Yong-Chan Kim – författare

This book examines key features, problems, and implications of the 2016–2017 Candlelight Movement, a historical cornerstone for democracy and social movements in South Korea.

The Candlelight Movement brought profound social changes with important lessons and questions for scholars, practitioners, activists, and the public. To examine the full complexity of the movement, this edited volume utilises wide-ranging methodological and theoretical approaches, which include case study approaches, ethnography, survey, feminist film criticism, critical discourse analysis, and rhetorical criticism. Chapters place ‘communication’ at the centre of their analyses, calling attention to the mediated and mediatised, the performative and other discursive practices of the 2016–2017 Candlelight Movement. In doing so, the book discusses not only the usual players and factors – nor the institutions that exert their influence through democratic politics and the public sphere – but also the counter-public embracing new and social media, collective singing, the body, and performance, as their choice of political media. As such, this volume offers important insights into how communication plays a critical role in forming, moving, and transforming new social movements.

The Candlelight Movement, Democracy, and Communication in Korea will appeal to students and scholars of communication and media studies, political science, sociology, and Korean studies.

This book examines key features, problems, and implications of the 2016–2017 Candlelight Movement, a historical cornerstone for democracy and social movements in South Korea.

The Candlelight Movement brought profound social changes with important lessons and questions for scholars, practitioners, activists, and the public. To examine the full complexity of the movement, this edited volume utilises wide-ranging methodological and theoretical approaches, which include case study approaches, ethnography, survey, feminist film criticism, critical discourse analysis, and rhetorical criticism. Chapters place ‘communication’ at the centre of their analyses, calling attention to the mediated and mediatised, the performative and other discursive practices of the 2016–2017 Candlelight Movement. In doing so, the book discusses not only the usual players and factors – nor the institutions that exert their influence through democratic politics and the public sphere – but also the counter-public embracing new and social media, collective singing, the body, and performance, as their choice of political media. As such, this volume offers important insights into how communication plays a critical role in forming, moving, and transforming new social movements.

The Candlelight Movement, Democracy, and Communication in Korea will appeal to students and scholars of communication and media studies, political science, sociology, and Korean studies.

This volume showcases continuity and change in communication with and within North Korea. By approaching the country from three distinct angles – news media, popular culture, and digital technology – this volume looks at media portrayals of North Korea, at cultural discourses in various media, and at the impact of new and emerging technologies.

Taking a variety of communication studies perspectives, this book first addresses why North Korea matters for the general audience, academic audience, and communication scholars in particular, and how communication studies can benefit from studying North Korea. Drawing on insights from history and international relations, this book shows how the Cold War and Old-World Order shape media and communications in places like North Korea, as well as how the desire for people to communicate and to be understood can surpass such a regime’s tight control.

This multifaceted look at communication within this fascinating and under-studied nation will appeal to scholars, researchers, and upper-level students of communication studies, media studies, journalism, new and digital media, and political communication.

This volume showcases continuity and change in communication with and within North Korea. By approaching the country from three distinct angles – news media, popular culture, and digital technology – this volume looks at media portrayals of North Korea, at cultural discourses in various media, and at the impact of new and emerging technologies.

Taking a variety of communication studies perspectives, this book first addresses why North Korea matters for the general audience, academic audience, and communication scholars in particular, and how communication studies can benefit from studying North Korea. Drawing on insights from history and international relations, this book shows how the Cold War and Old-World Order shape media and communications in places like North Korea, as well as how the desire for people to communicate and to be understood can surpass such a regime’s tight control.

This multifaceted look at communication within this fascinating and under-studied nation will appeal to scholars, researchers, and upper-level students of communication studies, media studies, journalism, new and digital media, and political communication.