Yve Lomax – författare

Written through both the first and second person singular, "Passionate Being" takes its author and its reader on a journey that has them thinking of their experience of and belonging to language and the possibility of an instance of the world taking-place without prejudice and exclusion. At its beginning, it brings to its author the question 'What can you say?' The responses that ensue turn our attention toward presupposition and about how 'singularity' can be said. The book also brings into play, among others, the work of Giorgio Agamben. It asks us to view both language and the world taking-place without presupposition, revealing both the political implications, and those for living, that this vision holds. It is a work to be read twice with pleasure, and then again.

Written through both the first and second person singular, "Passionate Being" takes its author and its reader on a journey that has them thinking of their experience of and belonging to language and the possibility of an instance of the world taking-place without prejudice and exclusion. At its beginning, it brings to its author the question 'What can you say?' The responses that ensue turn our attention toward presupposition and about how 'singularity' can be said. The book also brings into play, among others, the work of Giorgio Agamben. It asks us to view both language and the world taking-place without presupposition, revealing both the political implications, and those for living, that this vision holds. It is a work to be read twice with pleasure, and then again.

Written through both the first and second person singular, "Passionate Being" takes its author and its reader on a journey that has them thinking of their experience of and belonging to language and the possibility of an instance of the world taking-place without prejudice and exclusion. At its beginning, it brings to its author the question 'What can you say?' The responses that ensue turn our attention toward presupposition and about how 'singularity' can be said. The book also brings into play, among others, the work of Giorgio Agamben. It asks us to view both language and the world taking-place without presupposition, revealing both the political implications, and those for living, that this vision holds. It is a work to be read twice with pleasure, and then again.

Here from There is a book shared by Vit Hopley and Yve Lomax. It refuses the division of genre; it defies separation. Philosophy, poetry and the everyday touch, falling together. It dares to challenge the monoculture that has all but wrecked out Earth. It will be a beautiful book to hold and read. It loves and commits to language.

PURE MEANS draws fictional writing, philosophy and politics tight together. With two scraps of paper, scribbled down words, a crumpled photographic image, along with a gesture and an utterance saying 'This voice is not mine', this book unashamedly asks us to become visionaries and see what 'pure means' can be. Littered with experiments, not only with writing and words, but also with the art of citation without citation marks, glosses and glossary, PURE MEANS troubles the preponderance of government today. It brings an 'insurrection of being' into sight, and it is magical to see.