Zahava K. McKeon - Böcker
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3 produkter
3 produkter
321 kr
Skickas inom 7-10 vardagar
This text is a transcription of a full course, including both lectures and student discussions, taught by McKeon. As such, it provides an introduction to McKeon's conception of pluralism, a central aspect of neo-Pragmatism, while demonstrating how pluralism works in a classroom setting. In his lectures, McKeon outlines the history of Western thinking on the sciences. Treating the central concepts of motion, space, time and cause, he traces modern intellectual debates back to the ancient Greeks, notably Plato, Aristotle, Democritus and the Sophists. As he brings the story of Western science up to the 20th century, he uses his fabled semantic schema to uncover ideas and observations about cosmology, mechanics, dynamics and other aspects of physical science. Illustrating the broad historical sweep of the lectures are a series of discussions which give detail to the course's intellectual framework.
Freedom and History and Other Essays
An Introduction to the Thought of Richard McKeon
Häftad, Engelska, 1989
298 kr
Skickas inom 7-10 vardagar
This volume of essays is an important introduction to the thought of one of the twentieth century's most significant yet underappreciated philosophers, Richard McKeon. The originator of philosophical pluralism, McKeon made extraordinary contributions to philosophy, to international relations, and to theory-formation in the communication arts, aesthetics, the organization of knowledge, and the practical sciences. This collection, which includes a philosophical autobiography as well as the out-of-print title essay "Freedom and History" and a previously unpublished essay on "Philosophic Semantics and Philosophic Inquiry," is a testimony to the range and systematic power of McKeon's thinking for the social sciences and the humanities.
626 kr
Skickas inom 11-20 vardagar
In this absorbing study—the first comprehensive exploration of the rhetoric of the novel—Zahava Karl McKeon investigates the complex interrelations of critical poetics, grammars, dialectics, and rhetorics to devise a systematic means of dealing with the structure of prose works as communicative objects. Using the vocabulary and conceptual resources of Aristotle and Cicero, she pursues this exploration to discover the kinds of arguments that characterize novels, to find a way of distinguishing novels from other discursive wholes, and to discriminate different genres of the novel. McKeon's arguments are supplemented by readings of a variety of texts, including the novels and stories of Gunter Grass, John Fowles, Robert Coover, and Flannery O'Connor.