narration and analyses central narratological categories such as fiction, mimesis, author, reader, narrator etc. A detailed bibliography and glossary of narratological terms make this book a compendium of narrative theory which is of relevance for scholars and students of all literary disciplines.
307 kr
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2 959 kr
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Del 58 - Narratologia
Mentale Ereignisse
Bewusstseinsveränderungen in europäischen Erzählwerken vom Mittelalter bis zur Moderne
Inbunden, Tyska, 2017
1 802 kr
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The Narratologia series publishes state-of-the-art monographs and collective volumes devoted to modern narrative theory and its historical reconstruction in all the philological disciplines. It is the first narratological forum of its kind in Germany. In addition to literary texts, the series focuses on narration in everyday contexts, in pictorial media, in film and in the new media as well as on narration in historiography, ethnology, medicine, and the law.The series publishes in German and English. All volumes are peer reviewed by two anonymous assessors.
2 043 kr
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Narratology has been flourishing in recent years thanks to investigations into a broad spectrum of narratives, at the same time diversifying its theoretical and disciplinary scope as it has sought to specify the status of narrative within both society and scientific research. The diverse endeavors engendered by this situation have brought narrative to the forefront of the social and human sciences and have generated new synergies in the research environment.Emerging Vectors of Narratology brings together 27 state-of-the-art contributions by an international panel of authors that provide insight into the wealth of new developments in the field. The book consists of two sections. "Contexts" includes articles that reframe and refine such topics as the implied author, narrative causation and transmedial forms of narrative; it also investigates various historical and cultural aspects of narrative from the narratological perspective. "Openings" expands on these and other questions by addressing the narrative turn, cognitive issues, narrative complexity and metatheoretical matters.The book is intended for narratologists as well as for readers in the social and human sciences for whom narrative has become a crucial matrix of inquiry.
2 815 kr
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This handbook brings together 42 contributions by leading narratologists devoted to the study of narrative devices in European literatures from antiquity to the present. Each entry examines the use of a specific narrative device in one or two national literatures across the ages, whether in successive or distant periods of time. Through the analysis of representative texts in a range of European languages, the authors compellingly trace the continuities and evolution of storytelling devices, as well as their culture-specific manifestations. In response to Monika Fludernik’s 2003 call for a "diachronization of narratology," this new handbook complements existing synchronic approaches that tend to be ahistorical in their outlook, and departs from postclassical narratologies that often prioritize thematic and ideological concerns. A new direction in narrative theory, diachronic narratology explores previously overlooked questions, from the evolution of free indirect speech from the Middle Ages to the present, to how changes in narrative sequence encoded the shift from a sacred to a secular worldview in early modern Romance literatures. An invaluable new resource for literary theorists, historians, comparatists, discourse analysts, and linguists.
Mentale Ereignisse
Bewusstseinsveränderungen in europäischen Erzählwerken vom Mittelalter bis zur Moderne
Häftad, Tyska, 2019
432 kr
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The Narratologia series publishes state-of-the-art monographs and collective volumes devoted to modern narrative theory and its historical reconstruction in all the philological disciplines. It is the first narratological forum of its kind in Germany. In addition to literary texts, the series focuses on narration in everyday contexts, in pictorial media, in film and in the new media as well as on narration in historiography, ethnology, medicine, and the law.The series publishes in German and English. All volumes are peer reviewed by two anonymous assessors.
Del 69 - Narratologia
Narrative Motivierung
Von der romanischen Renaissance bis zur russischen Postmoderne
Inbunden, Tyska, 2020
1 636 kr
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The Narratologia series publishes state-of-the-art monographs and collective volumes devoted to modern narrative theory and its historical reconstruction in all the philological disciplines. It is the first narratological forum of its kind in Germany. In addition to literary texts, the series focuses on narration in everyday contexts, in pictorial media, in film and in the new media as well as on narration in historiography, ethnology, medicine, and the law.The series publishes in German and English. All volumes are peer reviewed by two anonymous assessors.
532 kr
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Das Handbuch leistet eine umfassende historische und systematische Darstellung des Phänomens Erzählen und seiner Erforschung unter Berücksichtigung der internationalen Narratologie. Neben der Betrachtung von grundlegenden Begriffen und Fragestellungen des literarischen und intermedialen Erzählens bietet der Band auch eine Einführung in transdisziplinäre Aspekte des Erzählens in Recht, Medizin und Wirtschaft.
Figurally Colored Narration
Case Studies from English, German, and Russian Literature
Inbunden, Engelska, 2022
1 380 kr
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Figurally colored narration (FCN) is narrator’s discourse (whether in the first or third person) that adopts salient features of character’s text, mainly valuation and designation, without signaling the figural part in any way. Unlike free indirect discourse, FCN does not refer to current acts of consciousness, but to typical, characteristic segments of the character’s text. There are two main modes of FCN: contagion of the narrator’s discourse with a character’s text, and the more or less ironical reproduction of a character’s text in narrative discourse. In the latter case, the narrator’s criticism may refer to either the content of the character’s text or to its form of expression. This study begins with a definition and an example of FCN as a narrative device, followed by an analysis of terms used for FCN in German, Anglophone and Russian literary criticism. Building on the perception of FCN as a phenomenon of interference between narrator’s and character’s text (text interference), this book analyses the function and applications of FCN in narratives written in German, English and Russian.
1 359 kr
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Telling a story requires selecting and assembling individual elements of the events one wishes to communicate. The "nonnarrated" are the events (or parts of events) that were deliberately left out of the selection, meaning all that was not chosen to be told in the story, or chosen not to be told. Since the realm of the nonnarrated in any given story is infinitely large, studying the nonnarrated requires focusing on that which is not told but nevertheless belongs to a story. This monograph explores the phenomenon of the nonnarrated in narrative short forms from Cechov to Murakami and in novels by Dostoevskij and Robbe-Grillet.
Del 81 - Narratologia
Figurally Colored Narration
Case Studies from English, German, and Russian Literature
Häftad, Engelska, 2023
203 kr
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Figurally colored narration (FCN) is narrator’s discourse (whether in the first or third person) that adopts salient features of character’s text, mainly valuation and designation, without signaling the figural part in any way. Unlike free indirect discourse, FCN does not refer to current acts of consciousness, but to typical, characteristic segments of the character’s text. There are two main modes of FCN: contagion of the narrator’s discourse with a character’s text, and the more or less ironical reproduction of a character’s text in narrative discourse. In the latter case, the narrator’s criticism may refer to either the content of the character’s text or to its form of expression. This study begins with a definition and an example of FCN as a narrative device, followed by an analysis of terms used for FCN in German, Anglophone and Russian literary criticism. Building on the perception of FCN as a phenomenon of interference between narrator’s and character’s text (text interference), this book analyses the function and applications of FCN in narratives written in German, English and Russian.
1 372 kr
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Ornamental Narration is a narration in which thematic and formal equivalences dominate. Equivalence comprises two types of relations: similarity and opposition. They have in common that the elements linked by them are identical in at least one characteristic and non-identical in another characteristic. Equivalence produces, against the sequentiality of the story, a simultaneity of elements which are often distant from one another not only on the syntagmatic axis of the text, but also on the time axis of the story. Equivalence competes with temporal links such as sequentiality and causality. This untemporal relationship brings the temporal change and its logic to light. The study examines works by Puškin, Rilke, Čexov, Beer-Hofmann, Belyj, Babel’, Vsevolod Ivanov, Nikitin, Pil’njak, Schnitzler, Zamjatin, Barskova.
Del 17 - Slavische Literaturen
Doppelgaenger
Steinmonument, Spiegelschrift Und Usurpation in Der Russischen Literatur
Häftad, Tyska, 1999
870 kr
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Del 16 - Slavische Literaturen
Postmoderne Metahistoriographische Fiktion Und Andrej Bitovs «Puskinskij Dom»
Häftad, Tyska, 1999
1 027 kr
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Del 64 - Europaeische Hochschulschriften / European University Studie
«Tertium Non Datur»
Ideologie Und Soziologie in Isaak Babels «Konarmija»
Häftad, Tyska, 2001
727 kr
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Del 25 - Slavische Literaturen
Die Petersburg-Panegyrik
Russische Stadtliteratur Im 18. Jahrhundert
Häftad, Tyska, 2002
577 kr
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Del 26 - Slavische Literaturen
Identitaet Statt Differenz
Zum Verhaeltnis Von Kunsttheorie Und Gesellschaftsstruktur in Russland Im 18. Und 19. Jahrhundert
Häftad, Tyska, 2002
661 kr
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Del 30 - Slavische Literaturen
Stročka Ne Ty!
Die Figur Der Ehefrau Und Freundin Russischer Schriftsteller
Häftad, Tyska, 2003
714 kr
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Del 28 - Slavische Literaturen
Erzaehlte Aufklaerung
Studien Zum Polnischen Roman Um 1800
Häftad, Tyska, 2002
690 kr
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Del 31 - Slavische Literaturen
Erinnerung in Den Metafiktionalen Werken Von Boris Chazanov Und Jurij Gal'perin
Verfahren Zur Konstruktion Von Realitaet, Identitaet Und Text
Häftad, Tyska, 2003
856 kr
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499 kr
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Nikolaj Gumilev occupies a paradoxical place within the history of Russian modernism. Although he is well known as the founder of Acmeism and is regarded as an important poet and critic, much of his work is difficult to reconcile with prevailing concepts of modernism. The present study seeks to explain this marginal position by reinterpreting Gumilev's work within the broader context of a modernist aesthetic of order, or neo-classical modernism. The term refers to an aesthetic line within modernism that sought to reconcile certain features of traditional rhetoric - in particular the triadic style system - with modernist strategies of innovation. Although primarily devoted to Gumilev, the study also touches on Russian and French writers adhering to comparable aesthetic values, among them Annenskij, Kuzmin, Gautier, Leconte de Lisle, Valery and Gide.
Del 29 - Slavische Literaturen
Intermedialitaet - Identitaeten - Literaturgeschichte
Beitraege Zum Vierten Kolloquium Des Jungen Forums Slavistische Literaturwissenschaft, Freiburg Im Breisgau 2001
Häftad, Tyska, 2003
657 kr
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Del 32 - Slavische Literaturen
Intersubjektivitaet Und Narration
Gogol', Erofeev, Sorokin, Mamleev
Häftad, Tyska, 2003
1 084 kr
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714 kr
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Del 36 - Slavische Literaturen
Avantgarde, Zivilisationskritik Und Pragmatismus in Karel Čapeks «Bozí Muka»
Häftad, Tyska, 2006
771 kr
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