Wright Morris – författare

Best known for his novels, including the National Book Award winners The Field of Vision and Plains Song, Nebraska-born author Wright Morris has long been regarded as one of America’s most gifted writers. This volume, culling work from the photo-text books, criticism, and numerous short stories frequently overlooked among his oeuvre, reflects the true breadth of this quintessentially American artist’s talents. As such, it offers a fascinating overview of Morris’s inspiring accomplishments in multiple genres.   While embracing the prose for which Morris is justly famous, this treasury of work also highlights his photography and other literary genres, including hard-to-find stories first published in magazines, some of which were early drafts of future novels.   Edited by Morris’s long-time friend David Madden, this one-of-a-kind collection captures a man of multifarious genius. Replete with interviews, photography, a biographical sketch, suggestions for further reading, and Morris’s inimitable writing, this compendium is an indispensable resource for those who wish to understand and appreciate the brilliance and virtuosity of one of America’s true talents.

Reproduced from the 1948 edition of The Home Place, the Bison Book edition brings back into print an important early work by one of the most highly regarded of contemporary American Writers. This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man's shoes, well-used kitchen utensils, and weathered siding. Muncy's journey of discovery takes the measure of the man he has become and of what he has left behind.

Wright Morris's "Nebraska Trilogy" (1946-49) embodies his attempt to capture and come to terms with his past. According to David Madden, in his study Wright Morris, "In The Inhabitants [a picture collection] the emphasis is on the artifacts inhabited and on the land; in The Home Place [narrative and pictures], on the inhabitants themselves; and in The World in the Attic, on what the land and the people signify to one man, Clyde Muncy, writer and self-exiled Nebraskan. . . . What was only suggested to Muncy in The Home Place is further developed, although not entirely resolved, in The World in the Attic. . . . [In it], Morris achieves the kind of objective conceptualization that is characteristic of his best novels. The first half of the book is impressionistic, a series of reminiscences like The Home Place; but the second half has a novelist narrative line. In The Home Place, the past, saturated in the immediate present, is merely alluded to. In The World in the Attic, however, the past is specifically and dramatically related to the present."

"When I was a boy of eight in the Platte Valley of Nebraska, my father made the first of the many moves that would prove to be of interest to a future writer of fiction. They were east to Chicago, the point on the map where all the lines pointed. Almost twenty years would pass before I would seek to recapture the past that I had experienced. The Works of Loveis the first fruit of that effort, and the linchpin in my novels concerned with the plains. The reader who has read The Home Place or The Field of Vision will find in this novel the crux of an experience I frequently return to but never exhaust."-Wright Morris

"I have read and admired all of Morris's books, and there is no doubt in my mind that he is one of the most truly original of contemporary writers. His originality, his absolutely individual way of seeing and feeling, permeates Man and Boy, giving it its humor and wisdom."--Granville Hicks. "For a long time I have not read a novel that gave me so much pleasure in original talent. [Morris] speaks completely in his own voice, a fascinating voice. He conveys the quality of the American gothic as no other writer I know has done."--Mark Schorer. "Mother, Mr. Morris seems to say [in Man and Boy], is unbeatable. Well, so in a way, is Mr. Morris. He writes with the skill of a master satirist; his eye is sharp and his vision is clairvoyant."--New York Herald Tribune Books. One of the most distinguished American authors, Wright Morris (1910-1988) wrote thirty-three books including The Field of Vision, which won the National Book Award and The Home Place, both available from the University of Nebraska Press.

Winner of the National Book Award "Wright Morris seems to me the most important novelist of the American middle generation. Through a large body of work --which, unaccountably, has yet to receive the wide attention it deserves--Mr. Morris has adhered to standards which we have come to identify as those of the most serious literary art. His novel The Field of Vision brilliantly climaxes his most richly creative period. It is a work of permanent significance and relevance to those who cannot be content with less than a full effort to cope with the symbolic possibilities of the human condition at the present time."--John W. Aldridge One of America's most distinguished authors, Wright Morris (1910-1988) wrote thirty-three books.

My Uncle Dudley is Wright Morris's first novel, originally published in 1942.

In this novel, set in 1952 but intermingling the past and present, the protagonist reviews the effects of the Jazz Age on himself and a friend, recalling their exploits in college, in Paris, and in love. The result is the picture of a generation.

When it first appeared in 1945, this novel disconcerted a good many critics: Agee Ward, "the man who was there" of the title, ostensibly is the man who is not there--a member of the armed forces in World War II, he has been reported missing in action. Yet as we are shown various views of Agee and how he continues to affect the lives of others—among them Grandma Herkimer and Private Reagan, who knew him in boyhood; Peter Spavic and Mrs. Krickbaum, who refuse to believe that he is missing; Miss Gussie Newcomb, his landlady and (to her surprise) his heir—we come to perceive what Agee had in mind when he said "that anything really alive just went on and on."

"'Judge' Howard Potter, one of the most respected and influential citizens of a suburban town outside of Philadelphia, lies dead after a long and wearying illness. He is survived by the five people who knew him best and whose lives were deeply influenced by him...Through the thoughts and reminiscences of these five very different people Mr. Morris tells his story...[His] writing is occasionally obscure but always absorbing. He does not, like so many writers, hover omnisciently over his characters. He prefers to project himself into their innermost and very human thoughts and emotions, leaving the reader to draw his own conclusions...Mr. Morris writes with wit, taste, and refreshing originality."--William Murray, Saturday Review. "Mr. Morris is a master of the exact phrase, the homely illuminating detail, and it is no accident that he is an excellent photographer...His writing is simple, but his method is as complete as his subject matter, so he uses the multiple flashback, the melting of past into present."--E.M. Scott, New York Herald-Tribune Book Review. "A thoroughly satisfying novel"--Commonweal. "A most rewarding book"--Kirkus."His finest novel to date"--San Francisco Chronicle. "With this novel he has clearly, and for the first time, ascended into literature"--New York Times Book Review. One of the most distinguished American authors, Wright Morris (1910-1988) wrote thirty-three books including The Field of Vision, which won the National Book Award.

One of the most distinguished American authors, Wright Morris (1910-1988) wrote thirty-three books including The Field of Vision, which won the National Book Award."In the space of one day, Jubal E. Gainer, high school dropout and draft dodger, manages to rack up an impressive array of crimes. . . . He steals a friend's motorcycle, rapes a simple-minded spinster, mugs a pixyish professor, and stabs an obese visionary who runs a surplus store. He then waits out an Indiana twister and goes his way, leaving as much wreckage in his path as the twister itself."--Library Journal."In Orbit is a short novel, full of action, and the seriousness can mostly be found between the lines. [There] one can see against what Jubal Gainer's rebellion, thoughtless and aimless as it seems, is directed. One might say that he is, like millions of his contemporaries, a Huck Finn without a Mississippi."-- Granville Hicks, Saturday Review."Here is another of Wright Morris's craftsmanly novels--terse, colloquial, restrained, fragmented, deliberately shadowy. Above all, small; not slight, not inconsequential, but a miniature. . . . All readers will surely appreciate the quality of the prose style one has come to expect in a Wright Morris novel. . . . There is also a muscular quality to Mr. Morris's writing that makes it a suitable instrument for conveying harsher things; and there is his sense of the comic, which springs up constantly. In all, this is a quiet but rich performance."--New York Times Book Review.

"Laying sure hands on the daily is Wright Morris's forte. What the rest of us may have accepted too casually he sets upon with his own highly specialized focus. In this novel, more than ever, the texture of the day and hour, the fabric of speech, the pattern of action are used to show forth the humor of objects, people, places, lives, and in their deeper, more mysterious interrelations is disclosed the larger shape of tragedy."-Eudora Welty Friday, November 22, 1963, in Escondido, California, begins with the discovery of an infant in the adoption basket at the local animal pound. This calculated effort to shock the natives is silenced by the news from Dallas of an event calculated to shock the world. One Day is concerned with the way these two events are related and with the time that begins when conventional time seems to have stopped. The events of this day, both comical and horrifying, make the commonplace seem strange, and the strange familiar. To accommodate the present, the past must be reshuffled, and events accounted for defy accounting. One of the most distinguished American authors, Wright Morris (1910-1988) wrote thirty-three books including The Field of Vision, which won the National Book Award.

Speaking of this 1957 novel, the author has said it ended his obsession with the reconstruction of the immediate past and moved him into the contemporary scene. The narrator, Earl Horter, is a lyric writer who is in Hollywood with Mac, his partner, to write a musical. With two girls they have picked up and gone to Acapulco.

The reader of this rollicking novel, first published in 1962, accompanies forty-seven-year-old Professor Arnold Soby (regarded by his girl students as safe and acceptable, but also good fun) on a sabbatical voyage to Italy and Greece. Among Soby's shipboard companions are Miss Winifred Throop, retired head mistress of the Winnetka Country Day School; her companion and colleague, Miss Mathilde Kollwitz, teacher of French and German; and Miss Thropp's seventeen-year-old niece, Cynthia Pomeroy, beautiful, scatterbrained, and studiously vulgar. Standing off the challenges of Italian and Swiss rivals, Soby pursues Cynthia through the waterways and plazas of Venice, the hills of Corfu, the ruins of Athens, and aboard the tiny, rolling, pitching tub Hephaistos in Greek waters. As is characteristic of Wright Morris's fiction, the real story develops beneath the surface of the brilliantly entertaining narrative.

Written twenty years before it was first published in 1972, War Games features both black and charcoal-gray humor, whose characters and events are as unpredictable as they are absorbing--a book, in the author's words, "where the extremity of the bizarre is seen as the ultimate effort to change oneself, if not the world." At the center of the novel is the developing relationship between the protagonist, a fifty-three-year-old army colonel, and a Viennese immigrant whom he first knows as Mrs. Tabori and whose story he has learned through a dying amputee, Human Kopfman. Themes and characters that first appear in War Games reappear in The Field of Vision and Ceremony in Lone Tree. In the preface to this edition, Wright Morris describes the genesis of the book in 1951 and comments on its connections with his late work: "War Games may well prove to be the seedbed of much more in my fiction than I am aware, since it was the first turning of earth more than twenty years buried. My novels are linked in this manner, but sometimes at odds with the chronology of publication. In the absence of War Games, many clues to the fiction that followed were missing. . . ."[This novel] seems to me darkly somber, a book of interiors, dimly lighted streets, hallways and lobbies, with glimpses of objects and colors that emerge in subdued lighting. I'd like to think that my readers, both new and old, will find the world of the Colonel and Mrs. Tabori relevant to the one in which they are living."

One of the most distinguished American authors, Wright Morris (1910-1988) wrote thirty-three books including The Field of Vision, which won the National Book Award.

"A radiant expression of the art [Wright Morris] has developed through thirty years and fourteen earlier novels. Although it is anything but preachy it will stick in the minds of the congregation for a long time. . . . On the one hand, this is a novel of alienation and on the other, a novel about the discovery of identity. The author's overall concern . . . is the destiny of man. In this novel-perhaps more clearly and movingly than ever before-he carries the reader with him, until astonishment, awe, compassion, laughter, and exultation mingle in a tragic sense of life."-Granville Hicks, New York Times Book Review The ceremony of the old giving way to the new, the young breaking away from what is old, may well be the one constant in the ceaseless flux of American life. Fire Sermon reenacts this ceremony in the entangled lives of three young people and one old man. A chance meeting on the highway links a hippie couple to the eastward journey of an old man and a boy. For the boy it is a daily drama testing and questioning his allegiance. To which world does he belong? To the familiar ties and affections of the old or the disturbing and alluring charms of the new?One of the most distinguished American authors, Wright Morris (1910-1988) wrote thirty-three books including The Field of Vision, which won the National Book Award.

Floyd Warner, eighty-two, has driven from California to his childhood home in Nebraska in his antique Maxwell coupe. There he confronts the smoldering remains of this late sister's house and the realization that he is now completely alone. As though in a trance, he sets out once again, this time to find his first adult home, a dusty sheep farm in the southwest, preparing to meet the fate that ultimately awaits him.Of such deceptively simple ingredients is this brilliant portrait of the last hours of an old man's life composed. Floyd Warner, who first appeared in Fire Sermon, is perhaps the ultimate characterization in the career of a writer who has been called "quite simply the best novelist now writing in America" (John W. Aldridge).

Reproduced from the 1948 edition of The Home Place, the Bison Book edition brings back into print an important early work by one of the most highly regarded of contemporary American Writers. This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man's shoes, well-used kitchen utensils, and weathered siding. Muncy's journey of discovery takes the measure of the man he has become and of what he has left behind.

Wright Morris (1910–1998) wrote thirty-three books, including The Home Place, also available in a Bison Books edition, and Field of Vision, which won the National Book Award. Charles Baxter is a professor of English at the University of Michigan and the author of numerous works, including The Feast of Love.

Although Tom Scanlon would just as soon spend it alone, his ninetieth birthday becomes the occasion for a family gathering in the Midwestern town of Lone Tree. The unlikely celebrants take this opportunity to reconceive their visions of past, future, and family in their own grotesque and ultimately liberating ways. Ceremony in Lone Tree is a spare and beautiful work by one of America's great postwar authors.

Two for the Roadbrings together a pair of thematically related novels, Man and Boy (1951) and In Orbit (1967), each of which concerns a rural American community’s response to petty tyranny.