Zachary Mason – författare

Not far in the future the seas have risen and the central latitudes are emptying but it’s still a good time to be rich in San Francisco where weapons drones patrol the skies to keep out the multitudinous poor. Irina isn’t rich, not quite, but she does have an artificial memory that gives her perfect recall, and lets her act as a medium between her various employers and their AIs, which are complex to the point of opacity. It’s a good gig, paying enough for the annual visits to the Mayo Clinic that keep her from ageing.Kern has no such access; he's one of the many refugees in the sprawling drone-built favelas on the city’s periphery, where he lives like a monk, training relentlessly in martial arts, scraping by as a thief and an enforcer. Thales is from a different world entirely – the mathematically-inclined scion of a Brazilian political clan, he's fled to L.A. after the attack that left him crippled and his father dead. A ragged stranger accosts Thales and demands to know how much he can remember. Kern flees for his life after robbing the wrong mark. Irina finds a secret in the reflection of a laptop’s screen in her employer’s eyeglasses. None are safe as they’re pushed together by subtle forces that stay just out of sight.Vivid, tumultuous and propulsive, Void Star is Zachary Mason’s mind-bending follow-up to his bestselling debut The Lost Books of the Odyssey.

After ten years' journeying Odysseus returns, again and again, to Ithaca. Each time he finds something different: his patient wife Penelope has betrayed him and married; his arrival accelerates time and he watches his family age and die in front of him; he walks into an empty house in ruins; he returns but is so bored he sets sail again to repeat his voyage; he comes back to find Penelope is dead.In these forty-four retellings of passages from Homer's Odyssey, Zachary Mason uses Homer's linear narrative and explodes it: presenting alternative and contradictory fragments of familiar stories - the Trojan Horse, the Cyclops, Circe, the Sirens - allowing us to see Homer's masterpiece afresh. Elegant, provocative and utterly fascinating, The Lost Books of the Odyssey seems destined to become a modern classic.

In the tradition of Zachary Mason’s bestselling first novel, The Lost Books of the Odyssey – where he recast episodes from Homer’s masterpiece – Metamorphica now reimagines Ovid’s epic poem of endless transformation, Metamorphoses. Just as the Roman poet reinvigorated the Greek Classical legends 700 years after Homer, so Mason now gives us a radical and exciting renovation of those myths, 2,000 years after Ovid.It retells the great stories of Narcissus, Orpheus, Persephone, Icarus, Midas, Medea and Actaeon, and strings them together like the stars in constellations – with even Ovid himself entering the narrative. It’s as though the ancient mythologies had been rewritten by Borges or Calvino – or artificial intelligence – and brought glimmering back into our world. Metamorphica re-engages with the elemental power of the ancient shape-changing gods by keeping their essences while rewriting their stories. It is this extraordinary narrative approach that is so thrilling; we watch as the author extracts more and more out of the original legend – adding infinite perspectives to narratives we thought we knew. Mason understands that the great myths are parables – always in flux, always relevant – always throwing shards of light from the morning of the world.

This brilliant and beguiling debut novel reimagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy.

After ten years' journeying Odysseus returns, again and again, to Ithaca. Each time he finds something different: his patient wife Penelope has betrayed him and married; his arrival accelerates time and he watches his family age and die in front of him; he walks into an empty house in ruins; he returns but is so bored he sets sail again to repeat his voyage; he comes back to find Penelope is dead.In these forty-four retellings of passages from Homer's Odyssey, Zachary Mason uses Homer's linear narrative and explodes it: presenting alternative and contradictory fragments of familiar stories - the Trojan Horse, the Cyclops, Circe, the Sirens - allowing us to see Homer's masterpiece afresh. Elegant, provocative and utterly fascinating, The Lost Books of the Odyssey seems destined to become a modern classic.

In the tradition of Zachary Mason’s bestselling first novel, The Lost Books of the Odyssey – where he recast episodes from Homer’s masterpiece – Metamorphica now reimagines Ovid’s epic poem of endless transformation, Metamorphoses. Just as the Roman poet reinvigorated the Greek Classical legends 700 years after Homer, so Mason now gives us a radical and exciting renovation of those myths, 2,000 years after Ovid.It retells the great stories of Narcissus, Orpheus, Persephone, Icarus, Midas, Medea and Actaeon, and strings them together like the stars in constellations – with even Ovid himself entering the narrative. It’s as though the ancient mythologies had been rewritten by Borges or Calvino – or artificial intelligence – and brought glimmering back into our world. Metamorphica re-engages with the elemental power of the ancient shape-changing gods by keeping their essences while rewriting their stories. It is this extraordinary narrative approach that is so thrilling; we watch as the author extracts more and more out of the original legend – adding infinite perspectives to narratives we thought we knew. Mason understands that the great myths are parables – always in flux, always relevant – always throwing shards of light from the morning of the world.