Yaniv Benhamou – författare

Creative industries are increasingly dominated by digital platforms, yet the distribution of value within these sectors, from music and video games to visual arts, remains deeply unequal. Recent examples include the remuneration of artists on streaming platforms and the use of creative works in AI training data. This imbalance threatens human creativity and cultural diversity.In this book, Benhamou exposes the flaws in current models of value allocation and the inequities embedded within copyright systems. Focusing on the often-overlooked contributors to creative works, the book advocates rethinking copyright and contract through a lens of distributive justice to ensure equitable compensation for all stakeholders in the creative process, including individual creators, invisible workers and digital workers.

Available open access digitally under CC-BY-NC-ND licence.Creative industries are increasingly dominated by digital platforms, yet the distribution of value within these sectors, from music and video games to visual arts, remains deeply unequal. Recent examples include the remuneration of artists on streaming platforms and the use of creative works in AI training data. This imbalance threatens human creativity and cultural diversity.In this book, Benhamou exposes the flaws in current models of value allocation and the inequities embedded within copyright systems. Focusing on the often-overlooked contributors to creative works, the book advocates rethinking copyright and contract through a lens of distributive justice to ensure equitable compensation for all stakeholders in the creative process, including individual creators, invisible workers and digital workers.

Der vorliegende Tagungsband enthält die Referate der 8. Basler Kunstrechtstagung Kunst & Recht | Art & Law vom 16. Juni 2017. Der erste Teil befasst sich mit der Thematik der Erhaltung von Kulturgütern respektive der Bekämpfung derer Zerstörung in Kriegszeiten. Prof. Thomas Dreier beschliesst ihn mit einem hochaktuellen Thema, der Darlegung der anwendbaren Grundsätze für den Betrieb des Digitalen Museums.Der zweite Teil ist aktuellen Problemen des Sammelns und des Kunsthandelns gewidmet. Dr. Joëlle Becker erörtert die Problematik des Interessenkonflikts des Auktionshauses als Vermittler zwischen Einlieferer und Käufer. Dr. Yaniv Benhamou legt die Grundsätze dar für die Schöpfung der Posthumous Replication.