Yasna Bozhkova – författare
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3 produkter
3 produkter
Inbunden, Engelska, 2025
2 204 kr
Skickas inom 5-8 vardagar
Ebook available to libraries exclusively as part of the JSTOR Path to Open intiative.This volume brings together scholars of English-speaking literary modernism, around the notion of wandering, both as a spatial concept and as a broader notion involving the loss of identity and social, political as well as philosophical questions. It addresses the crucial importance of wandering after the First World War, at a time of acceleration in transports and communication, coupled with a sense of fragmentation and loss, which are posited as a crucial set of experiences for modernist artists. The collected articles encompass the material aspects of wandering lifestyles, the social and cultural institutions of modern travels, from tourism to exile, as well as the politics of localization and displacement in a world dominated by imperialism and caught in nationalist and ideological struggles. They explore the interconnections between these forces, on different scales, and the personal and artistic trajectories of canonical modernist figures likes James Joyce, Virginia Woolf or William Carlos Williams, and others who have received more recent recognition like Jean Rhys or Katherine Mansfield, as well as lesser-known movements like the American “Hobohemia.” The range of concepts and critical perspectives they invoke, and the way in which these theoretical concepts intersect and connect in fruitful exchanges, provides readers with a vast and fascinating insight into the diversity of modernist scholarship and the new trajectories which it is following, especially in the crucible of French academia.
Inbunden, Engelska, 2025
255 kr
Skickas inom 5-8 vardagar
Ebook available to libraries exclusively as part of the JSTOR Path to Open intiative.This volume brings together scholars of English-speaking literary modernism, around the notion of wandering, both as a spatial concept and as a broader notion involving the loss of identity and social, political as well as philosophical questions. It addresses the crucial importance of wandering after the First World War, at a time of acceleration in transports and communication, coupled with a sense of fragmentation and loss, which are posited as a crucial set of experiences for modernist artists. The collected articles encompass the material aspects of wandering lifestyles, the social and cultural institutions of modern travels, from tourism to exile, as well as the politics of localization and displacement in a world dominated by imperialism and caught in nationalist and ideological struggles. They explore the interconnections between these forces, on different scales, and the personal and artistic trajectories of canonical modernist figures likes James Joyce, Virginia Woolf or William Carlos Williams, and others who have received more recent recognition like Jean Rhys or Katherine Mansfield, as well as lesser-known movements like the American “Hobohemia.” The range of concepts and critical perspectives they invoke, and the way in which these theoretical concepts intersect and connect in fruitful exchanges, provides readers with a vast and fascinating insight into the diversity of modernist scholarship and the new trajectories which it is following, especially in the crucible of French academia.
Inbunden, Engelska, 2022
2 290 kr
Skickas inom 5-8 vardagar
This book provides a new critical reappraisal of the work of modernist writer and artist Mina Loy. Primarily known for her daring and difficult poems, Loy was also the author of a dazzling variety of other literary and visual artworks in different genres and media. My reading demonstrates the richness and complexity of her work beyond the more often-explored path from Futurism to Dada to Surrealism, emphasizing the importance of her perpetual travel between disparate aesthetics. Engaging in a close analysis of her poetry, essays, manifestoes, and novel Insel, I unearth a multiplicity of hidden literary and pictorial intertexts in her works. Tracing the origins of Loy’s often puzzling imagery, I examine the complex strategies of collage, condensation, distortion, and displacement through which she conflates multiple allusions in enigmatic constellations. I challenge T.S. Eliot’s claim that Loy lacks an œuvre, claiming that there is an aesthetic project, or at least a paradoxical unity in her famously fragmented work. I show how her writings critically engage with the turbulence of avant-garde innovation of her time, pinpointing the essential ephemerality of the avant-gardes and their tendency to become dogmatic ideologies. Through a perpetual shift of the aesthetic paradigm, Loy’s work creates dialogic exchanges between different experimental aesthetic programs. Thus, the book positions Loy not only as an important artist, but also as a major theorist of modernist and avant-garde aesthetics.