Yasmin Ibrahim – författare

Going beyond the cursory reasons behind why we capture images on the move, Politics of Gaze explores our contemporary practices around visual imaging and brings original conceptualisations about why we constantly capture ourselves and our environments through digital technologies.

Our technologically mediated ‘everyday visuality’ has moral and ethical implications for the ways in which we construct our worlds, understand world events, represent ourselves, commodify our environments and transact these with the wider world. Through these acts we constantly negotiate our sense of aesthetics, our notions of what is private and public, our depictions of the everyday and issues of security and conflict whilst constructing moral codes for a technologically-mediated society. This book argues that we have crafted a ‘Glasshouse’ society where the forms of gaze are open-ended, promising us empowerment while making us endlessly vulnerable.

Politics of Gaze is a vital resource for New Media studies and related fields such as photography, technology studies, visual communications, journalism and sociology.

Going beyond the cursory reasons behind why we capture images on the move, Politics of Gaze explores our contemporary practices around visual imaging and brings original conceptualisations about why we constantly capture ourselves and our environments through digital technologies.

Our technologically mediated ‘everyday visuality’ has moral and ethical implications for the ways in which we construct our worlds, understand world events, represent ourselves, commodify our environments and transact these with the wider world. Through these acts we constantly negotiate our sense of aesthetics, our notions of what is private and public, our depictions of the everyday and issues of security and conflict whilst constructing moral codes for a technologically-mediated society. This book argues that we have crafted a ‘Glasshouse’ society where the forms of gaze are open-ended, promising us empowerment while making us endlessly vulnerable.

Politics of Gaze is a vital resource for New Media studies and related fields such as photography, technology studies, visual communications, journalism and sociology.

This is one of the I Can Series of five books that introduces and illustrates some basic yet important concepts and terms for young Muslim children. These are explained with reference to their everyday life and in the settings with which children are familiar. In simple, easy-to-understand language the series presents Islam as a living reality to be experienced in daily life. It answers many questions about Islam as faith which arise in the young, curious minds.

For ages 3-5 years and the young at heart.

How do we learn to love the Koran, the Book of Allah? By keeping it with us and learning and reading it whenever and wherever we can.

This book offers critical perspectives on the digital ‘iconic’, exploring how the notion of the iconic is re-appropriated and re-made online, and the consequences for humanity and society. Examining cross-cultural case studies of iconic images in digital spaces, the author offers original and critical analyses, theories and perspectives on the notion of the ‘iconic’, and on its movement, re-appropriation and meaning making on digital platforms.

A carefully curated selection of case studies illustrates topics such as phantom memory; martyrdom; denigration and pornographic recoding; digital games as simulacra; and memes as ‘artification’. Situating the notion of the iconic firmly within contemporary cultures, the author takes a thematic approach to investigate the iconic as an unstable and unfinished phenomenon online as it travels through platforms temporally and spatially.

The book will be an important resource for academics and students in the areas of media and communications, digital culture, cultural studies, visual communication, visual culture, journalism studies and digital humanities.

This book offers critical perspectives on the digital ‘iconic’, exploring how the notion of the iconic is re-appropriated and re-made online, and the consequences for humanity and society. Examining cross-cultural case studies of iconic images in digital spaces, the author offers original and critical analyses, theories and perspectives on the notion of the ‘iconic’, and on its movement, re-appropriation and meaning making on digital platforms.

A carefully curated selection of case studies illustrates topics such as phantom memory; martyrdom; denigration and pornographic recoding; digital games as simulacra; and memes as ‘artification’. Situating the notion of the iconic firmly within contemporary cultures, the author takes a thematic approach to investigate the iconic as an unstable and unfinished phenomenon online as it travels through platforms temporally and spatially.

The book will be an important resource for academics and students in the areas of media and communications, digital culture, cultural studies, visual communication, visual culture, journalism studies and digital humanities.

Posthuman Capitalism critically reviews the manifestation of capitalist agenda online by examining the phenomenon of the ‘posthuman’ in the data economy.

The chapters examine our posthuman condition, where we are constantly asked to partake in platforms which perform to capitalist agenda while socializing us into new platforms of living, consuming and interacting online. Labelling these modes of our experiential extractions, transactions and re-making of our mortal lives as posthuman capitalism, the book reviews the human entanglements from sociality, friendship, desire, memory, transgressions of privacy and co-production of value through the data economy.

Offering innovative and interdisciplinary conceptualisations and vantage points on our contemporary data society, this book will be a key text for scholars and students in the areas of digital media, communication studies, sociology, philosophy and social psychology.

Posthuman Capitalism critically reviews the manifestation of capitalist agenda online by examining the phenomenon of the ‘posthuman’ in the data economy.

The chapters examine our posthuman condition, where we are constantly asked to partake in platforms which perform to capitalist agenda while socializing us into new platforms of living, consuming and interacting online. Labelling these modes of our experiential extractions, transactions and re-making of our mortal lives as posthuman capitalism, the book reviews the human entanglements from sociality, friendship, desire, memory, transgressions of privacy and co-production of value through the data economy.

Offering innovative and interdisciplinary conceptualisations and vantage points on our contemporary data society, this book will be a key text for scholars and students in the areas of digital media, communication studies, sociology, philosophy and social psychology.

This book investigates the hostile environment and politics of visceral and racial denigration which have characterised responses to refugees and migrants within the UK and Europe in recent years.

The European ‘migrant crisis’ from 2015 onwards has been characterised by an extremely intimidating atmosphere which denies the basic humanity of refugees and migrants. Deep rooted in Western Enlightenment trajectory, this racially-driven politics is linked to the Western theories of scientific superiority which went on to become the basis of eugenics and coloniality as part of modernity. Focusing on the ‘migrant crisis’, Brexit, and the impacts of the global pandemic, this book unpicks the waves of crises and neuroses about the ‘Other’ in Europe and the UK. The chapters analyse the rhetoric of camps, refrigerated death lorries, the notion of channel crossings and ‘accidental’ drownings, the formation of relationship with border architecture such as the razor wire, and corporeal resistance in detention centres through hunger strike. In examining such specific sites of rhetorical articulation, policy formation, social imagination, and its incumbent visuality, the chapters deconstruct the intersection of dominant ideologies, power, knowledge paradigms (including the media) as part of the public sphere and their combined re-mediation of the dispossessed humans in the shores and borders of Europe.

This important interdisciplinary volume will be of interest to researchers of migration, humanitarianism, geography, global development, sociology and communication studies.

This book investigates the hostile environment and politics of visceral and racial denigration which have characterised responses to refugees and migrants within the UK and Europe in recent years.

The European ‘migrant crisis’ from 2015 onwards has been characterised by an extremely intimidating atmosphere which denies the basic humanity of refugees and migrants. Deep rooted in Western Enlightenment trajectory, this racially-driven politics is linked to the Western theories of scientific superiority which went on to become the basis of eugenics and coloniality as part of modernity. Focusing on the ‘migrant crisis’, Brexit, and the impacts of the global pandemic, this book unpicks the waves of crises and neuroses about the ‘Other’ in Europe and the UK. The chapters analyse the rhetoric of camps, refrigerated death lorries, the notion of channel crossings and ‘accidental’ drownings, the formation of relationship with border architecture such as the razor wire, and corporeal resistance in detention centres through hunger strike. In examining such specific sites of rhetorical articulation, policy formation, social imagination, and its incumbent visuality, the chapters deconstruct the intersection of dominant ideologies, power, knowledge paradigms (including the media) as part of the public sphere and their combined re-mediation of the dispossessed humans in the shores and borders of Europe.

This important interdisciplinary volume will be of interest to researchers of migration, humanitarianism, geography, global development, sociology and communication studies.

Calais has a long history of transient refugee settlements and is often narrated through the endeavour to ‘sanitize’ it by both the English and the French in their policy and media discourses. Calais and its Border Politics encapsulates the border politics of Calais as an entry port through the refugee settlements known as the ‘Jungle’. By deconstructing how the jungle is a constant threat to the civilisation and sanity of Calais, the book traces the story of the jungle, both its revival and destruction as a recurrent narrative through the context of border politics. The book approaches Calais historically and through the key concept of the camp or the ‘jungle’ - a metaphor that becomes crucial to the inhuman approach to the settlement and in the justifications to destroy it continuously. The demolition and rebuilding of Calais also emphasises the denigration of humanity in the border sites.

The authors offer a comprehensive insight into the making and unmaking of one of Europe’s long-standing refugee camps. The book explores the history of refugee camps in Calais and provides an insight into its representation and governance over time. The book provides an interdisciplinary perspective, employing concepts of space making, human form and corporeality, as well as modes of representation of the ‘Other’ to narrate the story of Calais as a border space through time, up to its recent representations in the media.

This book’s exploration of the representation and governance of the contentious Calais camps will be an invaluable resource to students and scholars of forced migration, border politics, displacement, refugee crisis, camps and human trauma.

Calais has a long history of transient refugee settlements and is often narrated through the endeavour to ‘sanitize’ it by both the English and the French in their policy and media discourses. Calais and its Border Politics encapsulates the border politics of Calais as an entry port through the refugee settlements known as the ‘Jungle’. By deconstructing how the jungle is a constant threat to the civilisation and sanity of Calais, the book traces the story of the jungle, both its revival and destruction as a recurrent narrative through the context of border politics. The book approaches Calais historically and through the key concept of the camp or the ‘jungle’ - a metaphor that becomes crucial to the inhuman approach to the settlement and in the justifications to destroy it continuously. The demolition and rebuilding of Calais also emphasises the denigration of humanity in the border sites.

The authors offer a comprehensive insight into the making and unmaking of one of Europe’s long-standing refugee camps. The book explores the history of refugee camps in Calais and provides an insight into its representation and governance over time. The book provides an interdisciplinary perspective, employing concepts of space making, human form and corporeality, as well as modes of representation of the ‘Other’ to narrate the story of Calais as a border space through time, up to its recent representations in the media.

This book’s exploration of the representation and governance of the contentious Calais camps will be an invaluable resource to students and scholars of forced migration, border politics, displacement, refugee crisis, camps and human trauma.