Yoshio Sugimoto – författare

Japanese Studies has provided a fertile space for non-Eurocentric analysis for a number of reasons. It has been embroiled in the long-running internal debate over the so-called Nihonjinron, revolving around the extent to which the effective interpretation of Japanese society and culture requires non-Western, Japan-specific emic concepts and theories. This book takes this question further and explores how we can understand Japanese society and culture by combining Euro-American concepts and theories with those that originate in Japan. Because Japan is the only liberal democracy to have achieved a high level of capitalism outside the Western cultural framework, Japanese Studies has long provided a forum for deliberations about the extent to which the Western conception of modernity is universally applicable. Furthermore, because of Japan’s military, economic and cultural dominance in Asia at different points in the last century, Japanese Studies has had to deal with the issues of Japanocentrism as well as Eurocentrism, a duality requiring complex and nuanced analysis.This book identifies variations amongst Japanese Studies academic communities in the Asia-Pacific and examines the extent to which relatively autonomous scholarship, intellectual approach or theories exist in the region. It also evaluates how studies on Japan in the region contribute to global Japanese Studies and explores their potential for formulating concrete strategies to unsettle Eurocentric dominance of the discipline.

This wide-ranging and innovative collection of essays addresses the Japanese dimension of one of the major sociological issues of our time: the nature of socio-economic modernisation and the emergence or otherwise of 'post-modern' industrial society. The rise to economic supremacy of post-war Japan constitutes an enormous challenge to that western orthodoxy which posits an essentially unilinear process of modernisation from the seventeenth century to the present day in which national and regional diversity has been eroded by the gradual social convergence of the major industrial powers. How does a society of contrasting social and cultural traditions fit within this pattern? Can one sensibly speak of Japanese society as 'modern' when such usage is effectively defined by other, western, presuppositions? In this volume an international team of contributors assesses these questions and investigates the real impact of modernisation upon the Japanese themselves.

This Companion provides a comprehensive overview of the influences that have shaped modern-day Japan. Spanning one and a half centuries from the Meiji Restoration in 1868 to the beginning of the twenty-first century, this volume covers topics such as technology, food, nationalism and rise of anime and manga in the visual arts. The Cambridge Companion to Modern Japanese Culture traces the cultural transformation that took place over the course of the twentieth century, and paints a picture of a nation rich in cultural diversity. With contributions from some of the most prominent scholars in the field, The Cambridge Companion to Modern Japanese Culture is an authoritative introduction to this subject.

This Companion provides a comprehensive overview of the influences that have shaped modern-day Japan. Spanning one and a half centuries from the Meiji Restoration in 1868 to the beginning of the twenty-first century, this volume covers topics such as technology, food, nationalism and rise of anime and manga in the visual arts. The Cambridge Companion to Modern Japanese Culture traces the cultural transformation that took place over the course of the twentieth century, and paints a picture of a nation rich in cultural diversity. With contributions from some of the most prominent scholars in the field, The Cambridge Companion to Modern Japanese Culture is an authoritative introduction to this subject.

First published in 1989. This volume has emerged from the International Colloquium on the Comparative Study of Japanese Society. Held at Noosa Heads in Queensland from 29 January to 6 February 1982, the colloquium brought together participants from eight countries to discuss about thirty papers. The participants came with a common sense of dissatisfaction with the 'group model' or 'consensus-oriented theories' as a means of understanding Japanese society. The papers and discussion focused on alternative approaches for conceptualizing Japanese society and on methodological issues in the comparative study of Japanese society.

This is a systematic study of the sociological debate on postmodernity in the Japanese context. The volume consists of a collection of 12 papers that explore the idea of postmodernity primarily from sociological perspectives, covering a wide range of domains including work, feminism, communication, science and technology, social stratification, fine arts and literature. The contributors come from diverse disciplines ranging from sociology and history to political science and linguistics. They include advocates of postmodern theories and postmodernist analyses of Japanese society, as well as critics who argue that a suitable revised theory of modernity is still an adequate framework for comparing Japan and the West. Others take the view that an intermediate position might be more productive; that a qualified or provisional version of postmodern can throw new light on issues traditionally neglected by social theory. While the postmodernity debate has been carried out chiefly in the context of European and American experiences, this book aims to pave the way for the postmodernity question to be explored in the non-western but highly industrialized setting of Japan, and brings forward a series of open-ended questions about the bias in the debate. Written by academics based in universities in Japan and Australia, the volume itself is postmodern in its internal diversity and multi-cultural orientation.

The popular image of Japanese society is a steroetypical one - that of a people characterised by a coherent set of thought and behaviour patterns, applying to all Japanese and transcending time. Ross Mouer and Yoshio Sugimoto found this image quite incongruous during their research for this book in Japan. They ask whether this steroetype of the Japanese is not only generated by foreigners but by the Japanese themselves.This is likely to be a controversial book as it does not contribute to the continuing mythologising of Japan and the Japanese. The book examines contemporary images of Japanese society by surveying an extensive sample of popular and academic literature on Japan. After tracing the development of "holistic" theories about the Japanese, commonly referred to as the "group model", attention is focused on the evaluation of that image. Empirical evidence contrary to this model is discussed and methodological lacunae are cited. A "sociology of Japanology" is also presented.In pursuit of other visions of Japanese society, the authors argue that certain aspects of Japanese behaviour can be explained by considering Japanese society as the exact inverse of the portayal provided by the group model. The authors also present a multi-dimensional model of social stratification, arguing that much of the variation in Japanese behaviour can be understood within the framework as having universal equivalence.

This title was first published in 1986:  This is a study of "karayuki-san", impoverished Japanese women sent abroad to work as prostitutes from the 1860s to the 1920s. It follows the life of one prostitute, Osaki, who is persuaded as a child of ten to accept cleaning work in Borneo and then forced to work as a prostitute in a brothel.

This title was first published in 1986:  This is a study of "karayuki-san", impoverished Japanese women sent abroad to work as prostitutes from the 1860s to the 1920s. It follows the life of one prostitute, Osaki, who is persuaded as a child of ten to accept cleaning work in Borneo and then forced to work as a prostitute in a brothel.

An Introduction to Japanese Society provides an engaging introduction to Japanese society by internationally renowned scholar Yoshio Sugimoto. The text examines the diverse nature of contemporary Japanese society with chapters covering class, work, education, gender, ethnicity, religion, popular culture, and the establishment. This edition discusses the shifting landscape of the 'Cool Japan' project; the impact of the COVID-19 pandemic; the significance of Okinawa as the land of ethnic identity; the escalation of foreign workers and residents; the casualization of the labor force; intersectionality in Japanese class culture; the continuous aging of Japanese society; geopolitical shifts in East Asia; and the outcomes of recent national elections. Each chapter contains case examples, providing contemporary perspectives on each topic, as well as research questions, further readings, and online resources to consolidate student understanding and guide further exploration. Lively and highly readable, this text is essential reading for all students of Japanese society.

An Introduction to Japanese Society provides a highly readable introduction to Japanese society by internationally renowned scholar Yoshio Sugimoto. Taking a sociological approach, the text examines the multifaceted nature of contemporary Japanese society with chapters covering class, geographical and generational variation, work, education, gender, ethnicity, religion, popular culture, and the establishment. This edition begins with a new historical introduction placing the sociological analysis of contemporary Japan in context, and includes a new chapter on religion and belief systems. Comprehensively revised to include current research and statistics, the text covers changes to the labor market, evolving conceptions of family and gender, demographic shifts in an aging society, and the emergence of new social movements. Each chapter now contains illustrative case examples, research questions, recommended further readings and useful online resources. Written in a lively and engaging style, An Introduction to Japanese Society remains essential reading for all students of Japanese society.

Japanese Studies has provided a fertile space for non-Eurocentric analysis for a number of reasons. It has been embroiled in the long-running internal debate over the so-called Nihonjinron, revolving around the extent to which the effective interpretation of Japanese society and culture requires non-Western, Japan-specific emic concepts and theories. This book takes this question further and explores how we can understand Japanese society and culture by combining Euro-American concepts and theories with those that originate in Japan. Because Japan is the only liberal democracy to have achieved a high level of capitalism outside the Western cultural framework, Japanese Studies has long provided a forum for deliberations about the extent to which the Western conception of modernity is universally applicable. Furthermore, because of Japan’s military, economic and cultural dominance in Asia at different points in the last century, Japanese Studies has had to deal with the issues of Japanocentrism as well as Eurocentrism, a duality requiring complex and nuanced analysis.This book identifies variations amongst Japanese Studies academic communities in the Asia-Pacific and examines the extent to which relatively autonomous scholarship, intellectual approach or theories exist in the region. It also evaluates how studies on Japan in the region contribute to global Japanese Studies and explores their potential for formulating concrete strategies to unsettle Eurocentric dominance of the discipline.

This is a systematic study of the sociological debate on postmodernity in the Japanese context. The volume consists of a collection of 12 papers that explore the idea of postmodernity primarily from sociological perspectives, covering a wide range of domains including work, feminism, communication, science and technology, social stratification, fine arts and literature. The contributors come from diverse disciplines ranging from sociology and history to political science and linguistics. They include advocates of postmodern theories and postmodernist analyses of Japanese society, as well as critics who argue that a suitable revised theory of modernity is still an adequate framework for comparing Japan and the West. Others take the view that an intermediate position might be more productive; that a qualified or provisional version of postmodern can throw new light on issues traditionally neglected by social theory. While the postmodernity debate has been carried out chiefly in the context of European and American experiences, this book aims to pave the way for the postmodernity question to be explored in the non-western but highly industrialized setting of Japan, and brings forward a series of open-ended questions about the bias in the debate. Written by academics based in universities in Japan and Australia, the volume itself is postmodern in its internal diversity and multi-cultural orientation.

First published in 1989. This volume has emerged from the International Colloquium on the Comparative Study of Japanese Society. Held at Noosa Heads in Queensland from 29 January to 6 February 1982, the colloquium brought together participants from eight countries to discuss about thirty papers. The participants came with a common sense of dissatisfaction with the 'group model' or 'consensus-oriented theories' as a means of understanding Japanese society. The papers and discussion focused on alternative approaches for conceptualizing Japanese society and on methodological issues in the comparative study of Japanese society.