Xavier Matteucci – författare

The Creative Tourist brings together four broad areas of academic scholarship: creative tourism, sociology, well-being and new materialism. In acknowledging the intimate entanglement between materiality and human sensuous experiences, the book seeks to examine the relational nature of the tourist experience of collaborative, heritage-based activities.Authors Xavier Matteucci and Melanie Smith explore the multiple dimensions of the creative tourism experience, positioning the creative tourist within various tourist typologies and modes of experience. The Creative Tourist extends the growing body of knowledge on creative tourism by drawing from new materialist philosophy to discuss social eudaimonia as a happiness concept, which foregrounds collective well-being rather than individual flourishing.This latest addition to the highly successful The Tourist Experience series is suitable for both undergraduate and postgraduate students, university lecturers, creative entrepreneurs, and research communities exploring creative experiences in contexts such as leisure, lifestyle, cultural tourism, slow tourism, responsible tourism, ethical and sustainable aspects of tourism, social tourism and destination management.

This book provides multi-layered and nuanced perspectives on how drivers of change may influence cultural tourism on a global, national and local level. As such, it contributes to a greater understanding of how cultural tourism will be governed, performed and experienced within a volatile, uncertain, complex and ambiguous future environment. The volume examines how the cultural tourism sector can address the needs of cultural tourists through product and service development, offers insights into alternative, post-anthropocentric values underpinning cultural tourism governance and consumption, and engages with immersive, collaborative, slow and technology-driven cultural heritage-based tourism experiences. The book includes both empirical and conceptual chapters, with the contributors suggesting various alternatives that are underpinned by utopian and/or dystopian outlooks on the likely future(s) of cultural tourism.Chapter 8 is free to download as an open access publication under a CC BY NC ND licence. You can download it here: https://zenodo.org/records/14730188.

This book provides multi-layered and nuanced perspectives on how drivers of change may influence cultural tourism on a global, national and local level. As such, it contributes to a greater understanding of how cultural tourism will be governed, performed and experienced within a volatile, uncertain, complex and ambiguous future environment. The volume examines how the cultural tourism sector can address the needs of cultural tourists through product and service development, offers insights into alternative, post-anthropocentric values underpinning cultural tourism governance and consumption, and engages with immersive, collaborative, slow and technology-driven cultural heritage-based tourism experiences. The book includes both empirical and conceptual chapters, with the contributors suggesting various alternatives that are underpinned by utopian and/or dystopian outlooks on the likely future(s) of cultural tourism.Chapter 8 is free to download as an open access publication under a CC BY NC ND licence. You can download it here: https://zenodo.org/records/14730188.